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にゃん

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にゃん

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1girl, solo, upper body, front view, facing viewer, face clearly visible, looking down at wristwatch, wristwatch, left wrist raised, right hand at cuff, smiling, closed-lip smile, soft gaze, brown hair, shoulder-length hair, straight-cut bangs, brown eyes, camel wool coat, open coat, navy sailor uniform, white sailor collar, red neckerchief, train interior, inside train, standing, handrail, window, night, illuminated street, winter illumination, city lights bokeh, depth of field, anime style, masterpiece, high resolution A front-facing upper-body shot taken from slightly below eye level: a girl stands inside a train car, her body angled a few degrees off square to the lens, her face turned a touch down and to her left toward the wristwatch on her raised left forearm. Her left elbow is bent and drawn in against her ribs, the watch face turned up and toward her; her right hand rests at the cuff of the left sleeve, thumb hooked into the camel wool. The camel coat hangs open, its lapels wide, and beneath it the navy sailor uniform shows its white collar band across her chest with a red neckerchief knotted at the throat. Her chin dips, bangs parting just enough that both eyes stay clearly visible under the straight fringe; her lids are lowered a fraction, the corners of her mouth lifted in a faint, warm closed-lip smile that pushes a small crease into one cheek. Shoulder-length brown hair swings slightly toward the window side with the train's motion, a couple of strands lifted off the collar. To her right, the train window fills the upper-left of the frame as a dark pane crossed by a diagonal handrail and a hanging strap; beyond the glass, the winter illumination street rolls past in horizontal bands of pale gold, ice blue and warm white bokeh, strung lights smeared into soft horizontal streaks by the passing speed. Those lights are the only light: they spill cool on the window-side of her cheek and hair, while warm overhead carriage light falls from above and behind the camera onto her brow, the watch crystal and the wool's nap, leaving the underside of her chin and the folds inside the coat in shadow. A faint, cool reflection of the illumination sits in the watch glass, smaller and dimmer than the street itself, and the sway of the carriage pulls her coat's hem a half-step out of vertical. Shallow focus holds her face and the watch sharp, the window lights soft behind; palette of camel, navy, white and red against a night window of gold and ice blue. Quiet, tender.
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原始提示詞
電車の中、腕時計をみつめる少女、背景にイルミネーション通り、コート下にセーラー服姿の微笑み、正面、上半身、顔がはっきり見える、アニメ調、傑作、高精細
模式
flash
尺寸
1104 x 1824
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使用的模型和 LoRA

