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なぜか
kisekyoUDG 的 AI 作品「なぜか」,發布於 PixAI。使用模型:Tsubaki.2。
Rieはリアル系にならず。魔法少女のやつはリアルに寄ってたから、たまたまかも知れない。tsubaki2の無料チケットは貴重なので、もう一度試したりはしない
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- 原始提示詞
- masterpiece, best quality, anime visual-novel CG style, bishoujo, 1girl, cheerful waitress, shoulder-length black hair with side bangs, large reddish-brown eyes, soft blush, winking, big yellow hair bow, cute smile, L-shaped finger pose near face, other hand presenting, navy-blue maid dress with puffed sleeves, fitted bodice, lavender cuffs and collar, subtle apron accents, medium bust, indoor kitchen scene, warm wooden wall panels, wall calendar, folding chair, countertop on right with small appliance, cutting board with stacked bread slices, (((((kitchen knife mid-swing by telekinesis))))), with motion blur and green glint, (((((kitchen knife floats in the air by telekinesis))))), playful cooking action, waist-up, low angle, close-up, dynamic perspective, Dutch tilt, slight fisheye feel, crisp lineart, glossy cel-shaded highlights, vibrant colors, soft indoor lighting with gentle rim light, clean background details, high detail, smooth shading, 4k, highly detailed, sharp focus, very tall girl, very long legs, large breasts, , ,1girl, Rie, highteen, tall, huge breasts, dark shoulder-length hair, wispy bangs, across her forehead, subtle waves, clear expressive brown eyes, delicate nose, smooth fair skin,
- 模式
- ultra
- 尺寸
- 1536 x 912
- 反向提示詞
- worst quality, photorealistic, bad anatomy, blur, low resolution
使用的模型和 LoRA
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小
character: kotegawa_yui
high ponytail, cooking, 1girl, long black hair pulled up into a tight high ponytail at the crown, loose front strands falling beside the cheeks, orange eyes, apron over a white dress shirt with sleeves rolled to the elbows, bare arms, from side, cowboy shot, dutch angle, leaning forward over a cutting board, knife in hand mid-slice, holding a halved daikon, looking at the food, focused expression, slight open mouth, raised eyebrow, steam rising, kitchen counter, wooden cutting board, vegetables, warm afternoon light, high resolution, best quality, masterpiece
The view is a three-quarter side angle from a low-right camera tipped into a slight dutch angle, so the counter edge cuts a diagonal across the lower frame and the girl stands behind it, her torso turned toward the cutting board, her left hip braced against the cabinet drawer handle. Her long black hair is gathered upward into a high ponytail fixed at the crown, the gathered base sitting tight against the curve of her skull, and the tail falling in a single heavy weight behind her right shoulder, its tip swaying slightly forward of her back because she is leaning into the work. She wears a plain apron over a white dress shirt whose sleeves are rolled to her elbows, her forearms bare and dusted with a faint sheen from the steam, and no part of her hair drapes across her face because the high tie has lifted the mass clear of her nape; the loose strands beside each cheek are the only hair that moves, stirring in the warm updraft. Her right hand grips a kitchen knife by the handle, the blade angled down through a halved daikon on a wooden board, the cut face showing the pale interior and the blade leaving a thin wet line on the board; her left hand cups the daikon's rounded end for stability, fingertips pressed into the skin, knuckles lifted away from the blade as she rocks the cut. She looks down along the knife line with her orange eyes tracking the blade's edge, one eyebrow slightly up in concentration and her lips parted on a shallow breath, and a faint curl of steam rises from a pot behind her left shoulder, drifting across the frame and softening the background. Light comes from a window off frame left, warm and low, striking the right side of her forehead, the ridge of her nose and the top of the raised ponytail, throwing a soft shadow of hair and jaw onto the near cheek and leaving the corner of the kitchen darker behind her. The palette is kitchen-neutral — the black of her hair, the white shirt, a faded indigo apron, the dull wood of the board and the greens of the chopped vegetables — with the only warmth held in the afternoon light and the steam. A single stray water droplet sits condensed on the steel of the knife just above the halved daikon, catching a point of the light. Quiet, absorbed in the work.
小悪魔
白咲花 ( 烹飪 )
かふうちの
さぁ、食べたいものを言ってごらん
癖之宮
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