關於 PixAI iOS 版暫時無法於 App Store 下載的說明 — PixAI 的使用者： PixAI iOS 應用程式目前暫時無法在 App Store 搜尋及下載。我們正在與 Apple 積極溝通，爭取盡快恢復上架。造成大家的不便，非常抱歉。 請注意： 已安裝 App 的使用者可以正常使用，帳號也可以正…
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- 模式
- ultra
- 品質標籤
- ﹝提示詞﹞
- 尺寸
- 1104 x 1824
- 取樣方式
- Euler
- 反向提示詞
- lowres, worst quality, low quality, bad anatomy, explicit
使用的模型和 LoRA
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o
character: kurohime_(fate)
1girl, solo, full-body, standing, standing sprite, character sprite, visual novel asset, isolated cutout, plain white background, seamless white field, no cast shadow, ground shadow absent, facing viewer, straight-on, upright, relaxed ready stance, weight even on both feet, feet planted shoulder-width, katana in right hand lowered at side, kodachi in left hand lowered at side, dual wielding, calm serious expression, closed mouth, long straight black hair, very long hair, hair past waist, sidelocks, black-framed glasses, serpentine eyes, vertical slit pupils, grey irises, faint scar across cheek, black kimono-style coat, jet-black fabric with subtle dark sheen, wide sleeves, sleeves cinched at forearms, wire and buckled straps on sleeves, black bodysuit, tight-fitting powered suit, skintight full-body suit hugging the body's silhouette, pentagon-shaped armor plates, pentagonal plating fitted close to the body, dark metal trim, shoulder armor, forearm armor, thigh armor, segmented abdominal plating, accordion-style midriff plates, glowing circuit traces, cyan glow, magenta glow, seam lights, chains hanging from hip, mechanical fittings, soft even front lighting, crisp clean edges, sharp focus, high resolution
Straight-on full-body view of a single swordswoman, framed head to boots and centered on a pure white field that continues unbroken beneath her feet; the floor carries no shadow at all, so the soles of her boots meet the white with a crisp drawn edge and nothing else. She faces the lens squarely, shoulders level, chin up a touch, spine straight, a ready stance held loosely with both feet planted at shoulder width, weight split evenly. Her right arm hangs relaxed with the katana angled down and slightly out from her thigh; her left hand holds the shorter kodachi in a matching low line on the other side, the two blades mirroring each other and clearing the ground by a hand's width. Black-framed glasses sit level on her nose, and behind them the grey irises hold a flat, steady look aimed straight at the viewer; the vertical slit pupils narrow the gaze into something cool and reptilian, and a faint pale scar crosses one cheek at a shallow diagonal. Her mouth is closed and level, no smile. Long straight black hair falls from a clean center part in two heavy sidelocks framing her face and drops unbroken past her waist, the ends separating into individual strands against the white so the silhouette stays legible.
Her outfit is now entirely black-toned. Over the powered suit she wears a layered kimono-style coat of jet-black fabric with a faint dark sheen, patched at the shoulder and sleeve with squares of even deeper black cloth, the wide sleeves cinched tight at each forearm by loops of wire wound several turns and pulled into buckled leather straps, the coat's front panels hanging open in a long black V. Beneath it, the bodysuit is skintight — a form-fitting powered suit that follows every line of her figure from collar to boots, matte black with a slight gloss along the curves. Its armor is no longer loose plating: small flat pentagon-shaped plates are laid directly onto the suit's surface, each five-sided tile edged in gunmetal trim, sitting flush against the body across the shoulders, collarbone, forearms, hips and thighs like a second skin of faceted metal. A narrow band of segmented accordion plating runs across her midriff. Thin circuit traces glow in the seams between the pentagon plates — cyan down the left side of the chest and forearm, magenta along the right thigh and hip — the light bleeding only onto the trim beside it, never onto the white backdrop. Chains hang in a loose cluster from her right hip with a few mechanical fittings, motionless.
