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わくな
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- 原始提示詞
- masterpiece, best quality, authentic traditional Japanese sumi-e ink painting, pure monochrome ink wash painting, ancient Japanese yokai scroll illustration, traditional hand-painted washi paper artwork, expressive bold brush strokes, deep black sumi ink, subtle gray ink washes, dramatic ink splashes, rough dry brush textures, natural ink bleeding, intricate hand-painted details, extreme black and white contrast, exclusively black ink and white paper, absolutely no colors, Ushi-oni, legendary Japanese monstrous ox demon, enormous terrifying supernatural chimera, gigantic spider-like monstrous body with a clearly recognizable massive ox head, huge bovine head, broad forehead, powerful ox muzzle, enormous curved horns extending from both sides of the head, deeply sunken sinister eyes, snarling mouth, sharp exposed fangs, thick muscular neck, grotesque monstrous facial expression, massive spider-like body, enormous swollen abdomen, thick black-brown armored hide rendered in dense dark ink, eight powerful long jointed spider legs, heavily muscled limbs ending in enormous sharp claws, hard rugged exoskeleton, grotesque organic anatomy, immense physical strength, clearly recognizable combination of ox and spider, thick poisonous black vapor pouring from its mouth, venomous saliva dripping from its fangs, dense sinister yokai miasma surrounding its body, poisonous breath spreading across the water, crouching low beside a riverbank, enormous claws gripping wet rocks, menacing ambush posture, head lowered toward its prey, ready to charge, terrifying predatory presence, desolate Japanese waterside ravine, deep mountain pool, turbulent dark river, jagged rocks, twisted trees, ancient wooden bridge, dense riverside fog, muddy banks, dead vegetation, ominous mountain wilderness, full body, entire spider-like body and all eight legs visible, ox head clearly distinguishable, dramatic low angle composition, imposing monumental scale, deep black ink shadows, haunting traditional Japanese folklore monster painting
- 模式
- pro
- 尺寸
- 768 x 1280
- 取樣方式
- Euler
- 反向提示詞
- color, colored illustration, red, brown, blue, green, purple, colorful lighting, anime coloring, cel shading, digital painting, glossy rendering, photorealistic, 3D render, western fantasy monster, ordinary ox, normal bull, ordinary spider, spider with human face, human body, humanoid, human arms, human legs, minotaur, horse head, goat head, dragon head, insect head, scorpion, centipede, snake body, wings, feathers, multiple heads, extra heads, missing legs, two legs, four legs, six legs, extra limbs, malformed anatomy, small creature, cute, cartoon, smooth digital gradients, text, logo, watermark
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Giant Spider
Nikolaus Ohnelaus
.....???
소영
t
filler
theerlking
ln
1 monster, solo, giant spider, monstrous, colossal arachnid, glossy black exoskeleton, chitin plates, eight long segmented legs, sharp pointed leg tips, eight glistening black eyes, cluster of small eyes on cephalothorax, fangs parted, pedipalps raised, no humans, no other creature, from below, extreme low angle, foreshortening, full body, wide shot, towering, 2.5D, cinematic lighting, dark fantasy, night, mist, web strands
The camera sits almost at ground level and looks steeply up: a single colossal spider fills the frame, its body massed low in the midground while its front legs rear upward and converge overhead, so the nearest leg foreshortens hugely, thick as a pillar, and the far legs recede pale and blurred through the haze. The cephalothorax is a domed plate of glassy black chitin, its seams beaded with moisture that catches a cold rim light; the cluster of small eyes glistens across the front of it in two staggered rows, each a wet lens holding its own pinpoint of pale light, and the chelicerae hang down with the fangs parted in a slow drip. Its eight legs stand splayed and asymmetric -- the right foreleg planted furthest forward with the tarsal tip driven into wet soil, the left foreleg lifted and bent at the joint as though testing the air, the remaining legs stepped back in a staggered arc so the weight rides on three rear contacts and the abdomen hangs heavy and swaying behind. Fine hairs bristle along the lit edges of every segment, and each pointed tip is anchored to the ground by a ring of pressed-down moss and a small runnel of displaced water. A single cable of silk trails from the spinnerets, sags between two rear legs, and vibrates in the air current -- the one object that makes the moving air visible. The only light sources are a high cold moon, which strikes the top of the abdomen and the upper faces of the raised legs in silver-white while leaving their undersides in black, and a faint warmer haze low down that lifts the silhouette of the leg tips against the ground mist; above and behind the creature the night is absolute, with no visible horizon. The palette is confined to black and silver-white with a single muted moss green. Everything is rendered as 2.5D: cel-sharp contour edges over semi-realistic volumetric shading, dimensional depth of field and physical rim light without photorealism. Quiet dread.
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