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- 原始提示詞
- A digital cartoon illustration in a western animation style presents a side-by-side full-body comparison of Princess Bubblegum from Adventure Time against a stark white background, with the left composition labeled BEFORE and the right labeled AFTER inside bright magenta rectangular boxes featuring white uppercase sans-serif text offset by thick black drop shadows. The BEFORE figure on the left possesses a tall slender body with elongated limbs, bright pink skin, and long straight hot-pink hair cascading well past her shoulders, topped by a golden yellow crown with a vertical stem holding an oval blue gemstone. Her facial features consist of simple black dot eyes and a wide joyous smile revealing an open mouth, conveying cheerful energy, while her thin left hand rests casually on her hip. She wears a short-sleeved fuchsia crop top ending just below her chest to expose a narrow waist and flat stomach, paired with dark purple high-waisted short shorts fastened with a small yellow button, plain white thigh-high stockings, and pointed hot-pink shoes. Her thin right arm extends outward holding a classic hamburger with a sesame seed bun. The AFTER figure on the right depicts the same character following an extreme exaggerated weight gain transformation, rendered with a massively inflated spherical belly that dominates her silhouette, extremely wide hips and thick thighs pressed together, broad heavy arms, and an enormous bust that strains the same fuchsia crop top until it stretches thin across deep cleavage and rides up to reveal dark purple panties beneath the overhanging belly. Her face remains pale pink but appears fuller with a subtle double chin, her dot eyes narrowed in an unimpressed or mildly annoyed expression, and her mouth open slightly with a small visible tongue and minor irritation lines or stress marks at the cheeks. She holds a partially consumed burger with visible bacon strips in her thick right hand while her left arm hangs relaxed at her side. Her stockings have transformed into stretched horizontal pink and white striped thigh-high bands over immense thighs, and she wears identical pointed pink footwear. The entire piece employs clean crisp black outlines with deliberate line weight variation, flat cel-shaded color fields accented by soft gradient shadows beneath the chin and bust line, and glossy specular highlights on the hair and inflated skin surfaces typical of polished digital fan art. The rendering quality is finished and precise, maintaining the geometric simplicity and vibrant color palette of the original animated series while adopting exaggerated proportions and a direct frontal symmetrical composition for both figures.
- 模式
- pro
- 尺寸
- 1280 x 960
- 反向提示詞
- worst quality, photorealistic, bad anatomy, blur, low resolution
使用的模型和 LoRA
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character: princess_bonnibel_bubblegum, A digital cartoon illustration in a western animation style presents a side-by-side full-body comparison of Princess Bubblegum from Adventure Time against a stark white background, with the left composition labeled BEFORE and the right labeled AFTER inside bright magenta rectangular boxes featuring white uppercase sans-serif text offset by thick black drop shadows. The BEFORE figure on the left possesses a tall slender body with elongated limbs, bright pink skin, and long straight hot-pink hair cascading well past her shoulders, topped by a golden yellow crown with a vertical stem holding an oval blue gemstone. Her facial features consist of simple black dot eyes and a wide joyous smile revealing an open mouth, conveying cheerful energy, while her thin left hand rests casually on her hip. She wears a short-sleeved fuchsia crop top ending just below her chest to expose a narrow waist and flat stomach, paired with dark purple high-waisted short shorts fastened with a small yellow button, plain white thigh-high stockings, and pointed hot-pink shoes. Her thin right arm extends outward holding a classic hamburger with a sesame seed bun. The AFTER figure on the right depicts the same character following an extreme exaggerated weight gain transformation, rendered with a massively inflated spherical belly that dominates her silhouette, extremely wide hips and thick thighs pressed together, broad heavy arms, and an enormous bust that strains the same fuchsia crop top until it stretches thin across deep cleavage and rides up to reveal dark purple panties beneath the overhanging belly. Her face remains pale pink but appears fuller with a subtle double chin, her dot eyes narrowed in an unimpressed or mildly annoyed expression, and her mouth open slightly with a small visible tongue and minor irritation lines or stress marks at the cheeks. She holds a partially consumed burger with visible bacon strips in her thick right hand while her left arm hangs relaxed at her side. Her stockings have transformed into stretched horizontal pink and white striped thigh-high bands over immense thighs, and she wears identical pointed pink footwear. The entire piece employs clean crisp black outlines with deliberate line weight variation, flat cel-shaded color fields accented by soft gradient shadows beneath the chin and bust line, and glossy specular highlights on the hair and inflated skin surfaces typical of polished digital fan art. The rendering quality is finished and precise, maintaining the geometric simplicity and vibrant color palette of the original animated series while adopting exaggerated proportions and a direct frontal symmetrical composition for both figures.
Niggas In Paris
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character: princess_bonnibel_bubblegum, A digital cartoon illustration in a western animation style presents a side-by-side full-body comparison of Princess Bubblegum from Adventure Time against a stark white background, with the left composition labeled BEFORE and the right labeled AFTER inside bright magenta rectangular boxes featuring white uppercase sans-serif text offset by thick black drop shadows. The BEFORE figure on the left possesses a tall slender body with elongated limbs, bright pink skin, and long straight hot-pink hair cascading well past her shoulders, topped by a golden yellow crown with a vertical stem holding an oval blue gemstone. Her facial features consist of simple black dot eyes and a wide joyous smile revealing an open mouth, conveying cheerful energy, while her thin left hand rests casually on her hip. She wears a short-sleeved fuchsia crop top ending just below her chest to expose a narrow waist and flat stomach, paired with dark purple high-waisted short shorts fastened with a small yellow button, plain white thigh-high stockings, and pointed hot-pink shoes. Her thin right arm extends outward holding a classic hamburger with a sesame seed bun. The AFTER figure on the right depicts the same character following an extreme exaggerated weight gain transformation, rendered with a massively inflated spherical belly that dominates her silhouette, extremely wide hips and thick thighs pressed together, broad heavy arms, and an enormous bust that strains the same fuchsia crop top until it stretches thin across deep cleavage and rides up to reveal dark purple panties beneath the overhanging belly. Her face remains pale pink but appears fuller with a subtle double chin, her dot eyes narrowed in an unimpressed or mildly annoyed expression, and her mouth open slightly with a small visible tongue and minor irritation lines or stress marks at the cheeks. She holds a partially consumed burger with visible bacon strips in her thick right hand while her left arm hangs relaxed at her side. Her stockings have transformed into stretched horizontal pink and white striped thigh-high bands over immense thighs, and she wears identical pointed pink footwear. The entire piece employs clean crisp black outlines with deliberate line weight variation, flat cel-shaded color fields accented by soft gradient shadows beneath the chin and bust line, and glossy specular highlights on the hair and inflated skin surfaces typical of polished digital fan art. The rendering quality is finished and precise, maintaining the geometric simplicity and vibrant color palette of the original animated series while adopting exaggerated proportions and a direct frontal symmetrical composition for both figures.
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