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eter lumine

2追蹤中18追蹤者290收到的按讚數
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AI artwork
el
character: nunnally_vi_britannia looking at another, 1girl, 1boy, from side, close-up, seated on lap, sitting on lap, girl sitting sideways across man's thighs, man's hands on girl's belly, hands on stomach, kiss on cheek, lips pressed to cheek, sad, crying, tears, tears on cheeks, open eyes, purple eyes, brown hair, long hair, very long hair, hair up, high ponytail, sidelocks, colossal earrings, colossal engagement ring, colossal bracelets, dark red kimono, pink and white dress, ornate dress, tacky dress, lace, excessive ruffles, too many bows, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous dress ornaments, ugly man, older man, heavy jowls, bulbous nose, small squinting eyes, crooked teeth, receding hairline, deep nasolabial folds, thick stubble, sweaty forehead, sad, trembling, holding back sobs, half-closed eyes, blush from crying, wet eyelashes, motionless, quiet misery, soft shadow, warm dim light Seen from the side in a tight close-up at cheek height, a very small brown-haired girl sits sideways across the thighs of a heavy, ugly older man who fills the right half of the frame; the camera is level with her face, so her cheek, the man's profile and the enormous ring are all on one plane. Her brown hair is swept up into a high ponytail with her long sidelocks falling loose past her chin, and the very long tail of it hangs down the back of the dark red kimono, the silk sash tied at her waist, the red fabric fringed with far too much lace along the collar and cuffs. Over and around the kimono she wears a pink and white dress so overdecorated it looks ridiculous -- layers of stiff lace cascading from the shoulders, excessive ruffles at every seam, bows too many to count clustered at her chest, her wrists and the edge of the enormous puffy skirt, which is huge and long and spills across the man's lap and out of the bottom of the frame, glitter fabric and scattered sequins catching the light, absurd little ornaments stitched wherever there is room. At her ears hang colossal earrings that pull the lobes; on her left hand, resting limp on her thigh, a colossal engagement ring with a stone the size of an apricot; colossal bracelets clatter around the wrist that dangles over her knee. The man's thick, blunt hands are clamped flat over the front of her belly, fingers spread wide against the glittering lace, thumbs pressed together just under her ribs, the fabric dimpled where he presses. His coarse, jowled profile is turned toward her cheek, his lips mashed against it in a kiss, his soft chin squashed flat by the contact. Her eyes are fully open and purple and brimming, her lids swollen and red-rimmed, tears sliding in a wet track from the inner corner down over the cheek that is not being kissed, a fresh drop hanging at her jaw; her mouth is pressed into a small shaking line, mouth corners pulled down, and she stares at nothing past the right edge of the frame. Lace petals of her skirt and the loose ponytail are the only things moving. A single warm lamp stands off frame to the left; it lights the wet track on her cheek, the hard facets of the ring and the sequins, and leaves the back of the man's neck and the folds deep in the skirt in shadow, the shadow of his hands falling dark across her dress. The palette is dark kimono red, bruised pink and chalk white against his flat grey-brown skin, the glitter scattered cold and bright. Quiet misery.
Nov 10, 2026 10:01 PM
AI artwork
el
character: nunnally_vi_britannia 2girls, 1boy, nunnally vi britannia, brown hair, very long hair, hair up, high ponytail, sidelocks, curtained hair, purple eyes, open eyes, crying, tears, sad, crying with eyes open, tears streaming down cheeks, dark red kimono, pink and white dress, oversized dress, puffy skirt, huge skirt, long skirt, layered kimono under dress, too much lace, excessive ruffles, too many bows, sequins, glitter fabric, overdecorated, tacky dress, ridiculous ornaments, colossal earrings, colossal bracelets, colossal engagement ring, ugly goblin, male goblin, green skin, pointed ears, long pointed nose, fangs, short stature, forced kiss, kiss, man forcing kiss on woman, grabbing her chin, hand on jaw, holding her wrist, from side, profile, close-up, dutch angle, motion lines, trembling, crying while being kissed, half-closed eyes, tears, looking away, struggling, leaning back, dark ornate interior, candlelight, warm single light source, dramatic shadows, somber, tragic, tense A tight dutch-angled side profile close-up of two figures pressed together in a darkened ornate room. On the left, the woman — brown very long hair swept up into a high ponytail with sidelocks curtaining her cheeks — is caught mid-struggle, body leaning back and away as her purple eyes stay wide open, wet with tears that streak down her cheeks, brows drawn up in distress, lips pressed shut against the kiss. On the right, a squat green-skinned goblin with pointed ears, a long pointed nose and small fangs leans in hard, one grubby hand clamped on her jaw to force her head toward him, the other gripping her wrist. Their faces meet in a forced, unwanted kiss, his mouth pressing to hers while her chin is tilted up and her shoulders twist. She is layered in a ludicrous pink-and-white dress: a dark red kimono collar showing at the neck, then an enormous puffy-tiered skirt in pink and white frothing with too much lace, excessive ruffles, cascading bows and glittering sequins that catch the candlelight, absurd oversized ornaments knotted through the trim, colossal hoop earrings and colossal bracelets swinging at her wrists, and a colossal engagement ring glinting on her finger as her hand is held. A single warm candle source from the upper right rakes across both faces, throwing the goblin's shadow across her cheek and leaving the room's corners in absolute dark; the candlelight makes the sequins sparkle while the tears shine wet at the corners of her eyes. The dutch tilt and motion lines heighten the sense of being overpowered and trapped. Somber, tragic.
