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faitan

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1girl, solo, light brown skin, dark skin, black hair, brown streaks, streaked hair, bangs, brown eyes, wolf cut, shaggy layered hair, blue sports bra, boxing gloves, red boxing gloves, fists up, both hands up, guard up, exhausted, tired, beaten up, bruises, bruise on cheek, bruise on shoulder, cut on lip, sweat, sweat drops, looking tired, half-closed eyes, upper body, cowboy shot, close-up, boxing ring, leaning at turnbuckle, corner post, ring ropes, fitness gym, training equipment, punching bags, sandbags, background, from below, dutch angle, looking down, dark gym interior, Shot from below on a slight dutch tilt, framing her from the waist up inside the ring: she stands wedged into the far-left corner, her upper back pressed flat against the padded turnbuckle, the top rope crossing the frame diagonally just behind her right shoulder blade while the two lower ropes sag behind her hips and run out of frame. Her trunk leans back into the pad so her spine is arched and her chest is open, but her guard is still up: both elbows tucked tight to her ribs, both red boxing gloves lifted to brow height and held slightly apart, the left glove forward and higher, the right drawn back near her cheek so the two gloves frame the lower half of her face. Her weight rests on her back foot planted somewhere off-frame below, hips shifted back, front knee eased forward and relaxed. Her face is turned toward the camera but her chin dips, so she looks down her nose at the lens from under a heavy brow, half-lidded brown eyes barely open, mouth closed and slack, a dark purple bruise blooming over her left cheekbone and a split in her lower lip she has stopped licking. Sweat beads at her temples and runs in a single line down her neck; her shaggy wolf-cut hair is crushed flat where it meets the pad and the brown streaks are darkened and stuck together at the ends, with a few loose strands pasted to her damp forehead under the bangs. Above her, one harsh overhead work lamp is the only real source, throwing a hot rim of light along the top of her shoulder, the crown of her head and the upper curve of both gloves while everything beneath her jaw falls into shadow; the ropes catch a thin repeated highlight. Behind the ring, out of focus, the gym recedes in cool grey-green darkness: two hanging sandbags with worn leather creases, a heavy bag chained to a ceiling beam, the dark steel uprights of a rack and the diagonal of a bench, their silhouettes reading as shapes rather than objects. Palette is restricted to her light brown skin, the blue of the sports bra, the red gloves and the bruised violet on her cheek against a desaturated grey-green gym and one warm amber pool of lamp light, with the floor below the ropes catching the lamp through the ring's gaps in a scatter of bright oblong patches and darkness everywhere else. Quiet exhaustion, worn down but still standing.
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原始提示詞
light brown skin,black hair with brown streaks,bangs,brown eyes, wolf cut,,, ,boxing ring,at turnbuckle, blue spoorts bra,only upper body,,exhausted, beaten up,looking tired,fitness gym,train devices and sandbags in the background,fists up,boxing gloves,
模式
flash
尺寸
1104 x 1824
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使用的模型和 LoRA

