Nov 3, 2026

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AI art "ゴブリン" featuring #長髮, #修女, #綠色皮膚, #哥布林 and #女哥布林

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ゴブリン

#長髮 #修女 #綠色皮膚 #哥布林 #女哥布林

發布於 Nov 5, 2026

GGFF

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4 girls, solo focus, no other characters, goblin girls, four shortstack goblins, vibrant green skin, detailed green skin texture, pointed ears, sharp fangs, massively huge breasts, breasts bigger than heads, thick thighs, wide hips, shortstack proportions, 90cm tall, petite stature, white long-sleeve modest mini habit dress, subtle frills, white coif, short veil, small cross necklace, robe spreading on floor, hair color quartet, red hair, messy long hair, blue hair, pink hair, purple hair, kneeling, side by side in a row, prayer pose, hands clasped in front of chest, head slightly bowed, looking up, teary eyes, looking at viewer, blush, submissive expression, cute faces, top-down overhead view, from above, looking down, bedroom interior, wooden floor, dim warm lighting, soft shadows, fabric tension, high detail, halftone dots, bold outlines, graffiti marks, punchy neon accents, high-contrast anime style. The camera hangs directly overhead, looking straight down from above onto four very short goblin girls kneeling in a single tight row on light-brown wooden planks, their order fixed left to right: bright messy long red hair, then blue hair, then pink hair, then purple hair at the far right. Seen from this top-down angle their bodies foreshorten into stacked masses of shoulders, lifted faces and the white fabric covering them; each girl's massively huge breasts, larger than her own head, push up toward the lens so the modest white long-sleeve mini habit dress with subtle frills pulls tight across the uppermost curve, a fan of tension creases radiating from the buttoned placket, the white cloth stretched thin and bright where it crests. Their knees are tucked beneath them, and the loose robe hems spread out over the floorboards in four overlapping white pools, fanning away from each pair of knees and settling flat against the wood grain. Their thick thighs meet their wide hips in soft rounded curves either side of each kneeling body. Each girl has vivid green skin, drawn with visible texture -- fine pores, faint darker mottling across the cheekbones and the tops of the shoulders, a warmer olive-green in the shadowed crease where the head meets the neck -- and long pointed ears angling out through the edges of her white coif. The coifs fit close over the top, back and sides of each head in white cloth, with a short white veil pinned at the back falling just to the nape. Sharp little fangs peek past plump lower lips as the mouths part slightly. All four bow their heads a touch forward while their eyes tilt up, wet and teary toward the viewer overhead, lower lids brimming and a single shine at the lashes, deep pink blush painted across both cheeks and dusting the nose bridge. Their expressions are soft, submissive and serene, brows gently drawn up in the middle. Each girl clasps both hands together in front of her chest, fingertips pressed, thumbs crossing in a small steeple, wrists close to the breastbone, elbows tucked into the sides of the dress. The prayer hands sit high, pressed into the soft upper slope of the fabric where the strain creases radiate outward. A small metal cross necklace lies flat on each collarbone, catching a thin highlight, the tiny chain vanishing under the coif's edge. The red-haired girl on the left wears her messy long hair spilling over one shoulder and onto the floor in loose looping strands; the blue-haired second one has hers tucked behind her ears so the points show; the pink-haired third has a short fall curling at her jaw; the purple-haired fourth at the right has hers lying in a smooth sweep across the shoulder of her robe, so the four heads read as a clean colour ladder from red to purple along the top of the frame. Lighting comes from a single dim warm source low in the room, a bedside lamp glow bleeding in from the upper-right corner of the frame, so it strikes the tops of their heads, the crown of each coif, the highest swell of each chest and the fingertips of the clasped hands, while soft shadows pool in the hollows between their bodies, beneath each breast, inside the crease of the bowed neck and along the gaps between the kneeling thighs, hugging each curve with a warm deep-brown falloff. Warm amber light picks up the green of the skin as a yellow-green sheen on lit planes and a teal-tinged green in the shadow. On the floor, the shadows of the four bodies overlap into one continuous soft mass that melts toward the left of the frame, and the thin gaps between their shoulders let slivers of the wooden floor show through. The background is a bedroom: dark wood floorboards run side to side beneath them, and at the top edge of the frame the foot of a bed with a rumpled quilt and a warm lamp glow, a small wooden nightstand at the upper left, a soft dim wallpaper holding the warm dusk in shadow. The bed and furnishings stay crisp and legible but never crowded with extra figures -- the room is empty of anyone but these four. Palette: warm amber and deep brown for the room, white and off-white for habits and linen, uninterrupted vibrant green for skin, and the four hair colours as the only saturated accents laced along the top of the frame; soft low-contrast shading inside the warm dusk. Halftone dot shading in the shadows, thick clean outlines, small graffiti-like scratch marks and punchy neon-pink flecks caught in the highlights, high-contrast anime rendering with a pop-graphic edge. Quiet, warm, faintly reverent hush.

ゴブリン

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