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AI art "312" featuring #乳房, #洋裝, #帽子, #短髮, #化妝, #腰帶, #口紅, #女孩, #拿著 and #閉著嘴
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312

#乳房#洋裝#帽子#短髮#化妝#腰帶#口紅#女孩#拿著#閉著嘴
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Anton Petrov

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在 PixAI 上，提示詞預設為公開，但創作者可以在自己發布的任何作品中隱藏提示詞。這件作品的創作者選擇了隱藏，因此用來生成圖片的文字不會公開，只有創作者本人看得到。隱藏提示詞不會影響其他功能：作品仍然是公開的，你一樣可以按讚、留言和分享。
已被作者隱藏
風格: 繽紛彩鉛

使用的模型和 LoRA

Tsubaki.2 - AI Model封面圖片

PixAI DiT.2

Tsubaki.2
19.96k

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1girl, solo, portrait, upper body, looking at viewer, from front, oil painting, western European academic oil painting, renaissance aesthetic, elegant woman, vibrant red hair, long wavy red hair, deep purple eyes, sophisticated expression, calm assured half-lidded gaze, faint closed-lip smile, purple heart-neckline dress, fitted bodice, white pearl necklace, purple lace gloves, warm brown wall background, framed paintings on wall, gilt frames, cinematic lighting, chiaroscuro, rich textures, vertical composition, muted gold and umber palette, fine art portrait A waist-up portrait seen straight on, the camera level with her face -- she is not squared to the frame but turned a hand's width off-axis, weight settled onto her right hip so her left shoulder drops slightly and the neckline curves on a long diagonal down the canvas. She looks directly out at the viewer from under level brows, chin lifted a fraction, eyes deep purple with a pale catchlight in the upper left of each iris; the sophistication is in the stillness -- lips together, one corner a degree higher than the other, no teeth, cheek shadows unbroken. Her right arm crosses low in front of the bodice, that lace-gloved hand resting on the back of her left wrist just above the waist, the other gloved forearm draped along the frame's lower edge; the purple lace thins over the knuckles so the skin reads as a warmer purple beneath the mesh. The heart neckline dips to a soft point at the sternum, and the white pearl necklace follows that curve rather than hanging flat: each pearl is a small sphere of grey-blue shadow and one sharp white specular dot at its upper left, the strand lying against her collarbones with its clasp hidden behind her neck. Vibrant red hair parts off-centre, sweeps back over her ears in loose waves, and one strand falls forward across the near collarbone. Behind her, a warm brown wall fills the whole field, its plaster texture visible in the half-light; three framed paintings hang in the shallow depth behind her shoulder, gilt frames catching edge highlights, their canvases deliberately dark and illegible. A single warm key light comes from the upper left, off-frame, so the lit side of her face and the near pearls glow with amber warmth while the far cheek, the far side of her neck and the deep folds of the purple dress fall into umber shadow; the wall darkens toward the right edge and a soft cast shadow of her head and shoulder sits on the plaster at the right. Palette held to the red of her hair, the violet of dress and gloves and eyes, the pearl white, and the brown-and-gold of wall and frames, with every other colour suppressed. Visible brushwork in the dress folds and the wall, smoother glazing on the face and pearls; the pearls' shadows render bluish and softer than their highlights, never pure white. Quiet opulence, composed and self-possessed.
htrangia31

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