免費註冊,立即獲得 10,000 點數

新手創作點數,註冊當天到帳

關於 PixAI iOS 版暫時無法於 App Store 下載的說明 — PixAI 的使用者: PixAI iOS 應用程式目前暫時無法在 App Store 搜尋及下載。我們正在與 Apple 積極溝通,爭取盡快恢復上架。造成大家的不便,非常抱歉。 請注意: 已安裝 App 的使用者可以正常使用,帳號也可以正…

查看詳情
AI artwork
免費生成

サブ

更多精彩作品

留言

character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive 4girls, multiple girls, kotatsu, indoor, cozy Japanese living room, winter afternoon, Hagumaya Makoto, long grey hair, hair over one eye, very long hair, blue eyes, pointy ears, black demon horns, multiple horns, white gloves, dark hat, bare shoulders, sitting in kotatsu, holding teacup, drinking tea, warm steam, light smile, Sorasaki Hina, long white hair, very long hair, ahoge, parted bangs, hairclip, purple eyes, demon horns, wings, coat on shoulders, black gloves, black thighhighs, sitting in kotatsu, eating mikan, peeled mikan in hand, basket of mikan, slight pout, Natsume Iroha, long wavy red hair, very long hair, hair between eyes, grey eyes, black peaked cap, red necktie, sleeping inside kotatsu, eyes closed, peaceful expression, head resting on kotatsu blanket, Ginkyou Iori, long grey hair, twintails, hair over one eye, very long hair, red hair ribbon, red eyes, pointy ears, dark skin, black gloves, tail, carrying cardboard box, holding cardboard box in both arms, standing, walking into room, opening shoji door, wide shot, from below, dutch angle, no text The image opens from a low, slightly tilted angle across a warm Japanese living room on a winter afternoon. The camera sits close to floor level, looking in from the room's open side, so the kotatsu's quilted blanket and the low tatami fill the foreground while the four figures occupy the midground in a loose semicircular arrangement around the table. The room's one window is at the back, and modal afternoon light passes through its frosted glass across the blanket, though most of the light is filled by a warm hanging paper lantern over the table. Along the back wall: a low shelf, a thermos, a tray of mikan, and the shoji door left partly open. At the right of the kotatsu, Makoto sits with the table over her knees, leaning her weight slightly forward on one hip. Her long grey hair, falling over one eye, catches lantern light; one black horn rises above her dark hat. In her white-gloved hands she cups a warm teacup near her chin; faint steam rises and vanishes upward into the lantern light. She has already turned her head toward Hina; a faint, closed-lipped smile forms; her visible blue eye fixes on the mikan in Hina's hand, and her pointed ears tilt toward her. Across from Makoto, on the kotatsu's left side, Hina sits at the table with her coat draped over her shoulders. Her very long white hair falls in parted bangs around her horns, and an ahoge rises above; a hairclip holds a lock in place. Her dark wings fold down behind her back, mostly hidden by the table and her coat. Her black-gloved fingers peel a mikan, and one segment rises toward her mouth. Her purple eyes narrow into a slight pout at that very first bite of sourness; small wrinkles gather at the corner of one eye. Her shoulders are drawn up as if the room is warm; a basket of leftover mikan rests on the blanket beside her elbow. Deep beneath the kotatsu blanket, between Makoto and Hina, lies Iroha's sleeping form. Only her head and shoulders are visible above the blanket. Her black peaked cap sits askance, and her long, wavy red hair spills over the quilt's edge. Her grey eyes are closed in a peaceful expression; her cheek rests against the blanket's top surface and slightly creases it where she leans on it. Her breathing quietly distends the blanket. Her red necktie and shirt collar emerge from the top, and beneath the quilt, the fabric shows the rounded bulge of her curled body. At the room's far left, the shoji door has just slid open. Iori stands in the doorway, her tall, dark-skinned figure leaning slightly back as she bears a cardboard box's weight in both black-gloved arms. The box is plainly sealed and plain-brown; its bottom presses into her forearms. Her long grey hair in twin low tails hangs past her shoulders, a red ribbon on one. Her one visible red eye fixes on the kotatsu, and her pointed ears are angled forward; her mouth is pressed thin in one of exertion and mild annoyance. Behind her in the hallway beyond the door, the box's twin sits stacked out of her way. Her tail curls slightly behind her calf, and her boots pause just over the tatami's edge. The palette is warm and held: ochre and orange tones for the lantern, deep indigo and charcoal for the kotatsu quilt and the dark garments, off-white for the walls and shoji, and saturated orange for the mikan as the room's only vivid accent. The lantern is the principal light source. It casts a glowing pool across the low table and the blanket, illuminating the faces and hands nearest the middle while leaving the corners of the room in gentle shadow. The window light is a thin, cool counterpoint along the floor. The kotatsu's own heat is visible in the faces' soft flush and the loose, drowsy postures of everyone near it. The mood is cozy and quietly tender.
顯示參數
原始提示詞
羽沼マコト(ブルアカ),炬燵に入ってあったかいお茶を飲んでいる,空崎ヒナ(ブルアカ),炬燵に入って蜜柑を食べている,棗イロハ(ブルアカ),炬燵の中に入って寝ている,銀鏡イオリ(ブルアカ),段ボールを持ってきている,炬燵,
模式
pro
品質標籤
﹝提示詞﹞
尺寸
1104 x 1824
取樣方式
Euler
反向提示詞
lowres, worst quality, low quality, bad anatomy, explicit
提示詞助手

