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MONKEY2727

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1girl, Yotsumi Shiro, mature female, full body, detailed city night background, masterpiece, best quality, ultra detailed, solo, light warm peach color skin tone, black hair, dark brown eyes, short hair, large breasts, thick thighs, thick legs, wide hips, friendly expression, standing, night, city background, wavy hair, completely wavy hair, GERPH_style, white shirt, collared shirt, neck ribbon, brooch, red belt, pencil skirt, black skirt
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原始提示詞
full body, detailed city nigth background,((Masterpiece, best quality, ultra detailed,solo),((Solo)), full body,1 girl,mature female,(Yotsumi Shiro:0.7),j4ckc41l3s,light warm peach colour skin tone,black hair,dark brown eyes,short hair,largue breasts, thick thighs, thick legs,wide hips, friendly expression,solo,standing,nigth,city detailed background,((Detailed city)),((nigth)),((City background)),wavy hair,completely wavy hair,GERPH_style,j4ckc41l3ss,white shirt, collared shirt, neck ribbon, brooch, red belt, pencil skirt, black skirt,
尺寸
768 x 1280
取樣步數
20
取樣方式
Euler a
CFG Scale
6
反向提示詞
NSFW,lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark,fringe,gold, golden hands,shoes,
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Jack Cayless Styke - AI Model封面圖片

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ヒ
1girl, solo, black hair, 7:3 parted bangs, side-parted fringe, long hair, low ponytail, hair tied at the nape, white dress shirt, collared shirt, black suit jacket, knee-length black skirt, black skirt suit, job-hunting student, huge breasts, smiling, closed-mouth smile, walking, mid-stride, from below, full body, outdoors, midday, city street, looking ahead, arms at sides, recruiting season, The camera sits low and slightly ahead of her, tilted up, so the sidewalk recedes beneath her shoes and the pale midday sky fills the top third of the frame; she walks toward the lens but her gaze is angled just past it, chin lifted a touch, lips curved in a small closed smile that reaches the corners of her eyes, one brow a hair higher than the other. Her black hair is parted 7:3 so the longer sweep falls to her left, and the rest is gathered low at the nape into a ponytail that swings out behind her right shoulder with the rhythm of her step, its tip lifting on the air. She is caught mid-stride: her left leg forward and planted flat, her right heel just peeling off the pavement behind her, hips canted with the weight over the front foot, so the knee-length black skirt swings forward and a shadowed fold opens along its hem. The white dress shirt is buttoned to the collar and tucked in tight at the waist, its fabric drawn taut across a very large bust, the placket straining into a shallow vertical crease between the buttons and a soft diagonal pull running from each buttonhole toward the shoulder seam; the black jacket sits open over it, its front edges pushed apart by the chest and falling back along her sides, the sleeves pushed to just below the elbow. A slim black bag strap crosses her right shoulder, its flat band pressing a line into the jacket lapel, and her right hand rests on it at her hip while her left hand hangs loose, fingers slightly curled, thumb brushing the skirt seam. The sun is high and behind her left shoulder, so its light rims the top of her hair and the crown of her ponytail and drops a short, soft-edged shadow under her front shoe; the jacket's black reads as deep charcoal where the light grazes it and near-black in the folds under the bust, and the skirt catches a faint cool sheen along its top plane, while the pavement's grid lines converge into the distance behind her and a few blurred office workers and a scuffed curb sit far back, out of focus. Palette holds to black, white and the grey of the street with only her skin's warmth admitted. Bright, purposeful, quietly confident.
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