Lighting is soft, even and frontal, filling both sides of the face at the same value; highlights sit on the glass lenses, on the flat faces of the pentagon plates and on the edges of the two blades, while no shadow is cast onto the floor or the white field behind her. Palette stays in blacks, gunmetal greys and white with the cyan and magenta seam glows as the only chroma. Edges are crisp and clean along the whole figure, focus sharp from hair ends to boot soles, the crop holding the entire body with margin above the head and below the feet. Composed, quietly lethal.
oburaien
o
character: kurohime_(fate)
1girl, solo, full-body, standing, standing sprite, character sprite, visual novel asset, isolated cutout, plain white background, seamless white field, no cast shadow, ground shadow absent, facing viewer, straight-on, upright, relaxed ready stance, weight even on both feet, feet planted shoulder-width, katana in right hand lowered at side, kodachi in left hand lowered at side, dual wielding, calm serious expression, closed mouth, long straight black hair, very long hair, hair past waist, sidelocks, black-framed glasses, serpentine eyes, vertical slit pupils, grey irises, faint scar across cheek, black kimono-style coat, jet-black fabric with subtle dark sheen, wide sleeves, sleeves cinched at forearms, wire and buckled straps on sleeves, black bodysuit, tight-fitting powered suit, skintight full-body suit hugging the body's silhouette, pentagon-shaped armor plates, pentagonal plating fitted close to the body, dark metal trim, shoulder armor, forearm armor, thigh armor, segmented abdominal plating, accordion-style midriff plates, glowing circuit traces, cyan glow, magenta glow, seam lights, chains hanging from hip, mechanical fittings, soft even front lighting, crisp clean edges, sharp focus, high resolution
Straight-on full-body view of a single swordswoman, framed head to boots and centered on a pure white field that continues unbroken beneath her feet; the floor carries no shadow at all, so the soles of her boots meet the white with a crisp drawn edge and nothing else. She faces the lens squarely, shoulders level, chin up a touch, spine straight, a ready stance held loosely with both feet planted at shoulder width, weight split evenly. Her right arm hangs relaxed with the katana angled down and slightly out from her thigh; her left hand holds the shorter kodachi in a matching low line on the other side, the two blades mirroring each other and clearing the ground by a hand's width. Black-framed glasses sit level on her nose, and behind them the grey irises hold a flat, steady look aimed straight at the viewer; the vertical slit pupils narrow the gaze into something cool and reptilian, and a faint pale scar crosses one cheek at a shallow diagonal. Her mouth is closed and level, no smile. Long straight black hair falls from a clean center part in two heavy sidelocks framing her face and drops unbroken past her waist, the ends separating into individual strands against the white so the silhouette stays legible.
Her outfit is now entirely black-toned. Over the powered suit she wears a layered kimono-style coat of jet-black fabric with a faint dark sheen, patched at the shoulder and sleeve with squares of even deeper black cloth, the wide sleeves cinched tight at each forearm by loops of wire wound several turns and pulled into buckled leather straps, the coat's front panels hanging open in a long black V. Beneath it, the bodysuit is skintight — a form-fitting powered suit that follows every line of her figure from collar to boots, matte black with a slight gloss along the curves. Its armor is no longer loose plating: small flat pentagon-shaped plates are laid directly onto the suit's surface, each five-sided tile edged in gunmetal trim, sitting flush against the body across the shoulders, collarbone, forearms, hips and thighs like a second skin of faceted metal. A narrow band of segmented accordion plating runs across her midriff. Thin circuit traces glow in the seams between the pentagon plates — cyan down the left side of the chest and forearm, magenta along the right thigh and hip — the light bleeding only onto the trim beside it, never onto the white backdrop. Chains hang in a loose cluster from her right hip with a few mechanical fittings, motionless.
