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【公告】關於近期生成速度變慢及運算資源緊張的說明 — 親愛的 PixAI 社群成員： 感謝您一直以來對 PixAI 的喜愛與支持！ 近期 PixAI 的生成速度較平時慢，排隊時間也比平常更長，造成不便，我們深感抱歉。 原因說明 在 Tsubaki.3 上線後，大家的使用熱情帶動 GPU 資源需…

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AI artwork featuring #Fate/EXTRA, #Fate系列, #命運-冠位指定, #瑪修・基利艾拉特 and #岸波白野
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瑪修・基利艾拉特、岸波白野

#Fate/EXTRA#Fate系列#命運-冠位指定#瑪修・基利艾拉特
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FlashDevil

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character: olga_marie_animusphere, kishinami_hakuno_(female), mash_kyrielight 3girls, olga_marie_animusphere, kishinami_hakuno_(female), mash_kyrielight, light baggy clothes, baggy pants, baggy shirt, oversized hoodie, dance studio, dance practice, practicing choreography, dancing, mid-motion, olga marie in the middle, long hair, white hair, braid, very long hair, hair ribbon, hair between eyes, orange eyes, single horn, brown hair, long hair, sidelocks, brown eyes, short hair, hair over one eye, pink hair, purple hair, purple eyes, from side, wide shot, full body, wooden floor, wall mirror, ballet barre, arms up, outstretched arm, head tilt, looking at another, open mouth, light smile, concentrated, motion blur on hair, sunlight through window, dust motes A full-body wide shot from the side, from slightly above the dancers' eye level, the three women strung across the frame in a line with Olga Marie dead centre. The dance studio is a long, airy room: pale sanded wooden floorboards with faint dark seams, the whole right wall a floor-to-ceiling practice mirror, a light wooden ballet barre running along the mirrored wall, and tall windows on the left casting long slanted bars of warm afternoon sunlight across the boards. In the centre, Olga Marie rises out of a ballet-ish reach — a very tall, slim woman with skin like porcelain and a voluminous cascade of white hair braided at the crown and falling in a glossy tail far past her waist; one thin horn juts from the side of her forehead, and a slender ribbon is tied in the braid. She is caught mid-step, weight on her back leg, hips shifted so the baggy pale-cream drawstring pants break into deep folds over her pushing thigh while her other leg floats behind; the cropped off-white hoodie rides up over her hip bone with one arm flung high and the other sweeping across her chest on a diagonal. Her chin is lifted, mouth open in a half-spoken count of the routine, orange eyes fixed on her own reflection so the mirror shows the back of her head and the twin planes of her braid. To her left stands Hakunon: smaller, dark brown hair falling straight to her waist with long sidelocks framing her face, brown eyes narrowed in concentration as she mirrors the same arm line to the opposite side, her wrist bent over the air as though tracing a phrase from her partner. She is dressed in loose slate-blue wide-leg pants with cuffs puddling over bare feet and an oversized pale grey tank that slips off one shoulder; her weight is on her front foot, heel lifted, torso twisted toward Olga Marie. To Olga Marie's right, Mash Kyrielight bends into a lower counter-line, pale pink hair short and swept over one eye, purple eyes cutting sideways to check her timing against Olga's count; her mouth presses into a small determined smile. Her light dusty-rose hoodie is oversized, sleeves pushed up to the elbow and the shoulders slipping, its hem bunching over baggy matching shorts and bare legs in a wide stance, both hands curved at hip height. Fabric of all three baggy outfits pools, wrinkles and swings at the elbows, knees and hems where the bodies move, catching the light in cold blue shadows and warm cream highlights. Sunlight strikes them on the upper left side; long soft shadows smear across the floorboards to the right of each dancer's feet, and between them in the mirror the three backs repeat in a faint reversed image. The window bars of light fall across the boards in clean straight parallelograms, and a few suspended dust motes catch the sun where the three bodies cut through the beam. Palette: warm honey wood, cream and pale blue cloth, white hair, rose and pink, cool mirrored glass — a whole bright room with nothing else admitted. Quiet focus, bright and airy.
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原始提示詞
create an image of Olga Marie Animusphere, Hakunon (female Hakuno Kishinami) and Mash Kyrielight, wearing light baggy clothes, in a dancing studio, practicing a dance choreography. With Olga Marie in the middle.
模式
pro
品質標籤
﹝提示詞﹞
尺寸
1104 x 1824
反向提示詞
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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使用的模型和 LoRA

Tsubaki.3 - AI Model封面圖片

PixAI DiT.3

Tsubaki.3
7.22k

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character: inoue_takina, nishikigi_chisato, copyright: lycoris_recoil 2girls, nishikigi chisato, inoue takina, blonde short hair, red eyes, red hair ribbon, long black hair, purple eyes, ballet, ballet slippers, standing on tiptoe, en pointe, arms up, raised arm, outstretched arm, holding hands, from below, dutch angle, full body, dynamic pose, tutu, white tutu, practice studio, wooden floor, mirror wall, barre, warm afternoon light, looking at each other, parted lips, focus, sweat drop, dutch angle Low camera tilted into a dutch angle, looking up at two girls caught mid-ballet in an empty practice studio. On the left, the short blonde-haired girl with red eyes and a red hair ribbon, her hair pinned back off her face, holds an arabesque: weight in her supporting left leg locked straight and lifted onto the ball of the foot in a white ballet slipper, right leg swept behind her in an extended line, arms open wide with her right arm lifted high and fingers stretched, left hand caught in her partner's grip. On the right, the long black-haired girl with purple eyes, her hair drawn into a low bun with strands escaping, holds a matching pose, her supporting foot planted and turned out, torso spiraling away, free arm curving over her head, her fingers firmly interlaced with the blonde's. Both wear fitted leotards and short tulle tutus that bell outward, sliding on their hips, waist ribbons hanging loose and swinging with momentum; their arms strain toward each other across the narrow gap. Their gazes lock across the space, eyebrows raised in wordless timing. A wide mirror along the back wall doubles them as distorted, dimmer reflections, the barre horizontal across the midground. Light comes from tall windows at frame left, warm and low, laying long stripes of sun across the vast polished wooden floor and catching the pale up-facing surfaces of the tutus; darkness pools in the corners behind the barre, and two soft shadow pairs stretch and blur on the boards. The room is vast and quiet, the emptiness emphasizing the figures' smallness at the center of the empty hall. Effortful and elegant.
なななり
#莉可麗絲#錦木千束#井上瀧奈
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totsushi_77229#0

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