Nov 9, 2026 6:51 AM
AI artwork
el
character: eris_greyrat, copyright: mushoku_tensei 1girl, 1boy, orc, eris_greyrat, red hair, very long hair, long hair, ahoge, black hairband, hair between eyes, thick eyebrows, red eyes, huge breasts, pregnant, visibly pregnant abdomen, pink and white dress, oversized dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, puffy skirt, long skirt, huge skirt, glitter fabric, sequins, ridiculous dress ornaments, colossal earrings, colossal bracelets, colossal engagement ring, tape gag, crying, tears, sad, indignant, scared, angry, thick eyebrows furrowed, from side, over-shoulder composition, carried, kidnapping, one orc, muscular male orc, carrying under arm, struggling, kicking legs, outstretched arm, reaching toward viewer, looking at viewer, dutch angle, cowboy shot, low angle, dramatic shadow The camera sits low and tilted, a dutch angle cutting the frame diagonally, and the shot is staged from the side and slightly behind the orc as it strides out of the frame, so its slab of a green shoulder and neck fills the left third of the picture, seen over its back. Slung under that green arm and half across the orc's hip, the red-haired woman faces the viewer: the orc's forearm crosses her waist and its hand closes on her far hip, her own weight sagging into that hold so her back arches and her legs kick free in the air, one knee drawn up and one boot heel dragging a thin skein of dust off the ground behind. Her very long red hair, tied back with a black hairband and a single ahoge springing up, whips loose from the band and streams across the orc's chest in the direction of travel; the black band stays knotted at the crown. Her huge breasts press up against the top of the pink and white dress, and below them the visibly pregnant curve of her abdomen strains the glittering bodice, the sequin fabric pulling tight in bright ridges over the swell while the tape gag cuts a flat grey bar across her mouth, her jaw working against it. Strands of hair stick to her wet cheeks; tears run in two clear lines from her red eyes, her thick eyebrows drawn down and together, one eye wide and one squeezed half-shut in a scowl of pure indignation, teeth clamped on the tape. Both wrists are ringed by colossal bracelets, gold and enamel, chunky as napkin rings; on her ring finger sits a colossal engagement ring, a stone the size of a plum that throws a hard white glint even in this light; at her ears hang colossal earrings that swing out on their chains with every step the orc takes, the pendulum of each one lagging a beat behind her swinging head. The dress is a catastrophe of pink and white: a puffy, huge, long skirt that balloons out from her hanging body, so much lace at the hem the frill looks like frosting, ruffles stacked in tiers, bows knotted at every seam and corner until the bows are the dress, sequins and glitter fabric catching light in a thousand sequin sparks, ornamental rosettes and dangling charms and a ribboned sash that has no business on any garment — everything oversized, everything too much. The hem of the huge skirt drags the packed earth; a bow on it is already smudged brown. The orc wears only rough leather straps across its back and a loincloth, its free hand dangling a rough loop of rope, its tusked head turned away from the camera, gaze fixed on the treeline ahead, so only the woman's eyes reach the viewer — wet, furious, and pleading. Light comes from a low sun behind and to the right of the pair: it flares through the swinging earrings in bright beads, catches the sequins and the huge ring in pinpoint sparks, rims the orc's shoulder in a hot orange edge, and throws both long black shadows forward across the rutted path toward the viewer, with the woman's shadow broken and spiky where the frilled skirt and kicking legs interrupt it. The palette is disciplined: hot orange and dust-ochre for the environment and the orc's hide, and pink, white and gold bursting out of the centre of it in the ridiculous dress. The ground is churned mud and grass in the foreground, the forest darkens to a wall of trunks and shadow in the background. Smoke and torn petals drift in the frame. Grim, garish.
