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新手創作點數，註冊當天到帳

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新手創作點數，註冊當天到帳

AI artwork
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teqk1ø

teqk1ø 的 AI 作品，發布於 PixAI。使用模型：bespoke。

Avatar image of teqk1ø

teqk1ø

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留言

1boy, genta_iwayama style, bara anime 2000 style, male focus, dilf, mature male, detailed face, detailed hands, facial hair, sweaty body, hairy body, mesh, tanned skin, various men's clothing, trousers, different backgrounds, kotoyoshi_yumisuke (style), 1990s (style), Chance 't-bone', catboy, orange fur, flip red hat, rolled up sleeves mechanic's suit, long sleeves t-shirt, belt, boots, hero suit, black fingerless gloves, short sleeves, blue helmet with red triangle, superhero mask, white sclera, barefoot, dark orange stripes, red harness
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原始提示詞
genta_iwayama style,bara anime 2000 style,male Focus,dilf,mature male,Details on the face and hands,facial hair,body all sweaty and hairy,mesh,tanned skin,different men's clothing and trousers,different backgrounds,kotoyoshi_yumisuke (style),1990s (style),Chance 't-bone',catboy,orange fur,flip red hat,rolled up sleeves mechanic's suit,long sleeves t-shirt below suit,belt,boots,hero suit,black fingerless gloves,short sleeves,blue helmet with red triangle,superhero mask,white sclera,barefoot,orange fur,dark orange strips,catboy,red harness,
尺寸
768 x 1280
取樣步數
8
取樣方式
DDIM
CFG Scale
3
反向提示詞
bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark

使用的模型和 LoRA

bespoke - AI Model封面圖片

SDXL

bespoke
3.25k
琴義弓介(2000年頃)っぽい絵が出るRoLA - AI Model封面圖片

使用者LoRA

琴義弓介(2000年頃)っぽい絵が出るRoLA
50
Chance 'T-bone' | swat kats - AI Model封面圖片

使用者LoRA

Chance 'T-bone' | swat kats
3
genta_iwayama style v2 - AI Model封面圖片

使用者LoRA

genta_iwayama style v2
12

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AI artwork
jm
1boy, solo, adult man, tall, extremely muscular, bara, hypermuscular, large heavy voluminous physique, very broad shoulders, thick neck, huge pectorals, extremely developed arms, strong forearms, large hands, defined abs, robust thickset build, black balaclava, full head coverage, only eyes visible, expressive eyes, thick eyebrows, intimidating, tight black tank top, black tank top stretched over chest, dark grey cargo pants, side pockets, sturdy belt, black gloves, standing still, arms crossed, from below, low angle, cowboy shot, dutch angle, brick wall background, blurred wooden boards, american-style wooden wall, dim interior, single overhead light, dramatic shadows, looking down at viewer, half-closed eyes, serious, imposing presence, Shot from below at a slight dutch angle, the camera near waist height and tilted so the man's mass looms up into the frame: he fills the vertical column of the composition, shoulders spanning wider than his hips, head near the top edge and boots cropped at the bottom of a cowboy shot. He stands still, weight settled on his right leg with the left hip eased out, both thick arms folded across the huge shelf of his chest, the black gloves of each hand clamped over the opposite bicep so the forearms bunch and the tank top strains at the armpits. The tight black tank top clings to the heavy pectorals and rides up over the ridged abdomen where the fabric pulls free of the sturdy belt; the dark grey cargo pants hang bulky over his thighs, side pockets sagging with weight, the belt cinched snug. The black balaclava stretches taut over the skull and jaw, seamless black knit, the only opening a narrow eye slit where the thick brows knit low and the expressive eyes look down the length of the shot straight at the viewer, half-lidded and flat, chin dipped so the eye slit catches the light. Behind him a brick wall runs the full width of the frame, mortar lines receding and losing focus at the edges; to his left a panel of american-style wooden boards, plank seams and a dark stained grain, sits softly out of focus. A single hard overhead light drops from above the frame: it rakes the top of the balaclava and the crests of his shoulders, skims the pectorals, and throws a dense shadow under the brow ridge and beneath the crossed arms, so his eyes read as two glints inside the black knit; the wall behind him darkens toward the floor and the wood dissolves into warm murk. Palette of black, charcoal grey, dull red-brown brick and amber wood, nothing bright. A fine sheen of sweat beads on the bare forearms and catches that one light, the only wet highlight in an otherwise matte, dusty frame. Imposing, quietly dangerous.
Jackson MARTINS

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