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查看詳情顯示參數
- 原始提示詞
- メルトリリス(Fate)、微笑む、振り返る、両手で花束を持つ、ウェディングドレス、協会
- 模式
- pro
- 品質標籤
- ﹝提示詞﹞
- 尺寸
- 1104 x 1824
- 取樣方式
- Euler
- 反向提示詞
- lowres, worst quality, low quality, bad anatomy, explicit
提示詞助手
使用的模型和 LoRA
相似作品
展示更多sy
character: meltryllis_(fate), copyright: fate_(series)
1girl, solo, meltryllis, long hair, very long hair, purple hair, blue eyes, hair ribbon, blue ribbon, wedding dress, bridal veil, smile, closed mouth smile, looking back, from behind, over-shoulder composition, holding bouquet, flower bouquet, both hands, church interior, stained glass, pews, aisle, from below, dutch angle, back to viewer, head turned, soft light, warm light, pastel palette
From behind and slightly below, a dutch-tilted over-shoulder composition: the woman stands with her back to the camera in the center of a church aisle, her head turned back over her right shoulder so her face is seen in three-quarter profile, her gaze landing just past the lens with a soft closed-mouth smile at the corners of her lips, chin lowered a fraction as if a little shy about being caught looking. Both hands cradle a full bouquet at her waist — the cluster of pale pink roses, white ranunculus and trailing eucalyptus gripped in the left hand's fist, the right hand cupping the stems from below — so the bouquet is pressed against the high waistline of the dress and tilts slightly to her left. The wedding dress is ivory, its bodice fitted and boned, its long sleeves ending past her wrists into a fine lace cuff that nearly covers her fingers, her very long purple hair sweeping down her back over the veil, a blue ribbon tied at the back of her head catching the light. Behind her the aisle recedes between rows of pews toward the altar, tall stained-glass windows throwing fractured blue and rose light onto the stone floor and stretching long colored shadows from her feet across the aisle. Daylight enters from the windows above the altar so the aisle is the brightest strip of the floor and her veil's edge glows translucent where it faces the light, her shadow falling forward toward the camera. The palette is ivory, pale pink, sky blue and cool stone gray, held to those four. Quiet, tender.
S Y
sy
character: meltryllis_(fate), copyright: fate_(series)
1girl, solo, meltryllis (fate), long hair, very long hair, purple hair, blue eyes, blue ribbon, hair ribbon, wedding dress, white dress, bridal veil, smiling, tears, crying, tears in eyes, looking back, from behind, over-shoulder composition, holding bouquet, flower bouquet, both hands, church, indoors, stained glass, wedding, bouquet of white roses, back turned toward viewer, head turned over shoulder, from below, cowboy shot, soft light
The camera sits low and behind her, a from-below over-shoulder composition: the viewer looks up the aisle past her back as she turns her head over her right shoulder toward the lens. She has turned away from the altar and toward the frame; her body faces the church doors, feet set in white heeled shoes on the worn carpet runner, weight settled on her left foot, her right toe pivoted half-around on the flagstone edge. Her very long purple hair falls in a loose fall down her back, tied with a blue ribbon at the crown of her head, and swings forward over her right shoulder as she turns, a few strands catching across her cheek. The dress is white, floor-length, with a long train bunched and pooling at her heels behind her, the skirt bodice fitted at the waist with the veil pinned at the back of her head and falling in a soft translucent cascade down her spine. Her face is shown in profile-over-shoulder view: wet blue eyes open, lashes beaded, two clear tears running down her right cheek and one about to fall from the corner of her chin, a gentle closed-lip smile with the corner lifted faintly. Both hands are clasped low in front of her waist, gripping a bouquet of white roses and pale green foliage, fingers curved around the wrapped stems, the ribbon streamers of the bouquet hanging across the front of her dress. Her hands leave a slight compression on the bouquet wrap where her fingers close. The church interior runs down the aisle behind her: rows of dark wooden pews receding, a tall arched window with stained glass above the altar, flagstone floor, stone columns to the left and right, the red carpet runner down the aisle with the petals she scattered the length of it — pale pink and white petals scattered slightly unevenly down the aisle and lifted just at the train hem where the air moved as she turned. The light comes from the stained glass window at the far end of the aisle, behind her back and above, warm and cool mixed — blue and gold and rose — falling across the back of her veil, lighting the top of her purple hair, throwing a glow on the flagstone before her, and leaving her face in soft lift from the side. Beyond the window light the church falls to soft shadow. Palette: purple hair and blue ribbon against the whiteness of the dress and veil and the white roses, with the deep wood of pews and the blue-gold-rose of the stained glass in the background, and the carpet's red as the only saturated warm accent. Quiet, tender, full of held feeling.
S Y
Sakura Matou
Utopic Studios
sy
character: meltryllis_(fate), copyright: fate_(series)
1girl, solo, meltryllis, very_long_hair, purple_hair, blue_eyes, blue_ribbon, hair_ribbon, wedding_dress, bridal_veil, white_dress, long_sleeves, sleeves_past_wrists, holding_bouquet, flower_bouquet, both_hands, smiling, blush, looking_at_viewer, looking_straight_ahead, facing_forward, church, stained_glass, aisle, from_below, close-up, upper_body, soft_lighting, gentle_expression, bare_shoulders, collarbone
The camera looks up from just below her chin — a close-up, three-quarter upward view framed so the church's vaulted ceiling and a tall lancet window rise behind her head. She stands in the center of a stone aisle, torso turned almost square to the lens, chin level so her gaze meets the viewer straight on, eyes open and steady, a soft closed-lip smile curving one corner of her mouth upward a little more than the other. Her cheeks carry a warm flush that spreads from the apples of her cheeks toward the bridge of her nose, deepening where the light touches. Both hands grip the stems of a bouquet at the level of her sternum — fingers overlapping the wrapped bundle, the pale flowers spilling upward past her collarbone; the flowers are not announced as a separate thing but held tight against the white bodice, a weight the two arms visibly take. Her very long purple hair falls in a heavy sheet behind her shoulders and a portion of it spills forward over one upper arm, the blue ribbon tied at the back of her head trailing down her spine. The wedding dress is white and unmistakable: a fitted bodice, long sleeves that cover past the wrists, the fabric gathering at her waist and disappearing below the close-up's crop; her shoulders are bare where the dress neckline dips, the skin catching the window light. Behind her the church is a deep, cool space: pale stone columns receding into shadow, a stretch of the aisle floor, and above her a pointed arch of stained glass glowing in muted blue and amber, its colored shafts falling across the left side of her face and shoulder while the right side of her cheek sits in soft blue-grey shadow. The window's colored light lays a faint blue patch on her purple hair and a warm amber highlight along the bouquet's petals — the light source is the window behind and above her, and everything facing the camera sits in gentle reflected fill. A few loose petals rest on the stone floor at the bottom edge of the frame where the bouquet's shadow pools, darker and softer than the stems that cast it. The palette is white, purple and cool stone grey, cut by the amber and blue of the glass. Tender, quietly radiant.
S Y
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