Tsubaki.3 Flash - AI Model封面圖片

PixAI DiT.3

Tsubaki.3 Flash
1.65k

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AI artwork
f
1girl, solo, light brown skin, dark skin, black hair, brown streaks, streaked hair, bangs, brown eyes, wolf cut, shaggy layered hair, blue sports bra, boxing gloves, red boxing gloves, fists up, both hands up, guard up, exhausted, tired, beaten up, bruises, bruise on cheek, bruise on shoulder, cut on lip, sweat, sweat drops, looking tired, half-closed eyes, upper body, cowboy shot, close-up, boxing ring, leaning at turnbuckle, corner post, ring ropes, fitness gym, training equipment, punching bags, sandbags, background, from below, dutch angle, looking down, dark gym interior, Shot from below on a slight dutch tilt, framing her from the waist up inside the ring: she stands wedged into the far-left corner, her upper back pressed flat against the padded turnbuckle, the top rope crossing the frame diagonally just behind her right shoulder blade while the two lower ropes sag behind her hips and run out of frame. Her trunk leans back into the pad so her spine is arched and her chest is open, but her guard is still up: both elbows tucked tight to her ribs, both red boxing gloves lifted to brow height and held slightly apart, the left glove forward and higher, the right drawn back near her cheek so the two gloves frame the lower half of her face. Her weight rests on her back foot planted somewhere off-frame below, hips shifted back, front knee eased forward and relaxed. Her face is turned toward the camera but her chin dips, so she looks down her nose at the lens from under a heavy brow, half-lidded brown eyes barely open, mouth closed and slack, a dark purple bruise blooming over her left cheekbone and a split in her lower lip she has stopped licking. Sweat beads at her temples and runs in a single line down her neck; her shaggy wolf-cut hair is crushed flat where it meets the pad and the brown streaks are darkened and stuck together at the ends, with a few loose strands pasted to her damp forehead under the bangs. Above her, one harsh overhead work lamp is the only real source, throwing a hot rim of light along the top of her shoulder, the crown of her head and the upper curve of both gloves while everything beneath her jaw falls into shadow; the ropes catch a thin repeated highlight. Behind the ring, out of focus, the gym recedes in cool grey-green darkness: two hanging sandbags with worn leather creases, a heavy bag chained to a ceiling beam, the dark steel uprights of a rack and the diagonal of a bench, their silhouettes reading as shapes rather than objects. Palette is restricted to her light brown skin, the blue of the sports bra, the red gloves and the bruised violet on her cheek against a desaturated grey-green gym and one warm amber pool of lamp light, with the floor below the ropes catching the lamp through the ring's gaps in a scatter of bright oblong patches and darkness everywhere else. Quiet exhaustion, worn down but still standing.
faitan
AI artwork
f
1girl, solo, light brown skin, dark skin, black hair, brown streaks, streaked hair, bangs, brown eyes, wolf cut, shaggy layered hair, blue sports bra, boxing gloves, red boxing gloves, fists up, both hands up, guard up, exhausted, tired, beaten up, bruises, bruise on cheek, bruise on shoulder, cut on lip, sweat, sweat drops, looking tired, half-closed eyes, upper body, cowboy shot, close-up, boxing ring, leaning at turnbuckle, corner post, ring ropes, fitness gym, training equipment, punching bags, sandbags, background, from below, dutch angle, looking down, dark gym interior, Shot from below on a slight dutch tilt, framing her from the waist up inside the ring: she stands wedged into the far-left corner, her upper back pressed flat against the padded turnbuckle, the top rope crossing the frame diagonally just behind her right shoulder blade while the two lower ropes sag behind her hips and run out of frame. Her trunk leans back into the pad so her spine is arched and her chest is open, but her guard is still up: both elbows tucked tight to her ribs, both red boxing gloves lifted to brow height and held slightly apart, the left glove forward and higher, the right drawn back near her cheek so the two gloves frame the lower half of her face. Her weight rests on her back foot planted somewhere off-frame below, hips shifted back, front knee eased forward and relaxed. Her face is turned toward the camera but her chin dips, so she looks down her nose at the lens from under a heavy brow, half-lidded brown eyes barely open, mouth closed and slack, a dark purple bruise blooming over her left cheekbone and a split in her lower lip she has stopped licking. Sweat beads at her temples and runs in a single line down her neck; her shaggy wolf-cut hair is crushed flat where it meets the pad and the brown streaks are darkened and stuck together at the ends, with a few loose strands pasted to her damp forehead under the bangs. Above her, one harsh overhead work lamp is the only real source, throwing a hot rim of light along the top of her shoulder, the crown of her head and the upper curve of both gloves while everything beneath her jaw falls into shadow; the ropes catch a thin repeated highlight. Behind the ring, out of focus, the gym recedes in cool grey-green darkness: two hanging sandbags with worn leather creases, a heavy bag chained to a ceiling beam, the dark steel uprights of a rack and the diagonal of a bench, their silhouettes reading as shapes rather than objects. Palette is restricted to her light brown skin, the blue of the sports bra, the red gloves and the bruised violet on her cheek against a desaturated grey-green gym and one warm amber pool of lamp light, with the floor below the ropes catching the lamp through the ring's gaps in a scatter of bright oblong patches and darkness everywhere else. Quiet exhaustion, worn down but still standing.
