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AI art "放課後遊泳　Tsubaki.3" featuring #水族館, #包, #女孩 and #Tsubaki.3
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放課後遊泳　Tsubaki.3

放課後遊泳　Tsubaki.3 Tsubaki.3の機能を使ってみました

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PixAI Tsubaki.3 創作大賽正式開啟#Tsubaki.3
#水族館#包#女孩
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ultra complexity, 8K, ultra-high detail, realistic photo, analog daytime film photography, strong backlight from a ceiling opening, refraction of light in water and sharp highlights, natural film grain, photorealistic, cinematic underwater space photography, vertical composition. 【Lens, camera position, shooting angle, viewpoint, perspective】 Lens: standard 50mm lens, no extreme distortion. Camera position: slightly higher than the floor surface. Shooting angle: low angle (looking up), shot from diagonally below towards the water surface above. Viewpoint: full view, the entire cubic room fits within the frame. Perspective: one-point perspective. The floor in the foreground is larger, and the back wall shrinks as it recedes. Appropriate depth of field, with focus on the school of fish and columns of light in the center, and the dark areas of the walls moderately and softly blurred. 【Spatial structure, ceiling opening, water surface】 A minimal and inorganic closed cubic space, walls and floor have a matte dark gray concrete-like texture. There is a rectangular opening in the center of the ceiling, beyond which a water surface connected to the outdoors spreads. Fine ripples receiving sunlight spread irregularly on the water surface, creating sparkling surface reflections and fluctuations. The edges of the opening maintain sharp and clear straight lines. 【Underwater creatures, floating objects】 Dozens of small fish are swimming freely in schools through the light pouring down from the opening. The fish have golden and silver-white scales, with light reflecting and sparkling finely on each individual scale. The fish swim naturally in different directions and angles, forming an irregular school with varying density. Countless tiny bubbles rise in lines from the water surface, glowing faintly like pearls as they catch the light. The bubbles vary in size and gradually lose their shape and spread as they rise. 【Lighting, light and shadow emphasis】 Strong backlight from above (daytime sunlight). The light penetrating from the water surface forms clear volumetric light (Tyndall effect), with prismatic columns of light pouring straight down to the floor in the center of the room. High contrast with a large difference between light and dark. Light refracts and scatters off fine particles, bubbles, and fish scales in the water, creating a soft translucent light effect. Cool blue-toned underwater light, with natural film grain in the dark areas. Sharp highlights appear on the scales and fins of the fish swimming in the light, making their outlines stand out. A bright illuminated area following the shape of the opening is created on the floor, and the clear silhouette shadows of the school of fish are projected. The shadows gently distort and waver according to the fluctuations of the water surface. 【Texture, detail】 Fine granular texture of concrete walls and shadows in the corners, minute irregularities of ripples on the water surface, smooth gloss and texture of fish scales, transparency and surface reflection of bubbles, and the particulate feel of the light rays. Shadows at the corners of the room and on the walls are smooth gradients, expressing the depth and enclosed feeling of the space. Underwater-specific haziness and light attenuation due to depth are naturally reproduced, resulting in an immersive and realistic finish. 【Subject, person】 A high school girl in summer clothes, mini skirt, a navy blue bag slung over her shoulder, short black socks, brown loafers, beautiful black hair reaching down to her waist, hair floating in the water, standing normally in the center of the space, holding a pink mobile phone with a strap, peering at the mobile phone screen, clear brown eyes, a small wristwatch on her left wrist, standing with her weight on one leg and hips tilted, expressionless.
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ultra complexity, 8K, 超高詳細、リアルな写真、アナログ昼間フィルム撮影、天井開口部からの強い逆光、水中の光の屈折と鋭いハイライト、自然なフィルムグレイン、フォトリアル、シネマティックな水中空間撮影、縦構図 【レンズ、カメラ位置、撮影角度、視点、遠近法】 レンズ：標準 50mm レンズ、過激な歪みなし カメラ位置：床面よりやや高い位置 撮影角度：ローアングル（仰視・仰望）、斜め下方から上方の水面に向けて撮影 視点：全景、立方体の部屋全体がフレーム内に収まる 遠近法：一点透視。手前の床面が大きめ、奥の壁面は遠ざかるにつれて縮小。適切な被写界深度、中央の魚群と光線柱にピントが合い、壁面の暗部は適度に柔らかくぼやける。 【空間構造、天井開口部、水面】 ミニマルで無機質な立方体の閉鎖空間、壁と床はつや消しのダークグレーコンクリート調の質感。天井の中央に長方形の開口部があり、開口部の先には屋外と繋がる水面が広がる。水面には太陽光を受けた細かな波紋が不規則に広がり、キラキラとした表面反射と揺らぎが生じている。開口部の縁はシャープで明確な直線を保つ。 【水中の生物、浮遊物】 開口部から降り注ぐ光線の中を、数十匹の小型の魚が群れをなして自由に泳いでいる。魚体は黄金色と銀白色の鱗を持ち、一枚一枚の鱗に光が反射して細かく輝いている。魚はそれぞれ異なる向きと角度で自然に遊泳し、疎密のある不規則な群れを形成。水面から無数の細かい気泡が連なって上昇し、光を受けて真珠のように淡く輝く。気泡は大小多様な大きさで、上昇につれて徐々に形が崩れ広がっていく。 【ライティング、光影強調】 強い上部からの逆光（昼間の太陽光）。水面から差し込む光が明確な体積光（チンダル現象）を形成し、部屋の中央に角柱状の光の柱がまっすぐ床面まで降り注ぐ。明暗差が大きいハイコントラスト。光線が水中の微粒子・気泡・魚の鱗で屈折・散乱し、柔らかい半透明の光の効果を生む。冷たみのあるブルー調の水中光、暗部に自然なフィルムグレインが乗る。光の中を泳ぐ魚の鱗とヒレに鋭いハイライトが入り、輪郭が際立つ。床面には開口部の形に沿った明るい照射面ができ、魚群のはっきりとしたシルエットの影が投影される。影は水面の揺らぎに合わせて緩やかに歪み、揺らいでいる。 【質感、ディテール】 コンクリート壁の細かな粒子質感と隅の陰影、水面の波紋の微細な凹凸、魚鱗の滑らかな光沢と質感、気泡の透明感と表面の反射、光線の微粒子感。部屋の角部や壁面の陰影は滑らかなグラデーションで、空間の奥行きと閉鎖感が表現される。水中特有の霞みと深度による光の減衰が自然に再現され、臨場感のある写実的な仕上がり。 【被写体、人物】夏服の女子高生、ミニスカート、紺のかばんを肩からかけている、黒い短い靴下、茶色のローファー、腰まである綺麗な黒髪、髪は水の中を浮遊している、空間の真ん中に普通に立っている、ストラップが付いたピンク色の携帯を持っている、携帯の画面を覗いている、澄んだ茶色の目、左手首には小さな腕時計、片足に体重をかけて腰を傾けて立っている、無表情、
模式
pro
風格
瑩潤渲染
品質標籤
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尺寸
1536 x 1536
反向提示詞
lowres, worst quality, low quality, bad anatomy, explicit
風格: 瑩潤渲染
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使用的模型和 LoRA

Tsubaki.3 - AI Model封面圖片

PixAI DiT.3

Tsubaki.3
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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