【公告】關於近期生成速度變慢及運算資源緊張的說明 — 親愛的 PixAI 社群成員： 感謝您一直以來對 PixAI 的喜愛與支持！ 近期 PixAI 的生成速度較平時慢，排隊時間也比平常更長，造成不便，我們深感抱歉。 原因說明 在 Tsubaki.3 上線後，大家的使用熱情帶動 GPU 資源需…
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- 原始提示詞
- masterpiece, best quality, very aesthetic, absurdres, amazing quality, 1girl, victorian clothes, 17th century, commoner clothes, a girl in commoner victorian clothes with an apron, she stands in a studio with an Lectern and an Dock, the lectern and the dock are made made of still bloodied bones, her clothes and face are bloodied with chunks of meat in the apron, she has a single brush made with bone, she wears a kind innocent smile, detailed face, detailed Dragalia_Style, Raita style, gb_style,
- 模式
- pro
- 尺寸
- 1104 x 1824
- 取樣方式
- Euler
- 反向提示詞
- lowres, worst quality, low quality, bad anatomy, explicit
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ty
copyright: dragalia_lost
1girl, solo, victorian clothes, commoner clothes, long coarse beige linen dress, off-white cotton apron, apron pocket bulging with chunks of meat, bloodstains on clothes, blood splatter on face, blood on hands, single bone brush, holding brush, standing, lectern, dock, bone lectern, bone dock, bloodied bone furniture, wet bone surface, studio, interior, wooden floor, plaster wall, from below, cowboy shot, dutch angle, looking at viewer, kind innocent smile, soft closed-lip smile, gentle raised brows, head tilt, detailed face, masterpiece, best quality, very aesthetic, absurdres, amazing quality,
Shot from a low dutch angle inside a bare studio, the floorboards tilting up across the frame. A single girl in commoner Victorian dress stands at the center of it: a long coarse beige linen dress with a high buttoned collar and plain long sleeves, an off-white cotton apron tied at her waist and gone brown-red down the front, its pocket sagging heavy with chunks of raw meat that bulge the fabric and leave a slow wet sheen at the seam. Blood is spattered across the apron bib, the cuffs and the hem of the skirt; blood freckles her cheeks, her chin and the backs of her hands, one dried streak running from her temple into her hairline. She stands with her weight on her right leg, left hip dropped, shoulders loose, one hand resting flat on the slanted top of a lectern built entirely of bones -- femurs and ribs lashed and mortared together, still wet, dark blood beading along the lowest joints and hanging in a single thread before it falls. Behind her and to the left, a witness dock rises on the same bone construction, its rail of stacked vertebrae and long bones, blood pooled in the hollows of the joints and one dark drip working down a shin bone.
Her other hand lifts a single brush carved from one pale bone, its handle a slim shaft, its ferrule bound with sinew, the bristles tipped dark red, held up at chest height between two fingers as though she has just paused mid-stroke. Her chin tips down toward the viewer, head canted with the dutch angle, and she looks straight into the lens with wide calm eyes and a soft closed-lip smile, brows gently raised, entirely at ease -- the kind innocent smile of someone showing you her work. Overhead studio light falls from the upper right: it catches the wet highlights on the bone lectern and dock, glosses the blood on her cheek and the bristles, and drops soft shadows to the lower left of every upright, the far wall falling into a dimmer grey. Palette held to beige linen, off-white cotton, the yellowed ivory of dry bone, and deep venous red, nothing else admitted. The meat in the apron pocket presses a damp print through the cotton where it rests against her thigh. Quiet, unsettling charm.
Tatsu Yuikane
ty
copyright: dragalia_lost
1girl, solo, victorian clothes, commoner clothes, long coarse beige linen dress, off-white cotton apron, apron pocket bulging with chunks of meat, bloodstains on clothes, blood splatter on face, blood on hands, single bone brush, holding brush, standing, lectern, dock, bone lectern, bone dock, bloodied bone furniture, wet bone surface, studio, interior, wooden floor, plaster wall, from below, cowboy shot, dutch angle, looking at viewer, kind innocent smile, soft closed-lip smile, gentle raised brows, head tilt, detailed face, masterpiece, best quality, very aesthetic, absurdres, amazing quality,
Shot from a low dutch angle inside a bare studio, the floorboards tilting up across the frame. A single girl in commoner Victorian dress stands at the center of it: a long coarse beige linen dress with a high buttoned collar and plain long sleeves, an off-white cotton apron tied at her waist and gone brown-red down the front, its pocket sagging heavy with chunks of raw meat that bulge the fabric and leave a slow wet sheen at the seam. Blood is spattered across the apron bib, the cuffs and the hem of the skirt; blood freckles her cheeks, her chin and the backs of her hands, one dried streak running from her temple into her hairline. She stands with her weight on her right leg, left hip dropped, shoulders loose, one hand resting flat on the slanted top of a lectern built entirely of bones -- femurs and ribs lashed and mortared together, still wet, dark blood beading along the lowest joints and hanging in a single thread before it falls. Behind her and to the left, a witness dock rises on the same bone construction, its rail of stacked vertebrae and long bones, blood pooled in the hollows of the joints and one dark drip working down a shin bone.