Nov 8, 2026 7:55 PM
#艾莉絲·伯雷亞斯·格雷拉特#無職轉生～到了異世界就拿出真本事～
AI artwork
el
character: miyu_edelfelt, copyright: fate/kaleid_liner_prisma_illya 1girl, 1man, 2girls?, no, 1girl and 1 man, miyu edelfelt, black hair, medium hair, hair between eyes, brown eyes, hair ornament, hairclip, tiara, diamond collar, small breasts, crying, tears, blush, streaming tears, wet cheeks, trembling, ugly wedding dress, overly ornate wedding dress, tacky wedding dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins, gigantic sleeves, ridiculous ornaments, garish mismatched trim, ugly man, adult male, unshaven stubble, greasy hair, crooked nose, from behind, over-shoulder composition, man hugging girl from behind, arm around waist, hand covering mouth, palm clamped over her lips, attempted abduction, struggling, looking at another, wide-eyed, half-closed eyes, jitome, sweat, tension, dramatic lighting, The camera sits slightly behind and above the pair at a three-quarter over-shoulder angle: the man's broad back and shoulder fill the lower-left foreground in shadow, and past that shoulder the girl's face is turned toward the viewer's right, seen in three-quarter profile. He stands planted behind her, weight on his back foot, right arm banded around her waist and drawn tight against his chest so her back is pressed flat to his front; his left hand is clamped over her mouth, palm across her lips, fingers splayed over her cheek, thumb pressing the corner of her jaw, the heel of his hand crushing the lace at her throat. She is lifted a little onto her toes by the grip, one bare foot skidding, her small body arched away, both her hands clawing up at his wrist and forearm, nails digging in. Her black hair, cut to a medium length around her shoulders, swings forward over the arm covering her mouth, strands of it caught between his fingers, long bangs parted over her brow and hair between her eyes; a tiara is shoved crooked into the crown of her head, and a hairclip with a small flower pins the hair at her temple, one side slipping loose. Her brown eyes are wide and wet, tears standing in the lower lids and running in two tracks down her cheeks, blush blotching the skin across her nose and under her eyes, lips pushed out of shape under his palm, brows drawn up at the inner ends. The dress is a disaster of a wedding gown and rendered as one: a huge puffy skirt of glitter fabric and sequins in mismatched sizes that sprays light in every direction, ballooning so wide it fills the lower right of the frame and drags on the floor in bunched folds; lace piled in three different patterns at the hem and bodice, ruffles layered so thickly they buckle into stiff waves, bows of ribbon and satin knotted at shoulder, waist, hip and hem until they crowd each other, oversized puffed and beaded shoulders caught and crumpled under his forearm; gigantic sleeves so overbuilt they swallow her arms, the right sleeve fallen back off her shoulder and hanging in a glittering sack. A diamond collar rings her throat beneath the lace, its stones throwing hard white glints that read against the dim room. The setting is a shabby hall at night: a scuffed parquet floor, a dust sheet over something in the far corner, a single bare bulb overhead and slightly behind the pair. That bulb is the only light source, so it rims the man's shoulder and the top of her tiara and leaves his face and the far wall in shadow; the glitter of the sequins catches it in pinprick highlights, and long shadows of both figures stretch forward across the floor toward the camera. Palette pulls tight to cold grey-brown darkness against the frantic white-pink-gold noise of the dress. Tense, ugly dread.
Nov 5, 2026 7:19 AM
AI artwork
el
character: prisma_illya, illyasviel_von_einzbern, copyright: fate/kaleid_liner_prisma_illya 1girl, 1 goblin, 2girls, illyasviel von einzbern, blonde hair, long hair, hair between eyes, sidelocks, red eyes, small breasts, child, colossal earrings, colossal engagement ring, colossal bracelets, glass high heels, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, pink and white dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, sad, crying, tears, streaming tears, running, fleeing, from side, full body, motion blur, goblin, green skin, pointed ears, fangs, pointed nose, child-sized, jumping, leaping, reaching out, grasping hands, open mouth, mid-air, outstretched arm, dutch angle, dynamic angle, low angle, castle hall, marble floor, chandelier, warm candlelight, depth of field The camera is low and tilted, a dutch angle from just above the flagstones of a vast castle hall, so the floor's pale marble veining runs diagonally out of the bottom-left corner and the whole frame leans with the girl's flight. She is the midground subject: Illyasviel, a small child-sized girl with long blonde hair and straight sidelocks framing her face, a fringe of hair falling between her wide red eyes. Her face is crumpled in open grief, brow drawn up and pinched, mouth open in a sob, lower lip trembling, and tears stand in her lashes and run in glossy streaks down both cheeks, catching the light. She is caught mid-stride running toward the right edge of the frame and slightly toward the viewer, torso twisted back over her left shoulder to look behind her at the goblin, weight on her forward right leg with the left heel lifted clear of the floor, arms flung out for balance with the enormous bracelets swinging heavy on both wrists. Her dress is a catastrophe of ornament in pink and white: an oversized gown with a puffed, ballooning bodice over her small chest, a skirt so huge and long it takes up the lower half of the frame and drags across the marble in a wide spill of ruffles, layers upon layers of white lace heaped at the hem and cuffs, bows knotted at the waist, the shoulders and the back of the skirt, ridiculous oversized ornaments and rosettes pinned all over the fabric, sequins and glitter scattered across every surface and throwing back hard sparks of candlelight. Enormous dangling earrings pull at her earlobes and a colossal engagement ring, its stone absurdly large, weighs down her left hand. Crystal high heels flash under her feet, one heel just striking the stone. Behind her and to the left, a goblin is caught in mid-leap, child-sized and wiry with mottled green skin, long pointed ears sweeping back, a pointed nose and a mouth open on bared fangs, its short arms stretched out with splayed grasping fingers toward the trailing edge of her skirt. Its feet are off the floor, knees tucked, body angled up and forward on the diagonal toward her, the hem of her lace only inches from its fingertips. Its eyes are fixed on the girl; her eyes are fixed back on it. Above and beyond them, a chandelier's candles are the only light: warm amber light falls from high left, striking the tops of her shoulders, the crown of her head and the rim of the goblin's ears, glittering across the sequins, while their long soft shadows are thrown down and to the right across the marble. The far end of the hall falls into shadowed brown and violet. Palette: pink and white, warm gold candlelight, green goblin skin, cold pale marble. Her hair and the lace hem stream backward from her run; a few loose sequins have shaken free and hang in the air behind her. Frantic, glittering.
