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- 原始提示詞
- extremely realistic, hyperrealistic, post-apocalyptic world, submerged modern city, ruined skyscrapers with only upper floors visible above water, deep green water, black storm clouds covering the sky, vast empty sky and ocean dominating the composition, no living creatures, debris floating on water surface, abandoned civilization, melancholic atmosphere, cinematic lighting, wide landscape shot, desolate and eerie mood
- 模式
- lite
- 尺寸
- 1536 x 912
使用的模型和 LoRA
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A cinematic wide shot from a high-angle perspective depicting the catastrophic aftermath of the Earth suddenly stopping its rotation. In the foreground, massive skyscrapers of a modern metropolis are being violently sheared from their foundations, leaning precariously as debris and shattered glass fly through the air. The middle ground shows a colossal wall of ocean water, a gargantuan tsunami, sweeping inland and engulfing the lower districts of the city in a churning torrent of white foam and dark blue water. In the far distance, the horizon is fractured, with mountain ranges crumbling under the sudden inertial shift. The atmosphere is one of absolute chaos and terror, with a color palette dominated by oppressive greys, deep oceanic blues, and the fiery orange of distant explosions. Harsh, dramatic lighting creates high contrast, while floating particles of dust and smog fill the air, enhanced by a strong depth of field that emphasizes the scale of the planetary disaster.
John Nelson
kr
未来都市の海中風景
Kyurus Robert Culesmond
ピ
ピョン吉
A wide-angle, cinematic anime illustration depicting the catastrophic moment Earth suddenly stops spinning, captured from a low-angle perspective from a city street looking toward the horizon. In the foreground, colossal skyscrapers are leaning and snapping, their glass windows shattering into millions of crystalline shards that fly forward due to inertia. Cars and street debris are being flung violently toward the horizon in a singular direction. In the mid-ground, a massive wall of seawater from a nearby coast is surging inland as a gargantuan tsunami, swallowing everything in its path. The background features a chaotic sky where the atmosphere is churning violently, with streaks of clouds being ripped apart. The lighting is dramatic and apocalyptic, with a deep orange and crimson sky clashing with the dark shadows of falling ruins. The color palette is dominated by high-contrast warm tones and cold greys, with motion blur and floating dust particles enhancing the sense of extreme velocity and sudden impact, conveying an overwhelming atmosphere of disaster and awe.
John Nelson
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