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留言

best quality, majestic quality, smudge, unrealistic proportions, solo male, tired, thick thighs, indoors, big belly, soft belly, pudge belly, smooth belly, huge belly, vore belly, vore, gigantic belly, male buff male, springbon (Five Nights at Freddy's), ghosts in background, ghosts, human in belly, weight gain, post vore, purple bowtie, teeth, smile, animal ears, no humans, cctv, bones, bones imprints, boney belly, vore belly bones, big belly, bone imprints, skull imprints, bones inside belly, digestion
顯示參數
原始提示詞
best quality, majestic quality, smuge , unrealistic proportions, , solo male, tired, thick thighs, indoors,big belly, soft belly, pudge belly, smooth belly, huge belly, vore belly, vore, gigantic_belly, vore_belly, smooth belly, , male buff male, , (Five Nights at Freddy's), , , , , ,ghosts in background, ghosts, human in belly, , weight gain,post vore, springbon, purple bowtie, teeth, smile, animal ears, no humans,cctv,Bones, Bones Imprints, Boney Belly, Vore_Belly_Bones, big_belly, bone_imprints, skull_imprints, bones_inside_belly, digestion
尺寸
1024 x 1024
取樣步數
22
取樣方式
Euler a
CFG Scale
6
反向提示詞
worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,

使用的模型和 LoRA

Hoshino - AI Model封面圖片

PixAI XL

Hoshino
15.59k
Springtrap / Spring bonnie / The Yellow Rabbit FNAF movie / Five Nights at Freddy's movie - AI Model封面圖片

用戶LoRA

Springtrap / Spring bonnie / The Yellow Rabbit FNAF movie / Five Nights at Freddy's movie
11
Bones Imprints - SDXL - AI Model封面圖片

用戶LoRA

Bones Imprints - SDXL
21
CCTV IL - AI Model封面圖片

用戶LoRA

CCTV IL
3

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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