Nov 4, 2026 6:11 AM
#伊莉雅斯菲爾·馮·愛因茲貝倫#Fate系列#Fate/kaleid liner 魔法少女☆伊莉雅
AI artwork
el
character: alcina_dimitrescu, kurokawa_akane 1girl, 1woman, 2girls, yuri, hug from behind, kidnapping, woman carrying girl with one arm, girl facing forward, standing, sighing, sad, blush, long hair, bangs, black and blue gradient hair, multicolored hair, heterochromia, blue eye, green eye, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, fur trim, from side, cowboy shot, tall woman, short-haired woman, black hair, yellow eyes, pale skin, hair over one eye, claws, restrained embrace, looking at another, light smile, half-closed eyes, The camera views the pair from the side at a low cowboy-shot angle, the two of them filling the frame against a dim rococo salon. The tall pale woman stands with her weight on her back leg, chin lifted, a slow sigh escaping through her light closed-mouth smile as her eyes half close. One gloved arm wraps her partner from behind and hoists her slightly off the floor. Her other hand grips each other's wrist, holding the girl tight against the front of her body. The smaller girl faces forward toward the viewer, her long black-and-blue gradient hair sweeping around her shoulder, blunt bangs above her mismatched blue and green eyes, which look sideways and downward, weighed with sadness. A hot blush spreads across her cheeks. She wears an overblown red-and-white gown that cascades in huge, puffed, sequined layers, the glittering fur trim pressing against her captor's chest. A tiara hooks into her hair, colossal diamond earrings and matching bracelets swinging with the movement, a diamond collar tight at her throat, and an enormous engagement ring glinting from her raised hand. Lace, ruffles, and too many bows crowd every seam. The salon behind them is dark rococo paneling with dusty chandelier light from the left, catching the sequins and casting a long double shadow to the right. Theatrical, uneasy.
Nov 2, 2026 6:51 AM
AI artwork
el
character: kurokawa_akane 1girl, 1old woman, 2girls, long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, fur dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, humiliated, crying, standing, tall woman, gigantic woman, old woman, kidnapping, grabbing wrist, holding hands, forced perspective, from below, dutch angle, wide shot, dramatic lighting, chandelier, baroque hall, depth of field, detailed background, masterpiece, extreme quality, perfect anatomy, white gloves, bare ears, bare earlobes A low-angle dutch-angle wide shot tilts the whole frame, so the vaulted baroque hall leans and its gilded cornices climb out of the top corners; the camera sits near knee height, making the tall old woman tower while the girl is pushed small toward the lower right. In the left and center foreground the old woman — a wiry, hunched, enormously tall figure with a seamed face, a sharp hooked nose, a tight silver bun skewered with a plain pin, and small pale eyes behind rimless spectacles — leans over and grips the girl's right wrist with her bony bare hand, her long grey sleeve falling back from the forearm; her free hand clamps the girl's left shoulder, the fingers digging into the fur trim so the fur dents under each knuckle. Her chin drops, her gaze rakes down at the girl, and her thin lips pull into a satisfied, toothless little smile. The girl stands rooted, her weight sunk onto her left hip and her right foot trailing behind, her whole body pulled off-axis by the two grips; her left hand hangs limp at her side, knuckles slack, and her right forearm is stretched toward the old woman. Her head is tipped down and away, chin tucked to her left shoulder, so she looks at the floor between her own feet, and her long bangs slip forward across her brow; her mismatched eyes — one blue, one green, each with a small star-shaped pupil — are wet, lower lids brimming, and a hot blush burns across both cheeks while her mouth quivers in a pressed, unhappy line. Her long black-and-blue hair falls in a heavy gradient mass over her shoulders and back, every strand picking up the chandelier's warm light at the crown, where a tiara of clustered crystals sits pushed slightly crooked by her bowed head. Her huge red and white rococo gown is a catastrophe of ornament: a fur-trimmed bodice closing at a diamond collar that circles her throat in a rigid ring of stones, colossal chandelier earrings dragging her lobes down, colossal bracelets stacked up both wrists and clattering together, and a colossal engagement ring with a stone the size of a plum weighing down her right hand. Lace cascades in three tiers at the neckline and cuffs, ruffles burst from every seam, bows cluster so densely at the waist and hem that they form a scrollwork of their own, and glitter fabric and sewn sequins scatter pinpricks of light across a skirt so puffy and wide that its hem sweeps the floor in a full circle around her. The chandelier above is the only light source: its warm pools strike the crown of the girl's hair, the crystal tiara, the sequins and the old woman's spectacles, and the dark beyond its reach sinks into the hall's corners, so that the enormous skirt carries long soft shadows into its own folds and the old woman's cast shadow stretches across the marble toward the girl's feet. The palette keeps to deep crimson and ivory in the dress, cold diamond white in the jewels, and the dim gold and umber of the hall. A single loose sequin has worked free and lies caught in the fur trim at the girl's shoulder, glittering there. Bleak, humiliating.
