Nov 9, 2026

【公告】關於近期生成速度變慢及運算資源緊張的說明 — 親愛的 PixAI 社群成員：感謝您一直以來對 PixAI 的喜愛與支持！近期 PixAI 的生成速度較平時慢，排隊時間也比平常更長，造成不便，我們深感抱歉。原因說明在 Tsubaki.3 上線後，大家的使用熱情帶動 GPU 資源需…

AI art "コーラ大好きイオリン" featuring #長髮, #遮單眼髮型, #看鏡頭 and #女孩

免費生成

コーラ大好きイオリン

#長髮 #遮單眼髮型 #看鏡頭 #女孩

發布於 Nov 9, 2026

う

うにゅっす

更多精彩作品

character: yamato_iori 1girl, solo, yamato_iori, blue hair, long hair, very long hair, twintails, high ponytail, hair bow, striped bow, hair over one eye, black tank top, close-up portrait, face focus, upper body, from front, looking down at viewer, head tilted down, embarrassed expression, heavy blush, half-closed eyes, teary eyes, glossy eyes, sweat drops on face, wet skin, shiny skin, small open mouth, drooling, oversized cola can, huge soda can, foreshortening, dark red and black cola can, glossy metallic can, black gradient, wet can, water droplets, condensation, can opening at top, pull-tab open, overflowing, foam, white foaming viscous liquid overflowing from can opening, bubbling foam, thick slime dripping down, sticky liquid, foam bubbles, can pressed against cheek, cheek squished, cheek deformation, skin dented by can, cheek pressed flat, dark background, dramatic lighting, detailed face A tight close-up portrait shot from the front and slightly below, the camera pushed in until the frame is filled by her face and upper chest against a near-black void. Her head tips downward so she looks down at the viewer along the lens axis; from this low angle the underside of her chin and jaw are the closest planes, and the top of her head recedes. She is one girl alone: blue hair, very long, gathered into twintails that fall on either side of the frame plus a high ponytail silhouette, a striped hair bow riding at the back of her head, and a long fall of hair swept across one eye so that only one glossy, half-lidded, tear-brimmed eye reads clearly — iris bright, lower lashline beaded and wet, one slow tear track catching the light. Her other eye is a sliver behind the hair, lashes lowered. A heavy flush smears from both cheeks up across the bridge of her nose and to her ears; the skin is wet and shiny, a fine gloss of sweat with individual droplets standing proud on her forehead, temple and jawline, each drop carrying its own tiny specular highlight. Her lips part into a small open O, and a thin clear strand of drool runs from the lower lip down over her chin, glistening, about to break. The foreground, between lens and face, is the oversized cola can, greatly enlarged by foreshortening: its cylindrical top ellipse sits close to the camera and the body recedes toward her cheek, so the can reads enormous and the face behind it reads small. The can is dark red shading into a black gradient down its side, glossy metallic with hard mirror highlights and a wet film of condensation — beads of water clinging all over the surface, one heavy drop sliding and leaving a clean track. Its pull-tab is flipped open at the top. Out of that opening a white, viscous, foaming liquid wells up and over the rim, thick as syrup, bubbling into clustered foam, breaking into a fat rope of slime that hangs and drips down the can's outer wall, glossy and stringy, with loose foam bubbles stuck to the metal. The can is jammed hard into her left cheek: the metal flattens the cheek against it, the skin denting and spreading around the cylinder's pressure line, the cheek pressed flat with the flesh bunched just above and below the contact, the lip pulled slightly sideways by the deformation. Her jaw is displaced by the pressure; the squished cheek is redder than the rest of her face. Her shoulder, in the black tank top, tilts toward the can as she leans into it, the strap pulled tight across a wet collarbone. One hard key light from the upper front-left, cool and bright, rakes across her face and carves a hot rim down the can's left edge and a bright specular streak along the foam, leaving the right side of her face and the background in deep shadow — the background is a dark field with no detail, only the faintest falloff. Palette: the red-black of the can, the white of the foam, the blue of her hair and the flushed pink of her skin against the black tank top and black void, nothing else admitted. Water beads and foam strands are the only reflections of the light source; everything unlit goes to black. Sticky, breathless, uncomfortably close.

コーラ大好きイオリン

留言

使用的模型和 LoRA

相似作品

探索更多

推薦創作者

猜你喜歡