faitan
AI artwork
f
1girl, solo, light brown skin, dark skin, black hair, brown streaks, streaked hair, bangs, brown eyes, wolf cut, shaggy layered hair, blue sports bra, boxing gloves, red boxing gloves, fists up, both hands up, guard up, exhausted, tired, beaten up, bruises, bruise on cheek, bruise on shoulder, cut on lip, sweat, sweat drops, looking tired, half-closed eyes, upper body, cowboy shot, close-up, boxing ring, leaning at turnbuckle, corner post, ring ropes, fitness gym, training equipment, punching bags, sandbags, background, from below, dutch angle, looking down, dark gym interior, Shot from below on a slight dutch tilt, framing her from the waist up inside the ring: she stands wedged into the far-left corner, her upper back pressed flat against the padded turnbuckle, the top rope crossing the frame diagonally just behind her right shoulder blade while the two lower ropes sag behind her hips and run out of frame. Her trunk leans back into the pad so her spine is arched and her chest is open, but her guard is still up: both elbows tucked tight to her ribs, both red boxing gloves lifted to brow height and held slightly apart, the left glove forward and higher, the right drawn back near her cheek so the two gloves frame the lower half of her face. Her weight rests on her back foot planted somewhere off-frame below, hips shifted back, front knee eased forward and relaxed. Her face is turned toward the camera but her chin dips, so she looks down her nose at the lens from under a heavy brow, half-lidded brown eyes barely open, mouth closed and slack, a dark purple bruise blooming over her left cheekbone and a split in her lower lip she has stopped licking. Sweat beads at her temples and runs in a single line down her neck; her shaggy wolf-cut hair is crushed flat where it meets the pad and the brown streaks are darkened and stuck together at the ends, with a few loose strands pasted to her damp forehead under the bangs. Above her, one harsh overhead work lamp is the only real source, throwing a hot rim of light along the top of her shoulder, the crown of her head and the upper curve of both gloves while everything beneath her jaw falls into shadow; the ropes catch a thin repeated highlight. Behind the ring, out of focus, the gym recedes in cool grey-green darkness: two hanging sandbags with worn leather creases, a heavy bag chained to a ceiling beam, the dark steel uprights of a rack and the diagonal of a bench, their silhouettes reading as shapes rather than objects. Palette is restricted to her light brown skin, the blue of the sports bra, the red gloves and the bruised violet on her cheek against a desaturated grey-green gym and one warm amber pool of lamp light, with the floor below the ropes catching the lamp through the ring's gaps in a scatter of bright oblong patches and darkness everywhere else. Quiet exhaustion, worn down but still standing.
faitan
AI artwork
f
character: takarada_rikka 1girl, solo, takarada rikka, black hair, long hair, blue eyes, hair bow, scrunchie, white and blue sports bra, midriff, bare shoulders, bare arms, blue and white pleated miniskirt, boxing gloves, blue boxing gloves, fists up, boxing guard, exhausted, beaten up, bruise, bandage on cheek, sweat, tired, half-closed eyes, looking at viewer, boxing ring, at turnbuckle, corner post, ring ropes, fitness gym, training equipment, sandbags, punching bag, background, upper body, cowboy shot, from below, dutch angle, depth of field, Shot from below at a slight dutch tilt, upper body only: the girl is wedged back into a corner of the ring, her shoulder blades pressed against the two padded ropes where they meet the corner post, the ropes biting a shallow dent into the blue-and-white fabric over her back. Her right shoulder leans into the post, her weight dropped onto that hip so her torso sags a little off the vertical; her chin is down but her eyes come up under her brows to the viewer, lids heavy, one eye half-swallowed by a smear of shadow. Black hair, long, sticks to her temple and cheek in damp strands, the rest falling forward over her right collarbone, and the scrunchie sits low on the tail at the nape. On her left cheekbone a purple bruise has gone dark at the edges, a strip of tape taped across the bridge of her nose, one small cut at the corner of her lip pulled slightly open by her breathing; a sheen of sweat covers her forehead, throat and shoulders, catching the light in fine beads. Both gloves — blue — are up in front of her face, blue gloves with white cuffs, knuckles level with her mouth, forearms crossed close and forearms trembling the smallest amount; the left glove has worn silver-grey at the knuckle from use. Above the white-and-blue sports bra, the elastic and the crossed straps press into her skin; below it her midriff shows, and hip-exposed, the hem of the blue-and-white pleated miniskirt starts and fans a few pleats out to the front, cut by the crop. Behind her, the gym: a bank of heavy sandbags hanging from the ceiling in the midground, their chains and hooks dark against a paler wall, a rack of black weights and a bench off to the left, a punching bag on a chain, all softened by shallow depth of field. She is lit from above and slightly left by a single overhead gym fixture — a harsh white pool of light on her forehead, the tops of her gloves and her shoulders, with her throat, eye sockets and the underside of her jaw falling into shadow, and the ropes' shadows falling as diagonal stripes on the padded corner. Grainy, cool palette — chalk white, deep blue, black and the dull grey of the gym — with hot overhead light bleeding into it. The ropes flex inward a few millimetres where her shoulder presses, and the sandbags hang dead still. Quiet exhaustion.
faitan

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