Nov 1, 2026 5:56 AM
AI artwork
el
character: kurokawa_akane 1girl, 1 old woman, 2girls, tall gigantic woman larger than the girl, kidnapping, one woman gripping the girl's wrist, girl being dragged, sad, humiliated, blush, not enjoying it, distressed, long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, star-shaped pupils, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments on dress, red and white dress, fur dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, woman standing, from below, dutch angle, foreshortening, wide shot, looking down, looking away, crying, trembling, enormous frilled skirt filling the lower frame, giant ornate hall, chandelier light, The camera looks up from floor level at a steep tilt, so both women tower over the lens and the whole frame leans; the enormous skirt of the girl floods the bottom of the picture while the old woman rises above her to the right, taller by a full head and shoulders and built like a monument. The girl stands with her weight sunk into her left hip, her right arm pulled straight out and up at an awkward diagonal: the old woman's large wrinkled hand clamps around her wrist, thumb pressed into the pulse, and that grip is the only thing holding the girl from folding in on herself. The girl's other hand is pressed flat against her own collarbone, fingers splayed, knuckles pale. Her long multicolored black-to-blue gradient hair spills over her shoulders, bangs swept across her brow, and where the light catches the strands the blue runs through the black like ink in water. Her huge puffed skirt — red and white rococo silk swollen with lace tiers, ranks of ruffles, clusters of bows and a crust of sequins that throws hard pinpricks of light — billows outward until it scrapes the frame edges, fur trim along the hem shedding loose glittering fibres that drift in the air. The enormous earrings drag her earlobes down, the tiara sits slightly crooked in her hair, the colossal bracelets slide down her forearm toward the clamped wrist, and the diamond collar glitters coldly at her throat; the colossal engagement ring weighs her hand so it hangs at an odd angle. Her face is turned three-quarters away from the old woman, chin tucked, brow pinched, lips pressed thin and trembling, a hot blush burning across both cheeks, eyes lowered to the floor with their star-shaped pupils catching a wet shine — she is not looking at her captor at all, and cannot. The old woman stands square and planted, chin lifted, cold glittering eyes fixed straight down on the girl's averted face, her mouth a flat unimpressed line, and her enormous bejewelled fingers locked around the girl's wrist leave a visible white compression in the soft skin. Her own vast gown — layered red and white lace, fur, bows stacked on bows — echoes the girl's costume one size larger, so the pair reads as a matched set and an owner and a possession. Light pours from a chandelier high above and slightly behind the camera's subject line, so it falls on the tops of the tiara, the ring, the bracelets and the sequins, while the undersides of the skirt frills and the space under the old woman's jaw sink into warm shadow; the girl's cast shadow is long and trapped beneath the enormous skirt. The palette is red, white, and warm gold against a deep shadowed hall, with blue and black confined to the girl's hair and the cold fire of the diamonds. Glitter dust hangs visibly in the beam, marking how still the moment is. Quiet dread, humiliated.
Oct 31, 2026 7:17 AM
AI artwork
el
character: alcina_dimitrescu, kurokawa_akane 1girl, 1woman, 2girls, princess carry, tall woman, height difference, woman taller than girl, standing, sighing, sad, blush, long hair, bangs, black hair, blue hair, gradient hair, multicolored hair, swept bangs, hair between eyes, blue eyes, green eyes, enormous breasts, rococo style, red and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, fur dress, black fur coat, long coat, tiara, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, black hair, short hair, medium hair, hair over one eye, yellow eyes, pale skin, from below, cowboy shot, dutch angle, looking at another The camera sits low and tilted, staring up from floor level so both women tower into the frame, the standing one tallest of all. A vast ballroom corner recedes behind them: pale marble floor, a fluted column base, a tall mirror whose silvered edge catches the scene. The tall woman stands on the right, weight sunk into her left hip, spine curved back in a weary arch, chin lifted, chest rising as her shoulders drop — she is mid-sigh, lips parted on a slow exhale, one gloved hand curled under the girl's knees, the other flat across her back. Her short black hair falls over one eye, yellow eyes half-lidded and turned down toward the girl in her arms, pale skin cool against the warm room. She wears a wide-brimmed sun hat, pearl earrings, long gloves and a dark gown with hose, and over all of it her silhouette is enormous and calm. The girl lies cradled across the tall woman's forearms, head resting against the fur at the shoulder, one arm looped loose around the woman's neck, the other hanging with fingers slack. Her long black-and-blue gradient hair pours over the woman's sleeve, bangs sweeping between her eyes; her mismatched blue-and-green eyes are wet and lowered, cheeks burning with blush, brows drawn up in a sad, patient ache. A tiara sits crooked in her bangs, colossal earrings drag at her lobes, a diamond collar rings her throat, colossal bracelets stack her wrists, and a colossal engagement ring weighs down her left hand. Her red-and-white rococo dress is a deliberate disaster of excess — layers of lace, cascading ruffles, bows knotted over bows, sequins and glitter fabric flashing at every fold, ridiculous ornaments jangling at the hem — and the skirt is so huge and puffy that it spills over the woman's arms and hangs downward in a glittering bell, its edge nearly brushing the floor. (((((over the dress she wears a long black coat))))), its ((((fur))) collar and cuffs swallowing her shoulders. Light comes from a tall window on the left, low and cold, striking the standing woman's cheek and the girl's hair so the gradient shifts from black to blue where the light passes, while their joined shadow stretches long and skewed across the marble to the right. Dust turns slowly in the beam. A single loose sequin has fallen and lies glittering on the stone below the skirt hem. Quiet, opulent melancholy.