使用的模型和 LoRA

相似作品

展示更多
AI artwork
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive 4girls, multiple girls, kotatsu, indoor, cozy Japanese living room, winter afternoon, Hagumaya Makoto, long grey hair, hair over one eye, very long hair, blue eyes, pointy ears, black demon horns, multiple horns, white gloves, dark hat, bare shoulders, sitting in kotatsu, holding teacup, drinking tea, warm steam, light smile, Sorasaki Hina, long white hair, very long hair, ahoge, parted bangs, hairclip, purple eyes, demon horns, wings, coat on shoulders, black gloves, black thighhighs, sitting in kotatsu, eating mikan, peeled mikan in hand, basket of mikan, slight pout, Natsume Iroha, long wavy red hair, very long hair, hair between eyes, grey eyes, black peaked cap, red necktie, sleeping inside kotatsu, eyes closed, peaceful expression, head resting on kotatsu blanket, Ginkyou Iori, long grey hair, twintails, hair over one eye, very long hair, red hair ribbon, red eyes, pointy ears, dark skin, black gloves, tail, carrying cardboard box, holding cardboard box in both arms, standing, walking into room, opening shoji door, wide shot, from below, dutch angle, no text The image opens from a low, slightly tilted angle across a warm Japanese living room on a winter afternoon. The camera sits close to floor level, looking in from the room's open side, so the kotatsu's quilted blanket and the low tatami fill the foreground while the four figures occupy the midground in a loose semicircular arrangement around the table. The room's one window is at the back, and modal afternoon light passes through its frosted glass across the blanket, though most of the light is filled by a warm hanging paper lantern over the table. Along the back wall: a low shelf, a thermos, a tray of mikan, and the shoji door left partly open. At the right of the kotatsu, Makoto sits with the table over her knees, leaning her weight slightly forward on one hip. Her long grey hair, falling over one eye, catches lantern light; one black horn rises above her dark hat. In her white-gloved hands she cups a warm teacup near her chin; faint steam rises and vanishes upward into the lantern light. She has already turned her head toward Hina; a faint, closed-lipped smile forms; her visible blue eye fixes on the mikan in Hina's hand, and her pointed ears tilt toward her. Across from Makoto, on the kotatsu's left side, Hina sits at the table with her coat draped over her shoulders. Her very long white hair falls in parted bangs around her horns, and an ahoge rises above; a hairclip holds a lock in place. Her dark wings fold down behind her back, mostly hidden by the table and her coat. Her black-gloved fingers peel a mikan, and one segment rises toward her mouth. Her purple eyes narrow into a slight pout at that very first bite of sourness; small wrinkles gather at the corner of one eye. Her shoulders are drawn up as if the room is warm; a basket of leftover mikan rests on the blanket beside her elbow. Deep beneath the kotatsu blanket, between Makoto and Hina, lies Iroha's sleeping form. Only her head and shoulders are visible above the blanket. Her black peaked cap sits askance, and her long, wavy red hair spills over the quilt's edge. Her grey eyes are closed in a peaceful expression; her cheek rests against the blanket's top surface and slightly creases it where she leans on it. Her breathing quietly distends the blanket. Her red necktie and shirt collar emerge from the top, and beneath the quilt, the fabric shows the rounded bulge of her curled body. At the room's far left, the shoji door has just slid open. Iori stands in the doorway, her tall, dark-skinned figure leaning slightly back as she bears a cardboard box's weight in both black-gloved arms. The box is plainly sealed and plain-brown; its bottom presses into her forearms. Her long grey hair in twin low tails hangs past her shoulders, a red ribbon on one. Her one visible red eye fixes on the kotatsu, and her pointed ears are angled forward; her mouth is pressed thin in one of exertion and mild annoyance. Behind her in the hallway beyond the door, the box's twin sits stacked out of her way. Her tail curls slightly behind her calf, and her boots pause just over the tatami's edge. The palette is warm and held: ochre and orange tones for the lantern, deep indigo and charcoal for the kotatsu quilt and the dark garments, off-white for the walls and shoji, and saturated orange for the mikan as the room's only vivid accent. The lantern is the principal light source. It casts a glowing pool across the low table and the blanket, illuminating the faces and hands nearest the middle while leaving the corners of the room in gentle shadow. The window light is a thin, cool counterpoint along the floor. The kotatsu's own heat is visible in the faces' soft flush and the loose, drowsy postures of everyone near it. The mood is cozy and quietly tender.
