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AI art "そして集いしスターダスト…？①"
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そして集いしスターダスト…？①

3部のパーティーを作りたかったんですが、 どうにもこうにも。とりあえず、 ①ジョセフは絶対、アレッシーの攻撃を 喰らう。②とにかくイギーがかわいいw この呪縛から逃れられなくて。 その血の運命ってヤツか…(違う)w

#學蘭服#褐色皮膚#狗#黑髮#棕髮#JoJo的奇妙冒險#外套#耳環#雲#空條承太郎#腰帶#碧眼#鎖骨#伊奇#鎖鏈#動物#閉眼#尚·皮耶·波魯那雷夫#沙漠#花京院典明#晝間#穆罕默德·阿布德爾#藍天#褐色皮膚男性#閉著嘴#JOJO的奇妙冒險 星塵遠征軍#乔瑟夫·乔斯达
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character: kujo_jotaro, kakyoin_noriaki, jean_pierre_polnareff, joseph_joestar, mohammed_avdol, iggy_(jojo), stardust_crusaders, A full body shot from a front-view angle shows five men and a small dog walking toward the viewer through a scorching, sun-drenched desert. In the lead is Jotaro, staring intensely at the viewer with a cool, stern expression, wearing his iconic school uniform and hat. To his left, Kakyoin walks with a gentle smile, dressed in his green gakuran. To Jotaro's right, Polnareff beams with a bright, cheerful grin. Behind Kakyoin, Joseph laughs loudly and brightly, while behind Polnareff, Avdol follows with a serene, gentle smile. Positioned between Joseph and Avdol is Iggy, the small dog, who gazes forward with a cool, detached expression. The background is a vast expanse of shimmering golden sands under a harsh, blindingly bright sun. The visual style is a glossy, glass-like anime aesthetic featuring lively, bouncing linework, oversized expressive eyes, and strong, heavy highlights. The color palette is vibrant and clean, enhanced by sparkling light effects and a high-contrast, luminous mood.
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5boys,1dogs,『ジョジョの奇妙な冒険 スターダストクルセイダース』の空条承太郎、花京院典明、ジャン＝ピエール・ポルナレフ、ジョセフ・ジョースター、モハメド・アヴドゥル、イギー、陽射しの強い砂漠を背景に、画面に向かって歩いてくる、先頭は承太郎、承太郎はクールな表情で画面を睨んでいる、承太郎の左隣に花京院、花京院は穏やかに微笑んでいる、承太郎の右隣にポルナレフ、ポルナレフは明るい笑顔、花京院の後ろにジョセフ、ジョセフは明るく笑っている、ポルナレフの後ろにアブドゥル、アブドゥルは穏やかに微笑んでいる、ジョセフとアブドゥルの間にイギー、イギーはクールな表情で画面を見つめている、
模式
lite
風格
琉璃動畫
尺寸
768 x 1280
浮水印
開啟
風格: 琉璃動畫

使用的模型和 LoRA

Tsubaki.2 - AI Model封面圖片

PixAI DiT.2

Tsubaki.2
18.79k

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#進擊的巨人#三笠·阿克曼
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