Oct 30, 2026 6:03 AM
AI artwork
el
character: kurokawa_akane 1girl, 1orc, male orc, 2girls, no humans, long hair, bangs, swept bangs, black hair, blue hair, multicolored hair, gradient hair, heterochromia, blue eyes, green eyes, star-shaped pupils, enormous breasts, colossal earrings, colossal engagement ring, colossal bracelets, ornate dress, tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, sad, crying, tears, tears streaming down face, unhappy, arms at sides, arms down, orc holding her by the waist, hand on waist, grabbing from behind, from side, cowboy shot, profile, anime screencap, screencap, film grain, wide shot, A wide anime screencap shot in profile: a green-skinned, broad-shouldered, tusked orc stands to the right of frame, one thick arm wrapped firmly around the waist of a long-haired young woman from her left side, his hand planted flat at her side over the dress fabric, her body pulled slightly off balance toward him while her feet stay planted. She is seen in three-quarter profile, and her arms hang straight down along her sides, fingers limp and barely curling, knuckles brushing the glittering skirt. Her hair is long and falls in a smooth gradient from black at the crown through deep blue to a lighter blue at the tips, with straight bangs and a strand falling between her eyes; her eyes are mismatched — one blue, one green, both with star-shaped pupils — and they are wet, red-rimmed, and brimming, tears cutting bright tracks down her cheeks and off her chin, mouth drawn tight and downturned, jaw trembling, brows pinched upward in distress. Her enormous chest presses against the bodice of the dress, which is a ludicrous, overstuffed confection of pink and white satin: layered tiers of lace at the neckline and cuffs, cascading ruffles stacked on ruffles, knots of bows at the shoulder, the waist, and down the back, sequins and glitter fabric scattered across the skirt so the surface throws tiny hard sparks, and absurd ornamentation clustered over the bodice — beaded rosettes, dangling charms, ribbon medallions — all jammed together with no restraint. The skirt is enormous, ballooning out in a puffy mass that fills the lower half of frame, its hem pooling and crumpling against the floor. At her ears hang colossal earrings, heavy discs that drag her earlobes down; on her right hand a colossal engagement ring, its stone absurdly oversized and catching the light; around both wrists enormous bracelets, wide bands that hang loose and clatter against the dress. The orc's head is turned toward her, his expression a broad, satisfied, oblivious grin, tusks bared, while her gaze is cast down and away toward the lower left corner, unfocused, fixed on nothing, wet lashes lowered. Light comes strong and uniform from the upper left, as on a filmed set: it picks out the sequins in hard specular points, glints off the ring's stone and the giant earrings, and lays a soft shadow of the orc's arm across the front of her skirt. Background is a flat, indistinct, slightly washed-out interior wall in a cool neutral tone, out of focus, with no readable signage. Palette is dominated by the pink and white of the dress, offset by the orc's olive-green skin and the black-to-blue gradient of her hair. Her shoulders are hunched, her posture rigid and resisting without struggling, and the whole composition reads as a garish, deeply unhappy spectacle — tacky, miserable.
Oct 29, 2026 7:37 AM
#黑川茜
AI artwork
el
character: meroune_lorelei, orc_(monster_girl_encyclopedia) 2girls, interracial, size difference, male orc, female mermaid, monster girl, pink hair, very long hair, drill hair, twin drills, hair between eyes, blue eyes, pointy ears, head fins, gills, scales, enormous breasts, wedding dress, bridal veil, white lace gown, pet collar, black leather collar, metal ring, bare shoulders, bare arms, bare earlobes, no earrings, no hair ornaments other than the veil, ugly orc, one orc, hunched massive build, mottled grey-green skin, tusks, broad flat nose, small deep-set eyes, bald mottled scalp, ragged hide loincloth, orc carrying princess, bridal style carry, princess carry, arms under her back and knees, lips pressed to lips, kiss, kissing, forced kiss, eyes wide open, shocked expression, humiliated expression, distressed, not enjoying it, tears welling, brow drawn up, trembling, stiff body, clenched hands, from below, dutch angle, foreshortening, close-up on faces, two-figure composition The camera sits low and tilted, looking up from below at a steep dutch angle: the orc fills the foreground, his arms thrust across the frame carrying the mermaid bridal style, and the two faces meet high in the upper third at a foreshortened close-up. He is hunched and enormous — mottled grey-green skin, a bald mottled scalp, a broad flat nose, small deep-set eyes, two blunt tusks jutting from a heavy underbite, and a ragged hide loincloth at his waist; his left forearm passes under her back and his right under her knees, his thick fingers spread wide and pressing dents into the white lace of her gown, his shoulder hunched up so his jaw can reach hers. His mouth is mashed flat over her lips, nose crushed against her cheek, eyes shut in brutish contentment, and his weight shifts onto his forward foot so his whole mass leans into the kiss. She is bent backward across his forearms, spine