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【公告】關於近期生成速度變慢及運算資源緊張的說明 — 親愛的 PixAI 社群成員： 感謝您一直以來對 PixAI 的喜愛與支持！ 近期 PixAI 的生成速度較平時慢，排隊時間也比平常更長，造成不便，我們深感抱歉。 原因說明 在 Tsubaki.3 上線後，大家的使用熱情帶動 GPU 資源需…

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AI art "すとっう"
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すとっう

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Delmonda

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1girl, solo, idol costume, puffy sleeves, balloon sleeves, spherical sleeves, cinched waist, wide hips, above-knee skirt, dome skirt, voluminous skirt, fluffy skirt, skirt spread out, no hands on skirt, hands behind back, standing, white thighhighs, mary janes, from below, full body, dutch angle, looking away, light smile, blush, outdoors, empty schoolyard, late afternoon, low sun, long shadow From a low, slightly tilted angle the single figure fills the frame from the soles of her shoes to the top of her head: an ordinary high-school student — round-cheeked, small-nosed, hair cut in a soft shoulder-length bob with a light inward curl at the ends, a few loose strands across the brow — standing with her weight sunk into her left hip and her right knee softened, feet set apart in dark mary janes on cracked paving. Her arms are folded behind her back, both forearms hidden, shoulders drawn back so the chest stays open; her hands are nowhere near the skirt, and the skirt hangs completely untouched, fingers visibly clear of the fabric at both sides. The sleeves are the loudest shape in the picture: each cuff balloons into a near-perfect sphere the size of her own head, taut white fabric catching a hard highlight along its upper-left curve and falling into a soft shadow beneath, cinched tight into a narrow wristband so the sphere reads as closed and round. From those narrow wrists the body pulls in to a sharply cinched waist, a band of compression between the ballooned cuffs and the skirt. The skirt begins just below that waist and above the knee, flaring sideways rather than forward: it spreads into a wide horizontal dome, a clean hemisphere of layered fluffy fabric whose rim bows out past both hips and dips gently at the sides, the surface broken into soft vertical ripples that swell and recede with real thickness, the underside shadowed deep, the top edge riding the light. The low sun sits behind her right shoulder, so it rims the outside curve of the left sleeve and the left side of the dome in warm gold, throws her long shadow forward and to the right across the paving, and leaves the front of the skirt softly lit from the side rather than flatly. Palette held to cream and white fabric, warm gold light, cool grey-blue shadows, and the muted brown-grey of the ground. She looks off past the left edge of the frame, chin slightly lifted, lips closed in a small self-satisfied smile, one cheek flushed. Crisp cel-shaded anime rendering, clean linework, softly graded shading, effortlessly stylish.
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原始提示詞
袖口は球のように球のように膨らみ、腰はきゅっとした感じで、膝より上の丈のスカートはなるべくふんわりとボリューム感があるように横長にふんわりドーム状に膨らんで半球のように広がったアイドルみたいな衣装のごく普通の高校生。スカートは摘んでいない。
模式
pro
品質標籤
﹝提示詞﹞
尺寸
1104 x 1824
反向提示詞
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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使用的模型和 LoRA

