機房維護通知 — 目前伺服器機房正在進行部分維護，維護期間，SDXL 任務和 Tsubaki.1 任務的生成速度可能會比較慢，造成大家的不便，敬請見諒。 服務恢復後，我們會另行通知大家。感謝您的耐心與支持！
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- 原始提示詞
- yamamoto style, ,forehead, very sweaty ,karina_ichinose, 1 girl, solo, long hair, ponytail, blond hair, dark-skinned female, forehead, medium breasts, navel, brown eyes, legs, foot, shy,half closed eyes,open mouth,heavy breathing,sweat,full body,sofa,head turned, butt, ass,from the back, casual clothes,
- 尺寸
- 768 x 1280
- 取樣步數
- 28
- 取樣方式
- Euler a
- CFG Scale
- 5
- 反向提示詞
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, white skin,
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1girl, solo, blonde woman, long blonde hair, damp hair, hair clinging to neck and temples, sweat, sweaty skin, glistening skin, sweat droplets, sweat beads, sweat running down neck, collarbone and cheek, flushed skin, hazy eyes, unfocused eyes, glazed eyes, half-closed eyes, heavy-lidded eyes, looking to the side, panting, open mouth, parted lips, exhaling, weak expression, frail expression, weary expression, exhausted, slight frown, from side, profile, cowboy shot, three-quarter view, leaning forward, shoulders slumped, arm support, hand braced on hip, other hand hanging, tank top, white ribbed tank top, sweat-soaked shirt, shirt clinging to body, denim shorts, light-blue denim shorts, nothing on head, bare ears, indoor, dim room, late afternoon light
The camera sits low and off to her right, a three-quarter profile from slightly below at cowboy-shot distance: her head is turned away toward the far side of the frame, chin dropped, and we see the long sweep of her neck, the near cheek, the downcast lid and the hair stuck flat to her temple in damp strands. She is caught just after exertion, upper body pitched forward so her weight rests on the arm whose hand is planted against her hip, the elbow flared back; her other arm hangs loose, fingers curling and uncurling in the air, and her knees are just inside a bend that keeps her hips canted to one side. Her mouth hangs open on the back half of a breath, the lower lip slack, a faint crease between her brows, the corners of her mouth pulled down a fraction into something tired rather than distressed; her eyes are half-lidded and directed at nothing past the far edge of the frame. Sweat is the picture's real subject and it behaves like liquid under gravity: beads sitting in the hollow of her throat, a rivulet tracking along the line of her jaw, dark wet patches spreading under the arm of the white ribbed tank top and between her shoulder blades where the cotton clings in a translucent layer over her skin, and one drop at the point of her chin caught mid-fall. Her hair is not styled but stuck, the front layer glued to her cheek and neck, the rest swelling outward in humid volume. She stands in a small dim room against a bare wall, one hard sliver of late-afternoon light entering from the far side and raking her from behind-right, so the wet highlights on her shoulder, lip and the ridge of her collar gleam while the front of her body and the wall behind her fall into soft shadow; the only bright thing is that glazing of moisture. Palette is restrained to warm skin, white cotton, pale denim blue and a grey-brown wall, with the light doing the colouring. Detail budget goes to the skin, the sweat paths and the fabric clinging rather than to the room. Exhausted, intimate.
CPTPTPTPPCPTTTPTP CPTPTPTPPCPTTTPTP
ultra low angle, from floor level, worm's-eye view, 1girl, solo, sitting on bed edge, bed, one leg stretched out, one knee bent, foot flat on floor, bare feet, white thigh-high socks, thighhighs, cotton sock texture, ribbed knit cuff, toes to upper thigh framing, legs in frame, foreshortening, short skirt hem at top of frame, clean indoor room, wooden floor, wood planks, white curtains, soft natural light, window light, gentle shadows, feet close to camera, looking down at viewer, parted lips, hand braced on mattress
The camera sits on the wooden floor itself, tilted steeply upward, so the nearest thing to the lens is a bare foot planted flat on the planks — the toes of the bent leg, in sharpest focus, its cotton sock stretching taut over the instep with the knit ribs opening slightly at the ball of the foot. From there the composition recedes straight up: the bent knee, then the long stretched leg running diagonally away toward the mattress edge, then the small triangle of skirt where it meets the white socks. The stretched leg's sock climbs the full length of the shin and ends in a soft doubled cuff gripping the mid-upper thigh, the cotton slightly compressed under its own elastic, texture changing from tight and smooth at the ankle to looser, fuzzier loops near the cuff where a few loose threads catch the light. Hardwood planks run both under the feet and under the bed, seams converging toward the top of the frame with the steep perspective, a faint satin sheen on the varnish and one thin darker gap between two boards. A pale grey-white shadow pools under the heel of the flat foot and under the bed frame's leg; another soft shadow falls behind the stretched leg onto the mattress sheets. To the left, white curtains hang full length, backlit, their hem nearly touching the floor, fabric bellied slightly by a draft from an unseen open window. The only light source is that window — a broad, cool-white, diffuse wash from the left that wraps the socks and produces long soft-edged shadows to the right, leaving no hot spots and no second light. The girl leans back on one arm, the supporting hand pressing a dimple into the mattress, while her other hand rests on the bent knee. Her face tilts down toward the camera, chin lowered, eyes looking directly into the lens with a light, inscrutable smile and one brow faintly raised. Palette: white cotton and white curtains, warm honey-brown floorboards, cream sheets, muted grey shadows — nothing louder. Crisp high-resolution fabric detail, quiet, intimate
むぎ
ルイス・キャミー
Shinkai
眠る安室さん♀
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