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AI art "夕方の反逆者" featuring #站姿, #單人, #帽T, #日落, #女孩 and #城市
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夕方の反逆者

テストモード 的 AI 作品「夕方の反逆者」,發布於 PixAI。使用模型:Tsubaki.2。

#站姿#單人#帽T#日落#女孩#城市
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在 PixAI 上,提示詞預設為公開,但創作者可以在自己發布的任何作品中隱藏提示詞。這件作品的創作者選擇了隱藏,因此用來生成圖片的文字不會公開,只有創作者本人看得到。隱藏提示詞不會影響其他功能:作品仍然是公開的,你一樣可以按讚、留言和分享。
已被作者隱藏
風格: 碎影流光

使用的模型和 LoRA

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AI artwork
a
character: yokoyama_ishimi solo, 1boy, genderswap, male focus, androgynous, short black hair with blue underlayer at the nape, blue eyes, standing, contrapposto, weight on one leg, hip cocked, shoulder dipped, hands loose in hoodie pockets, hood down, white shirt collar showing above the hoodie neckline, long sleeves, thin bracelet on one wrist, calm tired expression, half-closed eyes, subtle blush across the cheekbones, relaxed posture, looking at viewer, half body, cowboy shot, close-up framing, centered in frame, vertical portrait, from below, dutch angle, tilted horizon, night, twilight sky, evening city intersection, japanese cityscape, mid-rise buildings, traffic lights, street lamps, cars, road markings, overhead power lines, warm city lights against cool blue tones, atmospheric lighting, detailed urban background, cloudy sky, anime illustration, semi-realistic style, expressive linework, soft painterly shading, melancholic city mood, Shot from below at a dutch angle, the horizon tipped so the intersection's far corner rides higher on the right, the frame catches one androgynous young man at a cowboy-shot crop -- cut at mid-thigh -- centered and standing on a painted zebra crossing at a night city intersection. His weight rests on the straight left leg, the right knee slack and turned slightly inward, hip pushed out, one shoulder dropped lower than the other; the tilt of the ground and the camera's low rise make him read taller than the street. The low sleeves of a dark hoodie hang loose, hood folded flat down his back, a white shirt collar riding just above the hoodie neckline; his hands sit buried in the front pocket, so the thin bracelet on his right wrist is a single bright bead of metal at the pocket lip. His short black hair lifts a little in the draft of passing cars, the blue underlayer at the nape catching the lamp light, and his blue eyes come down the lens from under half-lowered lids, one brow faintly higher, mouth closed and easy, a warm subtle blush blooming over both cheekbones -- tired, unhurried, unbothered. Behind and around him the street runs deep: a four-way crossing of white road markings, crosswalk bars distorted by the low angle, mid-rise buildings of shutters, awnings and stacked windows receding to the upper right, overhead power lines sagging in black parabolas across the twilight sky, a rank of traffic lights with the near signal burning red and the walk signal a small green figure, street lamps on curving arms over both sidewalks, and a few cars waiting at the line, their headlights smeared long and low toward the camera. The sky holds the last violet-blue of twilight above the rooftops with the deep blue of night pressing down into the street; the palette is locked to that cool blue against warm city light -- sodium-amber lamp pools on the asphalt, warm window rectangles, red and green signal dots, the car's taillight red streaking on the wet road -- and nothing else admitted. The lamps and signals are the light sources: they rim the top of his hair and one cheek with amber, leave the underside of his chin and the far side of his hoodie in cool blue shadow, and where a puddle sits in a crosswalk seam the reflected lamp is darker and softer than the lamp itself. Air haze softens the far buildings only. Quiet, melancholy city tiredness.
Axel
AI artwork
рr
character: mashiro_meme, copyright: nijisanji 1girl, solo, mashiro meme, short black hair, yellow eyes, hair ornament, femboy unisex clothes, loose oversized white shirt worn open over a plain tank top, soft knit longline cardigan, slim black tapered trousers cropped above the ankle, chunky sneakers, red scarf loosely looped at the open collar, standing, full-body vertical portrait, centered in frame, close-up framing, cowboy shot depth, night, twilight sky, evening city intersection, japanese cityscape, mid-rise buildings, traffic lights, street lamps, cars, road markings, overhead power lines, warm city lights against cool blue tones, atmospheric lighting, detailed urban background, looking down, downcast gaze, calm tired expression, subtle blush, relaxed posture, contrapposto, hands in pockets, shoulders slightly dropped, from below, dutch angle, solo focus, anime illustration, semi-realistic style, expressive linework, soft painterly shading, melancholic city mood Seen from a low angle tilted slightly off level, the single figure stands centered on the pedestrian island of an evening Japanese city intersection, her full body running from the chunky sneakers planted on the wet asphalt up through the frame. Her weight rests on her left leg, the right knee eased forward and the right hip dropped, both hands pushed loosely into the cardigan pockets so the oversized white shirt hangs open; the shirt's loose tail lifts a little at one corner in the crosswind. Her chin is tipped down, yellow eyes cast toward the road markings at her feet rather than the lens, eyelashes low, a faint warmth of blush sitting on the cheekbones; the corners of her mouth stay soft and level in a calm, tired line, one brow a fraction higher than the other. The red scarf is looped once at the open collar, its short end hanging still. Behind and around her the intersection opens out: mid-rise buildings stacked in receding depth on both corners, their windows lit in small warm rectangles, a pedestrian signal and a three-lamp traffic light glowing on the near pole, street lamps dropping warm pools onto the crossing, two cars waiting at the stop line with headlights smeared low across the tarmac, white road markings stretching toward the vanishing point, and overhead power lines crossing the twilight sky in taut black lines that sag between poles. The sky above the rooftops is deep cool blue fading to a thin band of dusk warmth, and the city's artificial light — amber signage, sodium lamps, tail lights — burns warm against that blue, so every lit surface reads gold-orange while the shadows and the sky hold blue. The lamps are the scene's light; they throw a short soft shadow from the figure across the wet ground, and the reflection of the traffic lights in the puddles is dimmer and softer than the lamps themselves. The palette holds to cool blue-grey in the sky, buildings and shadow, warm amber in every lamp, window, headlight and sign, the red scarf as the one saturated accent at her throat, and the white of her shirt catching the nearest lamp. Linework is expressive, the contours clean against the painterly shading, and the background is rendered in fine detail until it softens into the blue distance. Quiet, melancholic, softly luminous.
Рейнджер «Ranger»

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