Tsubaki.3 - AI Model封面圖片

PixAI DiT.3

Tsubaki.3
7.28k

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AI artwork
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1girl, solo, idol costume, puffed sleeves, ball-shaped sleeves, fitted waist, cinched waist, knee-length skirt, fluffy skirt, voluminous skirt, flared skirt, wide skirt, hands away from skirt, arms at sides, skirt hanging naturally, from below, full body, standing, weight on one leg, head tilt, looking to the side, light smile, ordinary high school student, long hair, brown hair, blunt bangs, brown eyes, white blouse, ribbon at collar, petticoat layers, mary janes, white socks The camera sits low and looks up at her, a full-body vertical frame with her shoes near the bottom edge and a strip of empty air above her head. She is a single ordinary high school girl, slim and small-waisted, standing on a plain dark stage floor that gives her nothing to lean on. Her weight rests on her left leg, the right knee slightly bent and the right toe turned inward; her hips therefore tilt a few degrees and the cinched waist sits just off the vertical, which is what makes the waistline read as pulled tight rather than drawn flat. Both arms hang clear of her body, a hand's width of air between each elbow and her ribs, forearms relaxed and slightly forward, hands open with the palms turned in toward her thighs — nothing touches the skirt, no finger pinches fabric, no arm brushes the hem, and the skirt hangs from the waistband entirely on its own. Each sleeve puffs into a full sphere at the shoulder, its fabric blown round and taut at the crown and gathered into a narrow band just above the elbow, the two spheres breaking the silhouette wide at the top. Below the snug waistband the skirt drops and then swells outward, a knee-length bell with real loft to it: layered fluffy fabric holds the volume out away from her legs all the way around, the hem floating a good hand's width clear of her thighs at the sides, the pleat-and-ruffle edges catching a soft ripple so the underside of the hem sits in shadow. Underneath, a pale petticoat edge shows as a thin fluffy line just inside the hem. Her head tilts toward her right shoulder, chin slightly down, and her eyes slide off to the left of frame, past the lens, with a faint closed-lip smile and one brow a touch higher than the other. Her long brown hair is caught in the same motion as her posture, a few strands swinging out to the left where her head turned, bangs parted over her forehead. The light comes from one high source in front and slightly left, cool white, striking the crowns of both sleeve spheres and the tops of her shoulders and running down the front of the blouse; it grazes the outward bulge of the skirt and dies under the hem, so the shadow pools there and on the floor directly beneath her, a soft compact pool with the shape of the flared skirt in it. Beyond that pool the darkness is complete — a seamless deep-charcoal void with no walls, no horizon and no props. The palette is held to three: the white and pale cream of blouse, sleeves and petticoat; a deep navy in the skirt and the ribbon; and her warm brown hair and eyes as the only other colour, all of it against the charcoal ground. Crisp cel-shaded edges, clean colour fills, no grain. Quiet, poised, a little dreamy.
Delmonda
#水本紫
AI artwork
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1girl, solo, high school girl, long hair, hair down, white hair, white eyes, pale skin, near-white skin, all-white outfit, white color scheme, puffed round ball sleeves at shoulders, bare arms below the sleeves, cinched waist, narrow waist, above-knee skirt, very fluffy skirt, hemispherical flared skirt, peplum drapes, semicircular drooping drapes at both sides of skirt, drapes reaching just above hem, walking, mid-stride, from below, low angle, three-quarter view, looking ahead, dutch angle, street, town, city street, daytime, full body, cowboy shot, gentle breeze, hair blown back, cloth lift, light smile, closed mouth, calm The camera sits low and close to the pavement, tilted slightly off level, so the girl is seen from below in a three-quarter view as she walks toward the left of the frame, crossing the near edge of a quiet city pavement. She is one ordinary high school girl, caught mid-step: her left foot planted flat on the paving slabs, her right leg swinging forward with the knee still bent and the toe not yet touching down, her weight rolling through the left hip. Both arms swing loose at her sides below their short sleeves, hands relaxed with fingers slightly curled, and the ball-shaped white sleeve caps sit round and compact at the top of each shoulder, clear of the knobs of bone, the bare pale forearms tapering out of them. Her white hair is let down and hangs past her shoulder blades, lifted and swept back to the right as the walk carries her forward. Her near-white skin and her white eyes catch the daylight without contrast-lighting tricks: the eyes are pale, faintly luminous discs with only the pupil suggested, her gaze directed ahead and slightly down along the street rather than at the