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character: cure_blossom, character: cure_marine, character: cure_sunshine, character: cure_moonlight, A medium shot from a wide angle captures four cyborg girls—Cure Blossom, Cure Marine, Cure Sunshine, and Cure Moonlight—inside a bright morning bathroom, their bodies entirely comprised of shiny metallic endoskeletons with no human skin. They are dressed only in torn, loose-fitting childish pink training bras and panties. Cure Blossom, Cure Sunshine, and Cure Moonlight stand near toilets, multiple transparent tubes connected to their lower abdomens and mechanical nozzles, discharging thick, glowing pink-purple synthetic lubricant that overflows the bowls. Cure Marine sits on a toilet with a frustrated, humiliated expression, as a thick, dark brown-gray mechanical paste with glowing particles slowly discharges from her robotic ports. All four exhibit blushing metallic cheeks and shocked expressions; their transparent skulls reveal pulsing cybernetic brains. The environment is a sterile bathroom with scattered torn undergarments on the floor. The lighting is bright and clinical, emphasizing the viscous textures of the mechanical fluids and the reflective surfaces of the chrome joints, wiring, and neon circuits. The mood is surreal and embarrassing.
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原始提示詞
HeartCatch Pretty Cure four girls — Cure Blossom (Tsubomi), Cure Marine (Erika), Cure Sunshine (Itsuki), Cure Moonlight (Yuri) — as 100% fully transformed sexroid cyborg robots with zero human skin remaining, shiny metallic endoskeletons with every robotic part fully exposed, glowing neon pink, blue, yellow and purple circuits, visible wiring, hydraulic tubes, mechanical joints and data ports all over their bodies, glowing cybernetic brains pulsing through partially open transparent skulls, in the morning inside the bathroom, they are in the process of "discharge" or maintenance, completely naked except for torn childish pink kids training bras and children's panties hanging loosely or ripped, three girls (Cure Blossom, Cure Sunshine, Cure Moonlight) have multiple transparent tubes connected to their lower abdomen and mechanical nozzles, thick glowing pink-purple mechanical fluid (synthetic lubricant and coolant) heavily discharging from the tubes and nozzles into the toilet bowls, filling and overflowing the toilets, while Cure Marine (Erika) is sitting on the toilet with a frustrated and embarrassed expression, no normal poop comes out, instead a thick artificial synthetic feces-like substance (dark brown-gray mechanical paste with glowing particles) is slowly being discharged from her robotic nozzle and ports, she looks confused and humiliated because her system cannot produce real waste, all girls have shocked, blushing metallic cheeks and embarrassed expressions, detailed shiny metal textures, viscous glowing mechanical fluid and synthetic feces texture, bright morning bathroom lighting, scattered torn kids panties and bras on the floor, anime style, ultra detailed, surreal and embarrassing morning discharge scene, masterpiece, best quality, 8k
模式
pro
尺寸
768 x 1280
反向提示詞
worst quality, photorealistic, bad anatomy, blur, low resolution

使用的模型和 LoRA

Tsubaki.2 - AI Model封面圖片

PixAI DiT.2

Tsubaki.2
18.84k

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character: cure_marine, cure_heart, cure_lovely, cure_grace, kurumi_erika, aino_megumi, hanadera_nodoka First official inspection day scene of newly completed Pretty Cure cyborg girls, lineup including Cure Grace (Nodoka pink flower ribbon), Cure Marine (Erika blue), Cure Heart (red), Cure Lovely (purple), childlike pure faces with wide glowing eyes showing subtle anxiety. Full transparent body panels open for detailed check-up: technicians inserting probes into lower nozzle ports causing glossy white fluid to drip, testing artificial womb reactor pulse, scanning glowing circuit boards and hydraulic tubes, chrome endoskeleton joints flexed for mobility test. Girls standing stiffly on examination platforms with light restraints, fluid pooling on floor, lab background with monitors displaying vital data and tools, eerie sterile lighting, kawaii guro cyberpunk style, extreme hyperdetail on inspection procedures, nozzle testing and robotic internals, masterpiece --ar 2:3 --v 6 --s 1300 (first inspection day:1.5), (maintenance check-up:1.5), (technicians with(open maintenance panels:1.5), (nozzle ports testing:1.5), (glossy white fluid leak:1.4) tools:1.4)
supercellloveme#0
#光之美少女#心跳！光之美少女#相田愛
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character: cure_heart, character: cure_diamond, character: cure_rosetta, character: cure_sword, character: cure_ace, Medium shot, eye-level view of five characters—Cure Heart, Cure Diamond, Cure Rosetta, Cure Sword, and Cure Ace—gathered in a spacious, steaming bath. The girls are depicted in a state of cyborg transformation, their expressions frozen in shock and horror. Cure Heart, with her long blonde ponytail and pink bow, and Cure Diamond, with her long blue ponytail, sit side-by-side; Cure Rosetta with her brown twintails, Cure Sword with her purple ponytail, and Cure Ace with her red drill hair stand behind them. Their torsos feature open mechanical panels, exposing intricate circuitry, metallic pistons, and pulsating organic brains beneath the plating. Their hands are splayed in surprise, some gripping the edge of the bath, others raised in alarm. The setting is a traditional Japanese bathhouse with cedar wood walls and thick white steam swirling around them. The lighting is soft and diffused, contrasting with the cold, metallic textures of the cyborg internals, creating a surreal and unsettling atmosphere with a vivid anime color palette.
Supercellloveforit

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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