サブ
AI artwork
た
character: oguri_cap_(umamusume), tamamo_cross_(umamusume) 2girls, horse ears, horse tail, sitting, under kotatsu, kotatsu futon, facing each other, feeding, feeding another, holding fruit, mandarin orange, peeled fruit, open mouth, anticipation, leaning forward, looking at another, tatami, washitsu, teacup, steam, grey hair, long hair, ahoge, blue hairband, blue eyes, sweater, casual clothes, warm lighting, indoor, from side, slightly from above, three-quarter view, cozy A three-quarter side view angled slightly from above, looking across the wooden tabletop of a warm kotatsu inside a serene Japanese-style washitsu. Two horse girls sit on the woven tatami mats directly facing each other across the low table, their lower bodies tucked entirely beneath the thick, quilted comforter. On the left, a petite girl with ash-grey hair bound by a simple blue hairband leans her torso forward across the tabletop, pressing her left palm flat against the dark wood to support her weight. With a mischievous, affectionate smirk and bright blue eyes fixed on her companion, her right hand extends a freshly peeled, glistening segment of a mandarin orange directly toward the other's face. On the right, a silver-grey-haired girl with a prominent, curved ahoge and soft ears flicked slightly back tilts her chin up, her deep blue eyes locked with unwavering hunger onto the held-out fruit. Her mouth is parted open in docile anticipation, ready to take the bite, while her sweater-clad forearms rest easily on the edge of the quilted blanket. Between them on the polished table sits a shallow woven basket filled with unpeeled mikans, accompanied by a small pile of curled orange rinds and two ceramic teacups from which delicate curls of steam rise into the cool air. The quilted blanket shows clear compression creases where their elbows and knees press into its padding. Warm, low-hanging pendant light illuminates the scene from above, catching the translucent, juicy pulp of the citrus segment and casting soft, golden shadows across the tatami flooring. Warm domestic comfort.
たふ坊
AI artwork
た
character: nishino_flower_(umamusume), seiun_sky_(umamusume) 2girls, facing each other, sitting in kotatsu, indoor, japanese-style room, tatami, eating, holding fruit, mandarin orange, peeling fruit, fruit peel, high angle, diagonal angle, window, snow-covered garden, winter, snow, horse ears, animal ears, short hair, grey hair, blue eyes, single ear cover, brown hair, blunt bangs, headband, pink hairband, hair ribbon, hair ornament, ear covers, cozy, warm lighting, teacup, steam, zabuton, full body A high-angle diagonal view captures the warm, peaceful interior of a traditional Japanese tatami room centered around a low wooden kotatsu draped in a thick, floral-padded quilted blanket. Sitting across from one another with their lower halves tucked warmly beneath the kotatsu, two girls share a relaxed winter afternoon. On the left, a girl with tousled short light grey hair, upright horse ears—one adorned with a fitted decorative fabric ear cover—and half-lidded pale blue eyes lounges lazily, leaning her left elbow on the polished tabletop with her chin cupped in her palm, wearing an amused, drowsy smirk. Her right fingers lightly spin a whole bright orange mikan against the wooden surface. Opposite her on the right, a girl with neat chin-length chocolate-brown hair, straight blunt bangs, and a pink headband accented with a ribbon-and-cross ornament sits upright on an indigo zabuton cushion, her soft horse ears bearing matching covers. Her large, bright amber-brown eyes crinkle in a cheerful, sweet smile directed across the table as both hands carefully offer a freshly peeled, plump segment of mandarin orange. Between them atop the tabletop rests a woven bamboo basket piled with round mikan, a small scattering of peeled citrus rinds curled like flower petals, and two earthenware yunomi cups. In the background, expansive glass sliding doors reveal an exterior Japanese garden smothered in thick, pillowy snow that blankets a stone lantern and the curved boughs of a pine tree. The interior is bathed in deep honey-toned ambient light and soft hearth warmth, contrasting with the crisp, cool blue-white daylight filtering through the glass, where a delicate fringe of condensation fogs the lowest edge of the cold window pane. Tender and tranquil.
たふ坊

探索更多

推薦創作者

猜你喜歡

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