lens. A faint closed-lip smile, the corner of her mouth barely lifted, an everyday expression of someone simply on her way somewhere. Her waist is drawn in tightly, the white garment narrowing hard above the hips. Below it the skirt above the knee is enormously puffy, flaring out like the top half of a hemisphere, its underside catching a soft shadow from her own body. On each side of the skirt a semicircular drape droops from the hip line in a loose, sagging half-moon, its lowest point a little above the skirt hem, hanging heavy and soft like a peplum while the hem itself bellies outward. Everything she wears is white and only white, with the outfit's textures -- matte cloth, the crisper sleeve caps, the softer skirt folds -- carrying the variety instead of color. Around her, an ordinary town street in ordinary daylight: pale gray paving stones with visible joints running away in perspective, low shopfronts and a streetlamp rendered simple and slightly soft in the low-angle background, the negative space of sky and facades opening above her head. Daylight comes from over her right shoulder, washing the front of her white outfit and dropping a short, soft shadow at the hem of the skirt directly below her hips; the undersides of the puffed skirt and of the hanging drapes stay in gentle shade, and the paving pale and slightly cool. Textured inconspicuous: nothing else in the palette but white, near-white, pale gray and the warm neutral of stone. As she lifts her right foot, her toes leave the ground and the skirt's hover, along with the kicked-up air, pushes a single dry leaf scuttering off at ankle height, and her hem lifts and settles with each step. Quiet, everyday mood.
Delmonda
AI artwork
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solo, 1girl, high school girl, long hair, hair down, white hair, straight hair, white eyes, pale skin, near-white skin, all-white color scheme, white outfit, shoulder cuffs, spherical sleeve cuffs, puffy short sleeves, cinched waist, narrow waist, above-knee skirt, short skirt, extremely fluffy skirt, hemisphere silhouette skirt, white skirt, semicircular side drapes, drapes from waist to just above hem, looking at viewer, head tilt, from below, cowboy shot, standing on one leg, arms out, one hand raised, open mouth, light smile, blush, floating hair, dutch angle, From a low angle looking up at her, one ordinary high-school-age girl stands alone in a seamless white studio void, backlit so the ground falls away into a soft pale gradient behind her hips. Her long white hair hangs loose and straight, unfastened, lifted at the ends by a small upward draft and drifting sideways off her shoulders; it is the brightest thing in the frame, one shade lighter than the near-white of her skin, which sits a half-tone warmer and casts a faint warm shadow under the jaw and along the throat. Her eyes are white too, iris and rim both, with only a thin cool-grey limbal line and a pinpoint catchlight to read the shape of them; she tilts her head toward her raised shoulder and looks straight into the lens, mouth softly open at the corner in a light smile, a little color riding high on her cheeks and the tip of her nose. She is caught mid-weight-shift: her left leg bears everything, right knee bent and lifted so the right toe hovers just off the floor, both arms out at shoulder height with the left hand raised open as though she had just spun to a stop. The dress is white end to end and nothing else. At the very base of each arm, where the sleeve meets the shoulder, sits a small spherical cuff, a tight round ball of white fabric that pinches in and then billows out into a short puffed sleeve above it, the seam shadow rolling under the sphere like a pearl in a cup; the fabric pulls into fine radial creases at the cuff's equator. Below, her waist is drawn in hard and clean, the white bodice hugging the ribs before the skirt explodes outward: an above-knee skirt starched and gathered into the upper half of a hemisphere, so wide and frothy it holds its dome shape on its own, the hem floating level and unbroken in a perfect arc around her lifted knee with its pleats standing open and the underside faintly shaded. Over that dome, on the left and on the right, hang two semicircular drapes of the same white cloth, each a half-disc falling from the skirt's top edge down to just above the hem, their curved outer edges scalloped loose and swinging a finger's width clear of the skirt beneath, so the two layers of white read as separate planes with a sliver of shadow wedged between them. The backlight rim-lights both drapes along their outer curves and leaves the front of the skirt slightly dimmer, so the whole silhouette glows at its edges and the hemisphere of the skirt is legible as one single volume. Cool, almost monochrome, white on white on white broken only by the warm blush and the thin shadow held under the skirt and inside the cuffs; ethereal, weightless.
Delmonda

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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2#魔法少女小圓#鹿目圓#魔法少女小圓
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