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YYYY

YYYY 的 AI 作品,發布於 PixAI。使用模型:Tsubaki.3。

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copyright: touhou 1girl, solo, silver hair, wolf ears, animal ears, idol outfit, pregnant, multiple pregnancy, large belly, sleeping, closed eyes, lying on sofa, on back, break room, sofa, from above, full body, arm over belly, head tilt, :<, sleeping peacefully, blanket, cushion, one hand resting on belly, other hand on cushion, legs bent, silver hair spread on cushion, idol stage costume, frilled skirt, ribbon, soft light, warm interior The camera looks straight down from above onto a break-room sofa, where a single silver-haired girl with wolf ears lies asleep on her back, her whole body inside the frame. She is dressed in a glossy idol stage costume: a fitted bodice with ribbon and frill detailing that stretches over a belly much larger than a normal pregnancy, the multiple pregnancy making it a broad, high, taut dome, the fabric pulled tight and riding up so a sliver of pale skin shows just above the waistband. The skirt, short and frilled, has ridden up and spills over her thighs; her legs are bent at the knees and tilted to one side so both feet rest on the sofa cushion, one knee fallen inward toward the other. Her head is turned slightly on the cushion, cheek pressed into it, lashes lowered and closed, mouth softly open in a small sleeping pout, one brow faintly relaxed upward. Silver hair fans out across the cushion in loose threads, caught under her shoulder and crushed flat where she lies on it; the two wolf ears sit atop her head, one alert and one flopped sideways against the cushion. Her right hand lies palm-down and limp on the top of her belly, fingers loosely curled, the weight of the arm making a small dent in the taut fabric; her left arm is flung out sideways, the hand resting open on the sofa cushion beside her shoulder, fingers relaxed. A cushion is wedged under her lower back and another lies kicked aside near her feet. Her closed eyes face the ceiling; her head tilts a little toward the flung-out hand, as though she turned over in her sleep. The break room surrounds her: a low table with a paper cup at the midground edge, a locker door, a wall clock, all rendered as simple background shapes that stay out of the belly's silhouette. The overhead light is the only source, a cool white ceiling panel spilling straight down; the top of the belly and the forehead catch the brightest highlight, a soft greenish-grey shadow pools under the belly, in the eye sockets and beneath the hair on the cushion, and the sofa's seams catch a thin line of lit dust. Palette: muted silver-grey hair, cool white light, the costume's deep violet and cream with crimson ribbon, warm-beige sofa and break-room neutrals. Quiet, tender.
顯示參數
原始提示詞
東方の銀髪狼耳少女のアイドルの服装で妊婦の椛 多胎妊娠の通常より大きなボテ腹 休憩室でソファに寝転んで寝ている
模式
pro
尺寸
1152 x 864
取樣方式
Euler
反向提示詞
lowres, worst quality, low quality, bad anatomy, explicit

