📢Tsubaki.3 快來分享你的使用心得吧！ — 📝 【Tsubaki.3 — 我們想聽聽你的聲音！問卷調查進行中】 感謝大家一直以來對 PixAI 的支持！ Tsubaki.3 上線已經滿一個月了 🎉 為了讓它變得更好，誠摯邀請大家參與一份簡短的問卷🙏 無論是使用心得、喜歡的地方，或是希…
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Marina Rusinova
在 PixAI 上，提示詞預設為公開，但創作者可以在自己發布的任何作品中隱藏提示詞。這件作品的創作者選擇了隱藏，因此用來生成圖片的文字不會公開，只有創作者本人看得到。隱藏提示詞不會影響其他功能：作品仍然是公開的，你一樣可以按讚、留言和分享。
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Appearance: A surreal monochrome composition featuring two human faces divided by a very narrow vertical opening. On the left, a partially obscured face emerges from deep blackness, with three vertically stacked eyes visible instead of a normal single pair. The eyes are realistic, glossy, intensely focused, and surrounded by heavy dark shadows, fine eyelashes, wrinkled skin texture, and black organic markings. The left face is mostly swallowed by darkness, with only the eyes, fragments of pale skin, and a few strands of dark hair visible.
On the right, a pale young woman is shown in close-up, facing slightly toward the viewer. She has long, straight dark hair framing and partially covering the right side of her face. Only one eye, her nose, cheek, and softly parted lips are clearly visible through the narrow opening. Her visible eye is realistic and sharply detailed, with a subtle reflective highlight and a calm but eerie expression. Her skin is smooth, pale, and softly illuminated, contrasting strongly with the black hair.
Scene: A minimalist black-and-white surreal horror portrait constructed around extreme vertical negative space. Two faces are positioned behind two massive dark vertical shapes, leaving only a narrow white slit between them through which their features are revealed. The central opening is a tall, irregular vertical white column extending almost the entire height of the image.
The left side is dominated by a nearly solid black vertical mass, behind which the multi-eyed face is partially concealed. The right side is similarly dominated by a large curtain-like mass of black hair or darkness surrounding the woman's face. The dark shapes create the impression that the two figures are peering through a narrow crack, doorway, or slit.
A very thin solid black vertical line runs through the central white opening, slightly separating the two faces and reinforcing the division between them. The line extends vertically from near the top to near the bottom and remains extremely straight and clean, contrasting with the organic facial forms.
The composition is tightly cropped and almost perfectly frontal, with very little background visible. The upper corners and side regions are nearly pure black, while the central region is bright white. The woman's face is positioned on the right side of the opening, while the three eyes on the left are stacked vertically and aligned roughly along the same narrow space.
The left face should have three clearly distinct realistic eyes arranged vertically, not three pairs of eyes. Each eye has its own eyelid, lashes, iris, wet highlights, surrounding skin, and dark socket. The eyes should appear organically embedded into the same partially hidden face, producing an uncanny anatomical effect.
The overall style is high-contrast black-and-white fine-art photography mixed with surreal horror illustration: realistic facial anatomy, extremely detailed eyes, smooth pale skin, deep crushed blacks, subtle grayscale gradients, delicate hair strands, sharp facial features, and almost no environmental detail. Strong vertical symmetry, stark negative space, claustrophobic framing, eerie stillness, unsettling duality, and minimalist supernatural horror.
delicate thin lineart, soft colored lines, low contrast, muted palette, pastel tones, smooth gradients, soft shading, gentle lighting, subtle shadows, minimal highlights, airy feel, watercolor texture, Solveig style, semi-real, lips, nose.
Erlok
e
Appearance: A surreal monochrome composition featuring two human faces divided by a very narrow vertical opening. On the left, a partially obscured face emerges from deep blackness, with three vertically stacked eyes visible instead of a normal single pair. The eyes are realistic, glossy, intensely focused, and surrounded by heavy dark shadows, fine eyelashes, wrinkled skin texture, and black organic markings. The left face is mostly swallowed by darkness, with only the eyes, fragments of pale skin, and a few strands of dark hair visible.
On the right, a pale young woman is shown in close-up, facing slightly toward the viewer. She has long, straight dark hair framing and partially covering the right side of her face. Only one eye, her nose, cheek, and softly parted lips are clearly visible through the narrow opening. Her visible eye is realistic and sharply detailed, with a subtle reflective highlight and a calm but eerie expression. Her skin is smooth, pale, and softly illuminated, contrasting strongly with the black hair.
Scene: A minimalist black-and-white surreal horror portrait constructed around extreme vertical negative space. Two faces are positioned behind two massive dark vertical shapes, leaving only a narrow white slit between them through which their features are revealed. The central opening is a tall, irregular vertical white column extending almost the entire height of the image.