Lighting is soft, even and frontal, filling both sides of the face at the same value; highlights sit on the glass lenses, on the flat faces of the pentagon plates and on the edges of the two blades, while no shadow is cast onto the floor or the white field behind her. Palette stays in blacks, gunmetal greys and white with the cyan and magenta seam glows as the only chroma. Edges are crisp and clean along the whole figure, focus sharp from hair ends to boot soles, the crop holding the entire body with margin above the head and below the feet. Composed, quietly lethal.
oburaien
o
character: kurohime_(fate)
1girl, solo, full-body, standing, standing sprite, character sprite, visual novel asset, isolated cutout, plain white background, seamless white field, no cast shadow, ground shadow absent, facing viewer, straight-on, upright, relaxed ready stance, weight even on both feet, feet planted shoulder-width, katana in right hand lowered at side, kodachi in left hand lowered at side, dual wielding, calm serious expression, closed mouth, long straight black hair, very long hair, hair past waist, sidelocks, black-framed glasses, serpentine eyes, vertical slit pupils, grey irises, faint scar across cheek, black kimono-style coat, jet-black fabric with subtle dark sheen, wide sleeves, sleeves cinched at forearms, wire and buckled straps on sleeves, black bodysuit, tight-fitting powered suit, skintight full-body suit hugging the body's silhouette, pentagon-shaped armor plates, pentagonal plating fitted close to the body, dark metal trim, shoulder armor, forearm armor, thigh armor, segmented abdominal plating, accordion-style midriff plates, glowing circuit traces, cyan glow, magenta glow, seam lights, chains hanging from hip, mechanical fittings, soft even front lighting, crisp clean edges, sharp focus, high resolution
Straight-on full-body view of a single swordswoman, framed head to boots and centered on a pure white field that continues unbroken beneath her feet; the floor carries no shadow at all, so the soles of her boots meet the white with a crisp drawn edge and nothing else. She faces the lens squarely, shoulders level, chin up a touch, spine straight, a ready stance held loosely with both feet planted at shoulder width, weight split evenly. Her right arm hangs relaxed with the katana angled down and slightly out from her thigh; her left hand holds the shorter kodachi in a matching low line on the other side, the two blades mirroring each other and clearing the ground by a hand's width. Black-framed glasses sit level on her nose, and behind them the grey irises hold a flat, steady look aimed straight at the viewer; the vertical slit pupils narrow the gaze into something cool and reptilian, and a faint pale scar crosses one cheek at a shallow diagonal. Her mouth is closed and level, no smile. Long straight black hair falls from a clean center part in two heavy sidelocks framing her face and drops unbroken past her waist, the ends separating into individual strands against the white so the silhouette stays legible.
Her outfit is now entirely black-toned. Over the powered suit she wears a layered kimono-style coat of jet-black fabric with a faint dark sheen, patched at the shoulder and sleeve with squares of even deeper black cloth, the wide sleeves cinched tight at each forearm by loops of wire wound several turns and pulled into buckled leather straps, the coat's front panels hanging open in a long black V. Beneath it, the bodysuit is skintight — a form-fitting powered suit that follows every line of her figure from collar to boots, matte black with a slight gloss along the curves. Its armor is no longer loose plating: small flat pentagon-shaped plates are laid directly onto the suit's surface, each five-sided tile edged in gunmetal trim, sitting flush against the body across the shoulders, collarbone, forearms, hips and thighs like a second skin of faceted metal. A narrow band of segmented accordion plating runs across her midriff. Thin circuit traces glow in the seams between the pentagon plates — cyan down the left side of the chest and forearm, magenta along the right thigh and hip — the light bleeding only onto the trim beside it, never onto the white backdrop. Chains hang in a loose cluster from her right hip with a few mechanical fittings, motionless.
