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character: lamia_(monster_girl_encyclopedia), wererabbit_(monster_girl_encyclopedia), copyright: monster_girl_encyclopedia
2girls, wererabbit, lamia, casual clothes, rabbit ears, long rabbit ears standing upright, animal ears, red eyes, short white hair, single green streak through the fringe, black ribbon bow at the side of her head, short fluffy tail, lamia, long blonde hair, sidelocks, yellow eyes, slit pupils, pointy ears, scales, long thick serpentine tail, from below, low angle, camera near floor level, close-up on faces and upper bodies, looking down at viewer, leaning forward, head tilt, standing on one leg, arms up, outstretched arm, waving, smug, lopsided smirk, one eyebrow raised, half-closed eyes, lamia leaning over the rabbit girl's shoulder, hand on another's shoulder, looking at another, smile, open mouth, blush, cozy apartment interior, warm afternoon window light, semi-realistic, soft painted rendering, high detail, high quality, sfw, no earrings, both ears bare, no jewelry, bare wrists, unadorned fingers, no hats, no headwear besides the ribbon, no neckties, no bags, no text, no lettering
The camera sits low, close to the floor, tilted up so both girls tower into the frame with the ceiling above them and their upper bodies filling the two-thirds of the picture nearest the lens. On the right, the wererabbit girl leans far forward over the lens with her weight on her left leg, right knee bent and her bare right foot lifted and tucked behind her left calf; her left arm is flung up and out to the side in a wave, palm open, fingers spread, and her right hand grips her own opposite elbow across her chest. Her short white hair falls forward around her cheeks with the single green streak hanging loose over her brow, her long rabbit ears stand upright and tilted a few degrees apart, one canted further out than the other, and her short fluffy tail pushes up against the back of her loose grey sweatpants at the hem of an oversized cream knit sweater whose cuffs swallow her wrists to the thumb. She looks straight down the lens from under her fringe with a lopsided smirk, one eyebrow cocked higher than the other, one eye half-lidded and the other wide, the black ribbon bow at the side of her head tipping forward with the lean. On the left, the lamia leans in over the rabbit girl's left shoulder from behind and slightly above, her long blonde hair spilling down past the rabbit girl's sweater sleeve, her sidelocks framing a face turned in profile toward her companion; her yellow eyes with narrow slit pupils are fixed on the rabbit girl's face and her lips part in an easy open-mouthed smile with a soft blush across her cheeks and the points of her ears catching the light. Her right hand rests flat on the rabbit girl's shoulder, fingertips just pressing into the knit, and her left hand is out of frame behind her back. Above the waist she wears a loose white tucked-in tee and a soft open flannel shirt in muted olive, sleeves pushed to the elbow, and below that her long serpentine tail — its scales in warm tan and dusty olive banding — coils across the floorboards in a wide relaxed loop that passes behind the rabbit girl's standing foot and fills the lower left of the frame. The room is a small lived-in apartment: a low wooden shelf on the left, a cushion on the floor behind the rabbit girl's heel still pressed with the dip of a knee, the wall a warm off-white. Late afternoon light comes in through a window off-frame to the right, low and golden, striking the right side of the rabbit girl's face and the top of her ear and laying a long soft shadow of the lamia's tail across the floorboards to the left, where the shadows stay cool and blue-grey; the lamia's side of the frame falls into softer shade so the two faces separate cleanly. The palette is cream, grey and dusty olive with warm honey light and the rabbits white and the lamia's gold as the two brightest notes. The nearest ear edge and the lamia's shoulder are slightly softer than the sharper faces behind them, the depth of field shallow enough to blur the shelf and shelf wall. Semi-realistic painting with soft blended shadows, fine cloth weave and individual strands at the hairline, no hard cel outlines. Warm, teasing, effortlessly domestic.
Pablo Raul Pereyra
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