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AI art "Masha manhwa style"
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Masha manhwa style

аa

Александр «Alex_Beast» Зверев

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1girl, glasses, long blonde hime cut hair, high heel boots, long black dress, black hat, long black gloves, red lipstick, curvy, breasts, thighs, solo, beautiful eyes, focus face, manhwa style, how to protect the main character's older brother, chic quality, high quality, beautiful style
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原始提示詞
A girl, glasses, long blonde hime cut hair, high heel boots, long black dress, black hat, long black gloves, red lipstick,curvy, breasts, thighs,solo, beautiful eyes, focus face, Manhwa style "How to Protect the Main Character's Older Brother", style, chic quality, high quality, beautiful style,
尺寸
768 x 1280
取樣步數
28
取樣方式
Euler a
CFG Scale
5
反向提示詞
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
面部優化

使用的模型和 LoRA

Haruka v2 - AI Model封面圖片

PixAI XL

Haruka v2
24.88k
The style of the manhwa "How to Protect the Main Character's Older Brother" - AI Model封面圖片

用戶LoRA

The style of the manhwa "How to Protect the Main Character's Older Brother"
10

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AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past the hips, red eyes, sunglasses, dark sunglasses, vampire costume, gothic gown, red velvet gown, black lace trim, high collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, full body, standing, one hand on hip, other hand lifting sunglasses, looking at viewer over lowered sunglasses, raised eyebrow, lopsided smirk, head tilt, gothic interior, candlelight, deep shadows, dutch angle composition, The camera looks up at her from a low angle, tilted slightly off-level, so her full figure dominates the tall gothic hall behind her and the space opens above her head. She stands with her weight sunk into her left hip, right knee bent and slightly forward, left leg straight and bearing her; her left hand rests flat on the curve of her hip, fingers spread over the velvet, while her right hand has caught the temple of her dark sunglasses and pulled them a little down and away from her eyes, so the red irises show above the black rims, fixed on the viewer with one eyebrow arched high and the corner of her mouth pulled into a one-sided smirk. Her very long light brown ponytail is drawn high at the back of her head and falls in a heavy, glossy rope past her waist, its tip curling forward beside her right thigh where the movement of her lifted arm has swung it; a few loose strands lie against her cheek and neck. She wears a vampire costume gown of heavy deep red velvet that catches the candlelight along its folds: a high black lace collar stands up around her throat, black lace edges the long fitted sleeves and the neckline that frames her very large chest, and the bodice nips in hard at her narrow waist before the skirt breaks outward over her wide hips and thick thighs, falling in weighted folds to the floor where the hem pools and drags a little behind her left heel. The cut is deliberate and close, so the velvet is stretched taut across her bust and pulled into long diagonal creases down toward her waist, and the skirt swings out at the hip because her weight is on the other leg. The hall behind her is a candlelit gothic interior: a tall pointed window with dark glass and stone tracery on the left, clustered candles in iron stands on the right, and beyond them the room falls into blackness. The candles are the only light source; they sit low and to her right, so the light climbs the right side of her face and throat, rims the red of her eyes, and leaves the left half of her face and the left folds of the gown in deep shadow, while her cast shadow climbs the stone behind her at an angle thrown by the tilted frame. The palette is red velvet, black lace and the warm amber of candle flames against cold grey stone, nothing else admitted. Every fold of velvet is rendered with visible weight and shadow, the lace with fine repeating holes, the hair with a single hard highlight running down the length of the ponytail. Quietly commanding, gothic glamour.
Kylee Violette (Kiy Chan)

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