Lighting is soft, even and frontal, filling both sides of the face at the same value; highlights sit on the glass lenses, on the flat faces of the pentagon plates and on the edges of the two blades, while no shadow is cast onto the floor or the white field behind her. Palette stays in blacks, gunmetal greys and white with the cyan and magenta seam glows as the only chroma. Edges are crisp and clean along the whole figure, focus sharp from hair ends to boot soles, the crop holding the entire body with margin above the head and below the feet. Composed, quietly lethal.
oburaien
o
character: kurohime_(fate)
1girl, solo, full-body, standing, standing sprite, character sprite, visual novel asset, isolated cutout, plain white background, seamless white field, no cast shadow, ground shadow absent, facing viewer, straight-on, upright, relaxed ready stance, weight even on both feet, feet planted shoulder-width, katana in right hand lowered at side, kodachi in left hand lowered at side, dual wielding, calm serious expression, closed mouth, long straight black hair, very long hair, hair past waist, sidelocks, black-framed glasses, serpentine eyes, vertical slit pupils, grey irises, faint scar across cheek, black kimono-style coat, jet-black fabric with subtle dark sheen, wide sleeves, sleeves cinched at forearms, wire and buckled straps on sleeves, black bodysuit, tight-fitting powered suit, skintight full-body suit hugging the body's silhouette, pentagon-shaped armor plates, pentagonal plating fitted close to the body, dark metal trim, shoulder armor, forearm armor, thigh armor, segmented abdominal plating, accordion-style midriff plates, glowing circuit traces, cyan glow, magenta glow, seam lights, chains hanging from hip, mechanical fittings, soft even front lighting, crisp clean edges, sharp focus, high resolution
Straight-on full-body view of a single swordswoman, framed head to boots and centered on a pure white field that continues unbroken beneath her feet; the floor carries no shadow at all, so the soles of her boots meet the white with a crisp drawn edge and nothing else. She faces the lens squarely, shoulders level, chin up a touch, spine straight, a ready stance held loosely with both feet planted at shoulder width, weight split evenly. Her right arm hangs relaxed with the katana angled down and slightly out from her thigh; her left hand holds the shorter kodachi in a matching low line on the other side, the two blades mirroring each other and clearing the ground by a hand's width. Black-framed glasses sit level on her nose, and behind them the grey irises hold a flat, steady look aimed straight at the viewer; the vertical slit pupils narrow the gaze into something cool and reptilian, and a faint pale scar crosses one cheek at a shallow diagonal. Her mouth is closed and level, no smile. Long straight black hair falls from a clean center part in two heavy sidelocks framing her face and drops unbroken past her waist, the ends separating into individual strands against the white so the silhouette stays legible.
Her outfit is now entirely black-toned. Over the powered suit she wears a layered kimono-style coat of jet-black fabric with a faint dark sheen, patched at the shoulder and sleeve with squares of even deeper black cloth, the wide sleeves cinched tight at each forearm by loops of wire wound several turns and pulled into buckled leather straps, the coat's front panels hanging open in a long black V. Beneath it, the bodysuit is skintight — a form-fitting powered suit that follows every line of her figure from collar to boots, matte black with a slight gloss along the curves. Its armor is no longer loose plating: small flat pentagon-shaped plates are laid directly onto the suit's surface, each five-sided tile edged in gunmetal trim, sitting flush against the body across the shoulders, collarbone, forearms, hips and thighs like a second skin of faceted metal. A narrow band of segmented accordion plating runs across her midriff. Thin circuit traces glow in the seams between the pentagon plates — cyan down the left side of the chest and forearm, magenta along the right thigh and hip — the light bleeding only onto the trim beside it, never onto the white backdrop. Chains hang in a loose cluster from her right hip with a few mechanical fittings, motionless.
Lighting is soft, even and frontal, filling both sides of the face at the same value; highlights sit on the glass lenses, on the flat faces of the pentagon plates and on the edges of the two blades, while no shadow is cast onto the floor or the white field behind her. Palette stays in blacks, gunmetal greys and white with the cyan and magenta seam glows as the only chroma. Edges are crisp and clean along the whole figure, focus sharp from hair ends to boot soles, the crop holding the entire body with margin above the head and below the feet. Composed, quietly lethal.
oburaien
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