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- 原始提示詞
- 1 girl, Kurumi Tokisaki in her Spirit outfit, Zafkiel activated, huge glowing clock dial behind her, golden Roman numerals shining, clock hands rotating, time-manipulation energy swirling, red eye and golden eye glowing, black and red dress flowing in the wind, dynamic battle pose, dark mystical atmosphere, energy sparks, glowing particles, detailed anime style, dramatic lighting, strong contrast colors, powerful shadows, high detail, epic composition, dark-gold magical aura, masterpiece quality,kurumi tokisaki, charcoal hair, fancy red and black dress, frills, choker, detached sleeves, bowtie, bare shoulders, twintails, heterochromia, one red eye, one gold eye, clock in the gold eye, fair skin
- 品質標籤
- high quality, year_2025, year_2024, ﹝提示詞﹞
- 尺寸
- 768 x 1280
- 取樣步數
- 25
- 取樣方式
- Euler
- CFG Scale
- 4.5
- 反向提示詞
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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あ
character: tokisaki_kurumi, copyright: date_a_live
1girl, solo, tokisaki kurumi, long black hair, twintails, red eyes, heterochromia, yellow clock-patterned pupil in one eye, clock face in left eye, large breasts, black frilled gothic lolita dress, red and black corset bodice, detached sleeves, frilled cuffs, one arm raised up, arm lifted high, hand reaching upward, fingers spread, sly smile, suspicious smirk, half-closed eyes, looking at viewer, red aura, glowing red energy, faint red wisps, magic circle, giant clock face behind her, roman numerals, clock hands, dark background, from below, cowboy shot, dutch angle,
Shot from a low angle tilted a few degrees off level, so the small figure of a lone girl dominates the frame from the waist up against a black void: she stands turned a quarter off the lens, right hip carrying her weight and her left shoulder dropped back, one red-sleeved arm thrust straight upward with the cuff falling open and her gloved fingers spread wide and bent slightly at the top joint as if she has just loosed something into the air. Her other arm hangs loose at her side, wrist slack, knuckles grazing the frill at her skirt. Long black twintails, bound high and falling in two heavy tails past her hips, are lifted and splayed outward by the updraught of her own power, stray strands crossing her cheek and the black lace at her collar. Her face is tilted down at the viewer from under half-lowered lids, one brow arched, the corners of her mouth drawn up into a thin sly smile with one canine just showing -- the look of someone who has already won. Her left eye burns yellow, its iris ringed with fine clock markings and a pointed hand crossing the pupil; the right eye is deep red and narrow. A vast clock face hangs in the air behind her shoulder, half of it cropped by the frame, its numerals and hands rendered in dull red-black ink and turning slowly, its lower half dissolving into drifting red motes; a faint red aura spills from its rim and clings to her silhouette, glowing on the edges of her hair, the frills at her shoulder and the underside of her raised sleeve while the front of her bodice stays in shadowed black. The clock is the only light source besides its own faint bleed, so her face is lit from behind and below, her eye sockets and throat falling dark, a thin red rim tracing her jaw and twintails. Palette is restricted to black, crimson, and the sickly yellow of the clock eye, with the aura washing the whole background in a low red haze; nothing outside that scheme is admitted. Deep blacks swallow the corners, the floating dust of the aura catches the light only where the clock's glow strikes it, and the entire frame is held in a flat cel-shaded anime finish with crisp hard-edged linework. Ominous, magnetic.
あやはまたわたはあ
デアラ、時崎狂三
ひじき
character: tokisaki_kurumi
1girl, solo, tokisaki kurumi, long black hair, red and black twin-tails, asymmetrical twin-tails, heterochromia, one red eye, one golden yellow eye, clock face in iris, golden clock-face pupil, gothic lolita dress, black and red frilled dress, corset bodice, detached sleeves, from below, dutch angle, looking down at viewer, smug, half-closed eyes, lopsided smirk, raised eyebrow, head tilt, arms spread, one hand raised with fingers curled, clock face behind her, giant golden clock dial, roman numerals, clock hands, angel wings of clockwork, black and crimson energy, dark void background, floating gears, red and black palette,
The camera sits low and canted, looking up past the hem of her skirt as she leans over the viewer from a slight tilt, so the whole frame is pulled into a gentle dutch angle. She is caught mid-threat, not mid-pose: her weight rides her back hip, one boot forward at the edge of the frame, both arms flung wide and low — the left hand open and lifting as if to catch a falling gear, the right hand raised near her shoulder with the fingers half-curled around a summon that has not yet arrived. Her twin-tails are not symmetric: the left tail, black through most of its length, breaks into a red-dyed tip near the knee, and the right tail, red at the crown, darkens to black before curling in the air behind her. Both tails are caught in a slow updraft and trail outward and upward, the ribbons that bind them pulled taut.