Tsubaki.3 Flash - AI Model封面圖片

PixAI DiT.3

Tsubaki.3 Flash
1.88k

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AI artwork
Avatar image of にゃん
1girl, solo, upper body, front view, facing viewer, face clearly visible, looking down at her wristwatch, smiling, closed-lip smile, train interior, inside train, window seat, illuminated street in background, winter illuminations, night, bokeh, string lights, navy sailor uniform under coat, beige wool overcoat, open coat, sailor collar, wristwatch, short dark brown hair, straight-cut bangs, brown eyes, anime style, masterpiece, highly detailed, cinematic lighting, one-point perspective, depth of field, from front, slight high angle, A front-view upper-body shot, camera placed just slightly above her eye level and square to her, so her face fills the frame unoccluded. A girl with shoulder-length dark brown hair and straight-cut bangs sits on the window-side bench seat of a train carriage, her torso turned square to the lens, both shoulders inside the frame. She has lowered her chin and rolled her left wrist up toward her chest, forearm across her coat front; her right hand rests over the cuff, thumb hooked under the strap edge, the watch face tilted up to her eyes. Light from the window skims the watch crystal. Her eyes are cast down on the dial, half-lidded, lashes low, while the corners of her mouth are drawn up in a small closed-lip smile, cheeks lifted, one brow slightly raised -- pleased, a little secretive, a private time she is keeping to herself. Her beige wool overcoat hangs open on both sides of her chest, collar pushed back off her shoulders so the navy sailor uniform beneath shows clearly: the wide navy sailor collar with its pale stripe lying flat across her chest, the white neckerchief knotted at the throat and resting over the coat lapels. The heavy coat's sleeves bunch at her elbows where her arms fold. Behind her and to the right, the train window takes up the midground, its rubber gasket and a condensation bloom at the bottom of the pane just behind her shoulder, and through the glass the illuminated street blurs into depth: arches of pale gold and cool white string lights strung along the avenue, lit shopfronts as soft warm rectangles, all out of focus at a shallow aperture so nothing in the street competes with her face. The carriage interior behind her is a dim, quiet fall-off of muted greens and greys, a hanging strap catching a sliver of light in the far right background. The illumination is the only light in the frame: cool white and gold comes in from the window on the right and strikes the right side of her face, the edge of her bangs, the sailor collar's stripe and the watch crystal, while the left side of her face falls into soft shadow and the carriage behind her goes dark. Her reflection is faint and darker in the glass behind the lights. Palette of warm gold, cool white, deep navy, beige wool and dark brown, nothing else admitted. Crisp cel linework, clean shading, high detail on the watch face, the stripe and the fabric of the coat. Quiet, tender.
にゃん
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Avatar image of にゃん
A medium shot, facing the viewer, features a young girl inside a train carriage. She is looking down at her wristwatch on her wrist with a gentle, subtle smile, her facial features clearly visible and detailed. She is dressed in a school sailor uniform worn under a warm winter coat. The interior of the train is softly lit, while the window behind her reveals a blurred city street adorned with vibrant, glowing winter illuminations. The scene is rendered in a high-definition anime style, characterized by a warm and cozy atmosphere, with a shallow depth of field that emphasizes the girl against the shimmering bokeh of the festive lights outside.
にゃん
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Avatar image of にゃん
messy sketch lines, visible construction lines, loose hair strokes, scratchy pencil texture, uneven hand-drawn lineart, delicate ink sketch, rough but beautiful linework, Colourful, multiple colours, high contrast, Painterly Brushwork, ultra-fine lines, exquisite, aesthetic illustration style, dynamic pose, soft lighting, clear details, a girl inside a train, wearing a wristwatch and resting her hand on her cheek while looking at the viewer, illumination street in the background, smiling in a sailor uniform under a coat, front view, upper body, face clearly visible, anime style, masterpiece, high definition.
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Avatar image of miku0000_2911
1girl, solo, smile, waving, one hand raised, waving at viewer, inside a train, train interior, commuter train, seated, from above, close-up, looking up, looking at viewer, head tilt, open mouth, :d, bright eyes, brown hair, shoulder-length hair, hair between eyes, bangs, dark eyes, school uniform, sailor collar, neckerchief, long sleeves, pleated skirt, hands up, fingers spread, other hand on lap, armrest, window seat, sunlight through window, day The camera sits high above the girl's left shoulder, angled down into the train so that the car's length recedes behind her; she occupies the near third of the frame, small and bright beneath the down-light. She is a girl of about sixteen with shoulder-length brown hair cut in blunt bangs that fall to her brows, dark eyes, a navy sailor-collared uniform with a red neckerchief knotted at the throat and a pleated skirt. She sits on the bench against the window, her weight settled onto her right hip and thigh, torso twisted a little toward the aisle, chin tipped up and back toward the lens. Her right hand is up beside her face, fingers spread wide, caught mid-wave with the wrist turned so the palm shows and the forearm slightly foreshortened by the downward angle; her left hand rests flat on her lap, fingers loosely curled against the skirt. Her lips are parted in an open, happy grin that lifts both cheeks and crinkles the outer corners of her eyes, and her gaze goes straight up into the camera. The bangs lift slightly and swing back from the movement of her shoulders. She sits beside the window, the glass pressing its frame to her left shoulder. The train interior is a long pale-green carriage: a row of overhead hand straps hung on steel rails, fluorescent light strips along the ceiling, seats in two tones of green upholstery, a door with a window at the far end and a poster above the opposite seats with a few short lines of large Japanese characters, legible at the top and blurred toward the bottom edge. Two distant passengers are tiny and indistinct far down the car, nothing more than dark shoulders and a lowered head. The light is a flat, bright afternoon sun entering through the window on her left and the cold greenish fluorescent panels above; the sunlight lays a hard-edged quadrangle across her cheek, her raised forearm and the red neckerchief, and leaves a soft shadow of her own head on the seat back behind her, while the fluorescent light evened the far end of the car into a pale wash. A few small reflections of the window frame slide across the glass beside her. The palette is green, steel grey, the deep navy of her uniform and the one saturated red of the neckerchief, her lit skin the warmest note in the frame. Warm, weightless.
miku0000_2911

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