arched, head forced back and up; her enormous breasts press against his chest and strain the boned bodice of the wedding dress, the skirt of white lace and tulle spilling down over his arm. Her blue eyes are wide open and unfocused, staring past his ear into nothing, both brows drawn up in the middle, tears standing at the lower lids without falling, nostrils flared, and her mouth is slack and squashed under his — she is not kissing back. Her hands are rigid: the left fist clenched hard against his collarbone, the right hanging half-curled in the air with the fingers splayed and trembling. Her long pointed ears are pressed back flat, the head fins above them flared stiff with alarm and the gill slits at her neck fluttering open and shut, and fine iridescent scales climb the sides of her throat and shoulders, catching the light in a scatter of small hard highlights. Her very long pink hair falls in two huge drilled coils, one crushed against the orc's forearm and one swinging free below her shoulders, long strands of it falling between her eyes and dragged across her cheek by the tilt of her head; a short bridal veil is pinned at the crown of the coils. A black leather pet collar is buckled tight around her throat with a metal ring at the front, riding up under her jaw as her head is forced back, and both her earlobes are bare and unobstructed. The scene behind them is a shallow, out-of-focus stone hall: a single cold torch flames at frame left and is the only light, raking across the orc's knuckles and the mermaid's wet lower lids while deep shadow swallows the wall behind them and their joined silhouette throws one long shadow down the stones to the right. Palette of ash grey, hide brown and orc green against the white of the gown and the hot pink of her hair, the only clean colours in the frame. Quiet dread.
Oct 27, 2026 8:29 AM
AI artwork
el
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1boy, eris_greyrat (mushoku tensei), red hair, very long red hair, long hair, ahoge, black hairband, hair between eyes, red eyes, thick eyebrows, huge breasts, visibly pregnant, pregnant belly, ornate pink and white dress, tacky overdecorated dress, excessive lace, excessive ruffles, many bows, ridiculous ornaments on dress, glitter fabric, sequins, puffy huge long oversized skirt, colossal earrings, colossal bracelets, colossal engagement ring, tape gag, tape over mouth, arms tied over belly, bound wrists, rope around waist, sad, crying, tears, tear streaks, scared, indignant, furrowed brows, orc, male orc, large orc, green skin, tusks, pointed ears, muscular, loincloth, kidnapped, captured, carrying, over shoulder, standing, from below, dutch angle, looking down, looking at another, struggle, kicking legs, clenched fists, motion lines, half-closed eyes, sweat, trembling, dungeon, stone walls, torchlight, low key lighting, speech bubble From a low dutch angle, the frame is tilted so the stone wall of a torch-lit dungeon cellar climbs diagonally behind the figures. In the foreground, filling the left two-thirds of the image, a massive green-skinned orc stands with his weight planted on his right leg, his thick left arm hoisted across his shoulder to support a struggling red-haired woman draped over his back. His wide jaw is set with tusks jutting upward, pointed ears angled back, one narrowed yellow eye looking back over his shoulder directly at her, the other gazing forward toward the cellar doorway. The orc's muscular shoulders and bare chest are slicked with a faint sheen under the torch glow, his loincloth shifting as he takes a step. Over his shoulder, her upper body hangs forward, long red hair spilling down across his back, strands slipping free from her black hairband. Her face is turned toward the viewer, cheeks wet with tears, brows furrowed in a mix of fear and indignation, red eyes wide and glistening. A wide strip of grey tape is stretched taut across her mouth, pressing her lips flat, the edges curling slightly at her cheeks. Her arms are bound at the wrists with rough rope and drawn tightly together over the swell of her visibly pregnant belly, hands clenched into fists, knuckles pale. The enormous pink and white dress cascades in an absurd volume of fabric around her hips and legs, a chaotic excess of lace, ruffles and bows in alternating pink and white, sequins and glitter fabric catching the torchlight in scattered bright points, ridiculous oversized ornaments and a colossal engagement ring glinting on her bound hand, colossal earrings and bracelets swinging against her cheeks and wrists. The huge puffy skirt bunches and drags, its hem sweeping the stone floor, the fabric compressing where it is pressed against the orc's hip and side. Her legs kick weakly, the toes of one white shoe catching the air as the skirt sweeps around them. Torchlight from a single bracket on the right wall throws warm orange light across the orc's right shoulder and the woman's tear-streaked face, leaving the left side of the frame in deep shadow. In a small speech bubble near her face floats a single tiny hand-drawn heart. The palette is dominated by the garish pink and white of the dress against the orc's mossy green skin and the dungeon's grey-brown stone, the orange torch flame the only warm accent in the darkness. The mood is captured and terrified.