Her head is tipped and turned a little toward her left shoulder; she looks down her nose at the viewer, one brow arched high, one lip corner pulled into a lopsided smirk, the eyes half-lidded with lazy confidence. The heterochromia is the anchor of the face: the left iris is a deep blood red, the right iris a bright gold, and inside that gold eye a tiny clock face is set into the pupil — fine black numerals ringing the iris, a hair-thin clock hand frozen just past twelve, catching the light so the gold reads brighter than the red. The clock face in the gold eye is the only crisp text in the frame; everything the dial behind her carries is ornamental and half-swallowed by shadow.
Behind her, filling the upper two-thirds of the frame, the angel Zafkiel spreads as a colossal clock face: a gilt ring of roman numerals, an inner dial of concentric rings, and two long hands that sweep outward like wings, one pointing up and one across. The dial does not sit flat behind her — it is tilted in space, so its lower edge dips toward her shoulders and its upper rim recedes into darkness, and she overlaps its centre, her right shoulder crossing in front of the numeral six. From the dial's hub, black and crimson streamers and a scatter of floating gear-wheels drift down around her, some passing behind her arms, one gear hovering just above her open left palm.
The light comes from the dial itself: a cold gold radiance off the numerals and hands, striking the right side of her face and the gold eye, rimming the red side of her hair and the frilled edge of her sleeve, and leaving the left side of her body in deep red-black shadow. The gold does not spill far — beyond the dial's glow the void is absolute, a near-black field with a faint crimson haze low in the corners. The palette admits only black, crimson red and antique gold, the gold living in the dial, the eye and the hair's red tip, nothing else. Her shadow is cast down toward the viewer, stretched and softened by the low angle. Effortlessly ominous.
fric
あ
character: tokisaki_kurumi, copyright: date_a_live
1girl, solo, tokisaki kurumi, long black hair, twintails, asymmetrical hair, red eye, yellow left eye, heterochromia, clock face in iris, clock hands in pupil, very large breasts, prominent bust, black and red gothic lolita dress, frilled bodice, one arm raised upward, arm up, outstretched arm to the sky, head tilted down, smug, suspicious smile, lopsided smile, one eyebrow raised, half-closed eyes, looking at viewer, casting ability, clock behind her, giant floating clock, roman numerals, exposed gearwork, translucent clock, red aura, glowing red outline, drifting red particles, from below, dynamic angle, low angle, depth of field, dark background, dramatic lighting, dutch angle, dutch angle, high contrast, cel shading, thick lineart, crisp anime linework
Seen from a low angle looking up, the girl fills the frame from mid-thigh to the crown of her head, her body turned three-quarters toward the viewer with her weight settled on her right leg while her left hip juts out. Her right arm is thrust straight up above her head, fingers loosely spread, elbow locked, so that the raised arm cuts a diagonal across the sky-blue void of the upper third; her left hand rests flat against her own hip, gripping the ruffled edge of her dress. Her glossy black twintails are gathered at each side of her head and stream outward to the left, their red-tinted tips lifted by the same updraft that stirs the loose ribbons of her bodice. Her chin is dropped slightly, and her right eye — deep crimson — is narrowed while her left eye, a vivid yellow one, holds an iridescent clock face in its iris with two slender black hands fixed near ten past ten; that mismatched gaze is aimed directly at the viewer. Her lips are parted in a thin, crooked smile that bares one canine, one corner tugged higher than the other.
Behind her, filling the upper-right of the composition, a colossal translucent clock hangs in mid-air: a pale bone-white ring of roman numerals with a dark inner face, its perimeter ringed by exposed brass gears that turn and interlock, the whole disc tilted and half-obscured where her shoulder and raised arm cross in front of it. A fine red aura outlines her entire silhouette, a soft luminous rim that haloes her shoulders and the edges of her hair, and sparse red motes drift upward around her, each glowing faintly before fading. The light comes from the clock itself and from the aura: a cold red-white key from behind and slightly above, rimming the top of her raised arm and the upper curve of her bust while leaving the underside of her chin and the front of her bodice in shadow, and her body throws a long distorted shadow down across the empty dark ground.
The palette is restricted to black, crimson, and the sickly yellow of her left eye, with the clock in bone white and tarnished brass against a deep near-black backdrop; the only warmth is the aura and the red tips of her hair. Fine red motes drift upward past her waist, and the air around the clock seems to shimmer where the gears turn. The anime rendering is faithful to the original series' art style: crisp cel-shaded planes, glossy specular highlights on her hair and her eye, thick clean linework, saturated red-violet shadows.
Menacing, bewitching.
あやはまたわたはあ
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