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AI art "Kanna figure 3D" featuring #小林家的龍女僕 and #康娜·卡姆依
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Kanna figure 3D

#小林家的龍女僕#康娜·卡姆依
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留言

1girl, solo, kanna kamui (miss kobayashi's dragon maid), twintails, light purple hair, long hair, dragon horns, horns, low twintails, multicolored hair, gradient hair, blue eyes, dragon girl, purple hair, silver hair, tube dress, tube dress long, curves in the thighs and calves, glowing eyes, small breasts, petite girl, small stature, thick thighs, small waist, wide hips, large ass, wide thighs, colorful, large thighs, pvc figure, photorealistic, pre-painted, japanese anime scale, simple round base, giant realistic desk, real wood desk, strong 3d sense of volume, depth, realistic shadows, lighting, pvc figure textures, professional studio photography, shallow depth of field, wooden platform under feet, simple background, dark background
顯示參數
原始提示詞
Transform the provided illustration into a high-end, photorealistic, pre-painted PVC figure in Japanese anime scale. Place the figure on a simple round base, on top of a giant realistic desk, realistic real desk, real wood on the desk, Emphasizes a strong 3D sense of volume and depth, realistic shadows and lighting, and painted PVC figure textures, Professional studio photography style, shallow depth of field, focusing on the figure as a physical collectible, Wooden platform under the figure's feet, Wooden platform under the feet, PVC figure textures, Place the figure on a simple round base, 3D, simple background, dark background, simple background, 1girl, solo, kanna kamui, twintails, light purple hair, long hair, dragon horns, horns, low twintails, multicolored hair, gradient hair, blue eyes, dragon girl, purple hair, silver hair, tube dress, tube dress long, curves in the thighs and calves, glowing eyes, small breasts, petite girl, small stature, thick thighs, small waist, wide hips, large ass, wide thighs,colorful,wide thighs, large thighs
尺寸
768 x 1024
取樣步數
9
取樣方式
Euler a
CFG Scale
2.5
反向提示詞
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark, bad anatomy, bad hands, three hands, three legs, bad arms, missing legs, missing arms, poorly drawn face, bad face, fused face, cloned face, worst face, out of frame double, three crus, extra crus, fused crus, worst feet, three feet, fused feet, fused thigh, three thigh, extra thigh, worst thigh, missing fingers, extra fingers, ugly fingers, long fingers, horn, realistic photo, extra eyes, huge eyes, 2girl, 2boy, amputation, disconnected limbs
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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