Oct 25, 2026 10:32 AM
#艾莉絲·伯雷亞斯·格雷拉特#無職轉生～到了異世界就拿出真本事～
AI artwork
el
character: eris_greyrat, copyright: mushoku_tensei 1girl, 1boy, orc, interspecies, pregnant, huge breasts, red hair, long hair, very long hair, ahoge, black hairband, hair between eyes, red eyes, purple eyes, glowing eyes, heart-shaped pupils, spiral eyes, empty eyes, half-closed eyes, shaded face, blush, sad, closed mouth, wavy mouth, saliva trail, drooling, mind control, tattoo on breast, purple skinsuit, tentacle straps, multiple eyes on clothes, veil, giant bow, over-the-top headpiece, wedding dress, ornate wedding dress, tacky wedding dress, lace, ruffles, many bows, glitter, sequins, gigantic sleeves, ridiculous ornaments, huge skirt, puffy skirt, hugging, grabbing belly, from side, cowboy shot, dutch angle, adult, seductive_smile, sweat, trembling, heavy_breathing, motion_lines Seen in a low three-quarter view from the side at hip height, tilted a few degrees toward a dutch angle, two figures stand close together against a bare shadowed chapel wall of dark plum stone; a squat green-skinned orc stands behind and slightly to the left of a red-haired woman, its broad chest pressed against her back and its thick left arm hooked around her ribs, its hand splayed flat on the swollen curve of her pregnant belly, fingers spread and dimpling the silver lace of her dress; its right hand closes on her shoulder and pulls her in, and its cheek rests against her hair, saliva running in a thin glistening thread from the corner of its wavy closed mouth down to her bare collarbone. The orc wears a tight purple skinsuit that clings to its bulging shoulders and thick forearms; black tentacle-like straps wind around its torso in crossing bands and squirm outward over the fabric, each strap studded with small unblinking eyes that stare in every direction, glossy and wet-looking. Its own eyes are enormous, glowing a hot radioactive purple, each pupil a red heart ringed by a slow spiral, half-lidded, and its blunt tusked face is slack with a sad, dazed neediness. The woman is Eris: long, very long red hair spilling from beneath a crowning over-the-top headpiece of gilded filigree and dyed feathers, her black hairband lost in the tangle, a single ahoge curling up through it; her face is turned toward the viewer and half in shadow so the eyes recede into a dark hollow mask, one eye a flat empty red with a spinning spiral pupil, the other purple and glowing faintly, both half-closed and glassy, heart-shaped in the depth of the pupils, her cheeks flushed hotly, her mouth closed and wavy and downturned, and a tattooed mark showing at the swell of her huge breast above the neckline. She wears a wedding dress that is a catastrophe of excess: a gigantic bell skirt so wide and puffed it nearly fills the lower frame, sagging in bulging tiers and crusted with glitter that scatters hard pinpricks of light, sequins flashing, dense silver lace crawling over every seam, ruffles stacked in foam-like waves, and dozens of bows of every size stuck on at random, the largest a giant bow planted high at her shoulder blades behind the veil; the sleeves are gigantic, ballooning twice the width of her arms and trailing ridiculous clustered ornaments of beads, tiny bells and ribbon knots, and a large veil, torn and heavy with lace, falls from the headpiece behind her to the floor. Behind them the light comes from one hard cold source high at camera left, the orc's purple skinsuit catching a wet rim along its skull and shoulders and the sequins of her skirt blazing where it strikes, and everything beyond the two of them sinking into absolute, source-less darkness, the orc and the bride joined in a smear of shadow. The only warmth is the blush in her shaded cheeks and the faint violet glow in her eyes and its glowing stare, and the floor around the hem is a dense scattering of sequins and dust, a dark chapel hush for something wedding-shaped and quietly wrong.
Oct 23, 2026 3:06 PM
AI artwork
el
1girl, 1monster girl, long hair, black hair, blunt bangs, sky-blue eyes, flat chest, petite, tiara, colossal earrings, diamond collar, chain, colossal diamond, colossal engagement ring, blue and white dress, puffy skirt, huge skirt, oversized dress, lace, ruffles, bows, sequins, glitter fabric, emotionless, crying, tears, sitting on throne, standing next to throne, grabbing chain, rococo, front view, from front, seductive_smile, half-closed_eyes, blush A front view composition in a lavish Rococo hall. To the left, a petite girl with long black hair and blunt bangs stands facing the viewer; her sky-blue eyes are wide and emotionless, yet heavy tears stream down her cheeks. She is engulfed in a tacky, oversized blue and white dress of absurd proportions, the huge puffy skirt billowing around her feet, saturated with excessive ruffles, layers of lace, dozens of bows, and ridiculous glittery ornaments with shimmering sequins. A massive diamond collar cinches her neck, attached to a heavy metal chain that is hooked firmly into the ornate gold carvings of a massive throne. Beside her, a monster girl sits regally upon the throne, her hand gripping the chain tightly, pulling the girl slightly toward the seat. The monster girl looks at the girl with a seductive smile and half-closed eyes. The room is an explosion of opulent pastel gold and cream, with elaborate swirling moldings and gilded mirrors. Crystal chandeliers cast a brilliant, hard light that creates sharp glints on the colossal diamond at the girl's throat and her oversized engagement ring, while deep shadows pool in the heavy folds of the lace. The atmosphere is one of opulent tragedy, effortlessly stylish.
Oct 19, 2026 8:04 PM
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