使用的模型和 LoRA

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character: kokona_(blue_archive), hayakawa_kokona, copyright: blue_archive 1girl, solo, kokona (blue_archive), hayakawa_kokona, long hair, very long hair, grey hair, black hair, multicolored hair, streaked hair, orange eyes, animal ears, tiger ears, tiger girl, Blue Archive idol outfit, stage idol costume, frilled layered skirt, ribbon sash, detached sleeves, thighhighs, hair ribbon, pregnant, multifetal pregnancy, enormous pregnant belly, belly bulge, navel, lying on sofa, sleeping, closed eyes, on back, slightly on side, head propped on sofa armrest, arms loose, one hand resting on belly, from above, from side, three-quarter view, high angle, close-up on torso and face, break room, sofa, harsh overhead fluorescent light, pastel palette, quiet tenderness The camera looks down from above and slightly to the side at a steep diagonal, so the whole length of her sleeping body crosses the frame: her head drops back into the far armrest at the upper left, and the enormous round swell of her belly rises at the lower right as the highest and closest point in the shot, nearest the lens. She lies on her back with a slight roll toward her right hip, so her weight sinks into the sofa cushions at the shoulder blade, the right hip and the right heel, the left knee fallen loosely inward; her long grey-and-black streaked hair spills above her head over the armrest and off its edge, some strands hanging free in the air. Her tiger ears lie flat and relaxed against the cushion. Her eyes are closed, lashes lying still, lips slightly parted around a slow sleeping breath, one cheek pressed soft against the padded armrest. She wears the idol stage costume: a short layered frilled skirt and ribbon sash sitting high over the pregnancy, the fabric pulled taut and riding up where the belly swells largest, the striped dark and pale panels stretched wide at the front seam; a fitted bodice whose front buttons strain and part slightly over the bump, long detached sleeves loose on her forearms, thighhighs on both legs, and a hair ribbon still knotted at the side of the fallen hair. Both hands are slack: one arm flopped along the cushion over her head, the other hand resting open and warm directly on the bare skin of the lowest curve of the belly. The belly is the whole subject -- far larger than a single pregnancy, wide and heavy and high, so the sofa cushion beneath it compresses into a deep dent and the skirt hem lifts clear of it. A blanket has slipped half off her legs and hangs bunched at her shins, one corner trailing to the floor. In the break room, a side table with a paper cup sits behind the sofa at the left, a wall clock and a soft drinks machine stand blurred in the background, an open doorway lets a pale corridor strip of light fall across the floor. The only real light is a long ceiling fluorescent directly overhead, so its hard soft-edged pool falls on the top of the belly, the crown of her head and the near shoulder, pale blue-white and cool; beneath the swell and down the far side of the sofa the shadow drops deep, and her belly casts a broad curved shadow across the skirt and the cushion beside her. The palette stays pastel and institutional -- cream tea-coloured cushions, mint-green walls, pale grey and rose costume, her grey-black hair the darkest thing in the frame. A single physics cue: the loose blanket corner hangs straight down, motionless, because the room air is completely still and she is not moving. Quiet, tender exhaustion.
YYYY
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copyright: touhou 1girl, solo, sleeping, lying on sofa, on back, head tilted back, silver hair, short hair, wolf ears, animal ears, miko, japanese clothes, wide sleeves, red hakama, red ribbon, pregnant, multiple pregnancy, very large belly, big belly, navel, hand on belly, resting hand, blush, closed eyes, closed mouth, peaceful, sofa, rest room, break room, fold-out couch, pillow under head, blue blanket, from above, foreshortening, ceiling in background, ceiling light From above, looking down the length of a fold-out rest-room sofa at a single sleeping woman stretched along it on her back. She is short and compact; silver hair, short and choppy at the nape with a few strands slipping across her cheek, spills over a thin white pillow under her head, and a pair of grey wolf ears rise from the crown, both tilted outward and slightly back, the near ear sagging against the pillow fabric. She wears a shrine maiden outfit: a white sleeveless haori top with wide-sleeved white sleeves fanned out across the cushion, a red ribbon tied at the chest, and a red hakama whose front ties have been loosened and pushed low under her belly so that the red fabric rides only at the hips and thighs. Her belly is the centre of the frame, pulled into a high, wide, drum-taut dome that rises far above the line of her ribs and swells out to both sides of her waist -- the mass of a multiples pregnancy, so large that the white top has ridden up and split open over it, baring a smooth stretched expanse of skin with a deepened navel at its crest. She lies slightly on her right side, one knee drawn up under the blanket, the other leg slack; her right hand rests flat on the upper curve of the belly, fingers spread and relaxed, and her left arm is flung above her head, the wrist hanging just off the sofa armrest. Her head is turned a little toward the camera, cheek pressed into the pillow, lips parted a fraction in a slow sleeping breath; eyelids closed, lashes dark against a faint flush across the nose and cheeks. One white sleeve has slipped off her shoulder and the shoulder is bare beside it. Environment: an ordinary staff rest room, medium intimate scale, the sofa pushed against a pale tiled wall; behind its backrest a low shelf holds a kettle, a row of paper cups and a small round clock, and a folding chair stands angled beside the sofa's foot, all rendered simpler and softer than the figure. A single fluorescent ceiling panel directly above the sofa is the only light source; its cool white light strikes the top of the belly, the tops of her hair and ears, and the upward-facing folds of the blanket, and the darkness sits in the gap between sofa and wall, under the sofa skirt and beneath her jaw, with a crisp short cast shadow from her raised forearm falling across the pillow. Palette restricted to silver-white, red and cool grey-white light with a pale green cast on the tiles. Where the blanket is thrown back at the hip its fold lines compress against the cushion and the cushion's edge dips under her weight; a thin curl of steam rises from a mug on the floor beside the sofa where someone set it down. Quiet, warm, drowsy.
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