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查看詳情顯示參數
- 原始提示詞
- 1girl, sora, solo, magenta eyes, dark hair, long hair, wild hair, spiky hair, messy hair, long bangs, uneven bangs, hair between eyes, sidelocks, loose hair, ahoge, cheek scar, sora_outfit, dark brown top, sleeveless top, red neck scarf, blue arm bandages, hand bandages, full arm bandages, wrapped hands, waist sash, wide waist sash, dark pants, loose pants, open toe sandals, reptilian arm, claw, horns, crimson tip, black middle half, big tail, godzilla tail, black scales, spines, disgaea_background, emizel (disgaea 4), black hair, short hair, red eyes, round ears, lachww, very long hair, spiked hair, low ponytail, ring hair ornament, gold ring, small breasts, lala costume, red long scarf, halterneck, yellow trim, front-tie top, black elbow gloves, gauntlets, black belt, belt buckle, pants, low leg pants, kh(gameover), black background, floating, asleep, closed eyes, chest facing up, pink heart-shaped gem, honkai star rail art style, 3d_art, 3d_model, best quality, 4k, hd, line art, asymmetry_cloth, many decoration, holding a battle axe:1.0, keyblade, rectangular sword, yoshitsuna sword, yoshitsuna, disgaea sword, rectangular blade, weapon, flat sword blade tip, long blade, one sword, zzzsty, background, maddogai, sword, haki, supreme king haki, lightning, black-and-red lightning, black lightning, red lightning,Godzilla, 1girl, Personification, monster girl, dark-skinned female, coloured skin, abs, large tail, long tail, very long tail, glowing, hair between eyes, yellow eyes, long hair, two-tone hair, cleavage, long sleeves, navel, pants, torn clothes, torn pants, scale on body, cross belt, belt buckle, buckle, m4g1c4l4ur4b0dy0bj3ct,magicalaurabodyobject,magicalaura bodyobject,Glowing, realistic
- 尺寸
- 768 x 1280
- 取樣步數
- 30
- 取樣方式
- Euler a
- CFG Scale
- 4
- 反向提示詞
- lowres,blurry,bad anatomy,disproportionate body,worst quality,low quality
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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