The left side is dominated by a nearly solid black vertical mass, behind which the multi-eyed face is partially concealed. The right side is similarly dominated by a large curtain-like mass of black hair or darkness surrounding the woman's face. The dark shapes create the impression that the two figures are peering through a narrow crack, doorway, or slit.
A very thin solid black vertical line runs through the central white opening, slightly separating the two faces and reinforcing the division between them. The line extends vertically from near the top to near the bottom and remains extremely straight and clean, contrasting with the organic facial forms.
The composition is tightly cropped and almost perfectly frontal, with very little background visible. The upper corners and side regions are nearly pure black, while the central region is bright white. The woman's face is positioned on the right side of the opening, while the three eyes on the left are stacked vertically and aligned roughly along the same narrow space.
The left face should have three clearly distinct realistic eyes arranged vertically, not three pairs of eyes. Each eye has its own eyelid, lashes, iris, wet highlights, surrounding skin, and dark socket. The eyes should appear organically embedded into the same partially hidden face, producing an uncanny anatomical effect.
The overall style is high-contrast black-and-white fine-art photography mixed with surreal horror illustration: realistic facial anatomy, extremely detailed eyes, smooth pale skin, deep crushed blacks, subtle grayscale gradients, delicate hair strands, sharp facial features, and almost no environmental detail. Strong vertical symmetry, stark negative space, claustrophobic framing, eerie stillness, unsettling duality, and minimalist supernatural horror.
delicate thin lineart, soft colored lines, low contrast, muted palette, pastel tones, smooth gradients, soft shading, gentle lighting, subtle shadows, minimal highlights, airy feel, watercolor texture, Solveig style, semi-real, lips, nose.
Erlok
e
Appearance: A surreal monochrome composition featuring two human faces divided by a very narrow vertical opening. On the left, a partially obscured face emerges from deep blackness, with three vertically stacked eyes visible instead of a normal single pair. The eyes are realistic, glossy, intensely focused, and surrounded by heavy dark shadows, fine eyelashes, wrinkled skin texture, and black organic markings. The left face is mostly swallowed by darkness, with only the eyes, fragments of pale skin, and a few strands of dark hair visible.
On the right, a pale young woman is shown in close-up, facing slightly toward the viewer. She has long, straight dark hair framing and partially covering the right side of her face. Only one eye, her nose, cheek, and softly parted lips are clearly visible through the narrow opening. Her visible eye is realistic and sharply detailed, with a subtle reflective highlight and a calm but eerie expression. Her skin is smooth, pale, and softly illuminated, contrasting strongly with the black hair.
Scene: A minimalist black-and-white surreal horror portrait constructed around extreme vertical negative space. Two faces are positioned behind two massive dark vertical shapes, leaving only a narrow white slit between them through which their features are revealed. The central opening is a tall, irregular vertical white column extending almost the entire height of the image.
The left side is dominated by a nearly solid black vertical mass, behind which the multi-eyed face is partially concealed. The right side is similarly dominated by a large curtain-like mass of black hair or darkness surrounding the woman's face. The dark shapes create the impression that the two figures are peering through a narrow crack, doorway, or slit.
A very thin solid black vertical line runs through the central white opening, slightly separating the two faces and reinforcing the division between them. The line extends vertically from near the top to near the bottom and remains extremely straight and clean, contrasting with the organic facial forms.
The composition is tightly cropped and almost perfectly frontal, with very little background visible. The upper corners and side regions are nearly pure black, while the central region is bright white. The woman's face is positioned on the right side of the opening, while the three eyes on the left are stacked vertically and aligned roughly along the same narrow space.
The left face should have three clearly distinct realistic eyes arranged vertically, not three pairs of eyes. Each eye has its own eyelid, lashes, iris, wet highlights, surrounding skin, and dark socket. The eyes should appear organically embedded into the same partially hidden face, producing an uncanny anatomical effect.
The overall style is high-contrast black-and-white fine-art photography mixed with surreal horror illustration: realistic facial anatomy, extremely detailed eyes, smooth pale skin, deep crushed blacks, subtle grayscale gradients, delicate hair strands, sharp facial features, and almost no environmental detail. Strong vertical symmetry, stark negative space, claustrophobic framing, eerie stillness, unsettling duality, and minimalist supernatural horror.
delicate thin lineart, soft colored lines, low contrast, muted palette, pastel tones, smooth gradients, soft shading, gentle lighting, subtle shadows, minimal highlights, airy feel, watercolor texture, Solveig style, semi-real, lips, nose.
Erlok
Marvel Boy Black hair Closed mouth
Daisuku
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