Her other hand lifts a single brush carved from one pale bone, its handle a slim shaft, its ferrule bound with sinew, the bristles tipped dark red, held up at chest height between two fingers as though she has just paused mid-stroke. Her chin tips down toward the viewer, head canted with the dutch angle, and she looks straight into the lens with wide calm eyes and a soft closed-lip smile, brows gently raised, entirely at ease -- the kind innocent smile of someone showing you her work. Overhead studio light falls from the upper right: it catches the wet highlights on the bone lectern and dock, glosses the blood on her cheek and the bristles, and drops soft shadows to the lower left of every upright, the far wall falling into a dimmer grey. Palette held to beige linen, off-white cotton, the yellowed ivory of dry bone, and deep venous red, nothing else admitted. The meat in the apron pocket presses a damp print through the cotton where it rests against her thigh. Quiet, unsettling charm.
Tatsu Yuikane
ty
copyright: dragalia_lost
1girl, solo, victorian clothes, commoner clothes, long coarse beige linen dress, off-white cotton apron, apron pocket bulging with chunks of meat, bloodstains on clothes, blood splatter on face, blood on hands, single bone brush, holding brush, standing, lectern, dock, bone lectern, bone dock, bloodied bone furniture, wet bone surface, studio, interior, wooden floor, plaster wall, from below, cowboy shot, dutch angle, looking at viewer, kind innocent smile, soft closed-lip smile, gentle raised brows, head tilt, detailed face, masterpiece, best quality, very aesthetic, absurdres, amazing quality,
Shot from a low dutch angle inside a bare studio, the floorboards tilting up across the frame. A single girl in commoner Victorian dress stands at the center of it: a long coarse beige linen dress with a high buttoned collar and plain long sleeves, an off-white cotton apron tied at her waist and gone brown-red down the front, its pocket sagging heavy with chunks of raw meat that bulge the fabric and leave a slow wet sheen at the seam. Blood is spattered across the apron bib, the cuffs and the hem of the skirt; blood freckles her cheeks, her chin and the backs of her hands, one dried streak running from her temple into her hairline. She stands with her weight on her right leg, left hip dropped, shoulders loose, one hand resting flat on the slanted top of a lectern built entirely of bones -- femurs and ribs lashed and mortared together, still wet, dark blood beading along the lowest joints and hanging in a single thread before it falls. Behind her and to the left, a witness dock rises on the same bone construction, its rail of stacked vertebrae and long bones, blood pooled in the hollows of the joints and one dark drip working down a shin bone.
Her other hand lifts a single brush carved from one pale bone, its handle a slim shaft, its ferrule bound with sinew, the bristles tipped dark red, held up at chest height between two fingers as though she has just paused mid-stroke. Her chin tips down toward the viewer, head canted with the dutch angle, and she looks straight into the lens with wide calm eyes and a soft closed-lip smile, brows gently raised, entirely at ease -- the kind innocent smile of someone showing you her work. Overhead studio light falls from the upper right: it catches the wet highlights on the bone lectern and dock, glosses the blood on her cheek and the bristles, and drops soft shadows to the lower left of every upright, the far wall falling into a dimmer grey. Palette held to beige linen, off-white cotton, the yellowed ivory of dry bone, and deep venous red, nothing else admitted. The meat in the apron pocket presses a damp print through the cotton where it rests against her thigh. Quiet, unsettling charm.
Tatsu Yuikane
ty
artist: nai_ga, copyright: dragalia_lost
1girl, solo, victorian clothes, 17th century, commoner clothes, long dark skirt, laced bodice, rolled sleeves, fabric apron, apron holding chunks of meat, raw meat chunks, bloodstains, blood on clothes, blood on face, blood spatter, holding brush, bone brush, single brush, lectern, dock, bone lectern, bone dock, bloodied bones, studio, standing, kind innocent smile, light smile, closed mouth, looking at viewer, head tilt, from below, cowboy shot, dutch angle, detailed face, detailed background, blood on hands, wet blood, bone furniture, cinematic lighting, backlighting, high contrast, muted palette, red accents, dark painterly anime style, gritty texture, sharp linework, floating particles, glowing eyes, dead space, melancholic
The camera looks up from a low dutch angle, tilted a few degrees off level, so the girl stands tall against the studio's dark upper reaches. She is caught mid-turn, twisting her hips toward the viewer while her shoulders still point sideways, weight settled hard on her left leg, right toe pivoting on the boards. Her head tips down toward the lens with the tilt of the dutch angle, dark eyes catching the backlight and glowing faintly, and her lips curve in a small, kind, entirely innocent smile that sits strangely beneath the blood across her cheek. Her right hand, arm hanging loose, holds a single brush carved from bone, its handle worn pale and faintly tacky with old blood. Her left hand grips the apron's hem at her hip, gathering the fabric so the chunks of meat piled inside shift and slump against one another with soft, wet weight. A single thin thread of blood runs from the apron's lowest corner and falls in one steady drip to the floorboard beside her boot.
Behind her and to her right stands a lectern built from human bones, femur posts and a rib-cage cradle still wet and dark at the joints. A dock, likewise assembled from bloodied bone, rises further back on her left, its slats uneven and glistening. The dark studio stretches past them, floorboards worn pale at the center of the room and shadowed at the walls, dust and fine floating particles suspended in the air.
Everything is lit from behind and above: a hard cool rim of light traces the edges of her dark hair, the shoulders of her apron, the wet bone of the lectern, and leaves her face in soft shadow lit only by the warm bounce off her bloodied collar. The palette is a muted brown-and-charcoal darkness cut by the vivid red of the blood and the faint ivory of the bone. Quietly unsettling.
Tatsu Yuikane
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