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AI artwork featuring #Code Geass 反叛的魯路修, #C.C. and #眼鏡角色集合

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C.C.、Code Geass 反叛的魯路修

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眼鏡角色大集合👓#眼鏡角色集合

#Code Geass 反叛的魯路修 #C.C.

發布於 Oct 28, 2026

ki11 yukii

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character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), 1girl, 2girls, (1girl, center focus:1.5), mature female, teacher, long light green hair, very long hair, golden eyes, beautiful face, round glasses, (round glasses reflecting light:1.5), white dress shirt, unbuttoned top, visible cleavage, black pencil skirt, black pantyhose, torn pantyhose on thigh, sitting, office desk, (sitting at the office desk, crossed legs:1.4), crossed legs, holding pen, red pen, (holding a red pen, grading papers:1.3), grading papers, papers on desk, books on the desk, (minimalist office background, books on the desk:1.3), (perfect hands, delicate fingers:1.3), heavy blush, pretending to be calm, (looking away but eyes on viewer:1.4), head turned away, eyes on viewer, (student's hand touching her thigh under the desk:1.6), hand on another's thigh, under table, (student standing next to her:1.3), standing, from side, cowboy shot, slight high angle The camera sits at a slight high angle in a three-quarter side view, the teacher held dead center of the frame. She occupies the center of a minimalist office: a plain flat-walled room, one windowless pale wall behind her, a single desk filling the midground with the front edge running horizontally across the lower third. She is seated behind that desk on an office chair, torso turned a little toward the left of frame while her head is turned away to the right, chin lifted, so her profile line runs toward the right edge — yet both pupils are pulled back to the viewer, golden irises pinned on the lens above the blush that floods her cheeks and the bridge of her nose a hot even pink. Her round glasses catch a hard white diagonal streak across both lenses, the reflection sitting flat on the glass and hiding nothing of the eyes behind it. Her long light green hair falls straight past her shoulders and pools slightly against the chair back, a few strands lifted where her shoulder turns. Her white dress shirt is buttoned only to mid-chest, the collar open in a wide V, the top placket hanging loose; the fabric pulls taut over her chest and shows visible cleavage above the black pencil skirt. Her right hand — slim fingers, clean nails, elegant and precise — holds a red pen upright against a stack of student papers on the desk, the nib pressed to a line she has half-marked, red ink already scored across two of the sheets. Her left hand rests flat on the desk edge beside a small row of hardback books stacked at the desk's far corner. Her legs are crossed at the knee beneath the desk, right leg over left, the black pantyhose sheathing the visible calf and the skirt hem riding high on the upper thigh, where a jagged tear opens the nylon in a ragged oval exposing bare skin along the outer thigh. The student stands at her left side, next to the chair, body angled toward her, one arm reaching down behind the desk's near edge so that the hand disappears beneath the desktop and reappears in the dark gap under it, fingers spread and pressed flat against the teacher's torn-stocking thigh, the fingertips dimpling the nylon at the edge of the tear. The student's face is turned down toward that hidden hand, upper body leaning slightly over the teacher's shoulder height, shoulder overlapping the teacher's sleeve in the occlusion order. The teacher's shoulders are drawn up a fraction, her spine held rigidly straight in the pretense of calm, and her crossed knee has angled a few degrees away from the touch while her eyes stay locked on the viewer. The light is entirely flat: no shadows, no gradients, no cast shade anywhere — every surface is one single unbroken fill of pure colour, desk a plain warm mid-brown, walls a soft neutral grey, skirt and pantyhose a true black, shirt a clean white, hair a single mint-green, all edges closed by bold crisp black linework with hard cel boundaries only where two flat fills meet. Deliberate detail budget goes to her face, the glasses, the red pen and the two hands; the office behind stays bare and uncluttered. Quiet, flustered tension.

C.C.、Code Geass 反叛的魯路修

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