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【公告】關於近期生成速度變慢及運算資源緊張的說明 — 親愛的 PixAI 社群成員: 感謝您一直以來對 PixAI 的喜愛與支持! 近期 PixAI 的生成速度較平時慢,排隊時間也比平常更長,造成不便,我們深感抱歉。 原因說明 在 Tsubaki.3 上線後,大家的使用熱情帶動 GPU 資源需…

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1girl, solo, catgirl, robot girl, cyborg, cat ears, mechanical ears, metallic skin, segmented plating, visible panel seams, thin black lineart, light line weight, clean outlines on every edge, hand-drawn illustration, from below, cowboy shot, standing, weight on one hip, head tilted down toward viewer, looking down at viewer, sideways glance, one eyebrow raised, lopsided smirk, arms crossed, one hand raised, finger gun gesture, pointing at viewer, segmented mechanical tail, cable tail, thigh gap plating, dutch angle, close-up on upper body, workshop background, concrete wall, hanging cables, single overhead lamp, warm key light, cool shadow, muted teal and rust palette, subtle grain The camera sits low and looks up: the cat-eared cyborg fills the frame from mid-thigh to the tips of her ears, her chin tipped down so her eyes meet the lens along the length of her own raised arm. She stands with her weight on her right hip, left leg relaxed, her tail of jointed metal segments curled up behind her shoulder and catching the light in a row of small highlights. Her arms are crossed at the chest, the lower forearm braced under the other, and from that crossed knot her left hand has broken free into a finger gun aimed straight at the viewer, thumb cocked, index finger extended; her right hand grips her own left elbow, fingertips denting the plating. Where skin meets metal, the seams run in thin black lines, and a faint piston shows at the side of her neck; her cat ears are folded metal shells with black-outlined rims, one tipped slightly forward as if listening. A lopsided smirk pulls one corner of her mouth, one brow arched, and her gaze comes down the barrel of her own gesture, fixed on the viewer. Lighting is a single overhead workshop lamp: it strikes the tops of her shoulders, the bridge of her nose and the upper rims of her ears, leaving the undersides of her jaw, her crossed arms and the hollow of her throat in cool shadow that spreads across the concrete wall behind her. The palette is muted teal and rust against grey concrete, with the black lineart the darkest value in the image. Every edge, from the curve of her ear to the cable behind her, is drawn in a fine continuous black line, light at the contours and never thickening into a heavy rim. A single drop of condensation slides down the nearest hanging cable and hangs, trembling, at its lowest point. Effortlessly cool, faintly mischievous.
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ทำให้ออกมาเป็นเหมือนรูปที่คนวาดมากที่สุดมีการตัดเส้นด้วยสีดำไม่มากที่ขอบและเส้นทุกเส้น,มนุษย์แมวที่ดัดแปรงเป็นหุ่นยนต์
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flash
尺寸
992 x 992
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1girl, solo, catgirl, robot girl, cyborg, cat ears, mechanical ears, metallic skin, segmented plating, visible panel seams, thin black lineart, light line weight, clean outlines on every edge, hand-drawn illustration, from below, cowboy shot, standing, weight on one hip, head tilted down toward viewer, looking down at viewer, sideways glance, one eyebrow raised, lopsided smirk, arms crossed, one hand raised, finger gun gesture, pointing at viewer, segmented mechanical tail, cable tail, thigh gap plating, dutch angle, close-up on upper body, workshop background, concrete wall, hanging cables, single overhead lamp, warm key light, cool shadow, muted teal and rust palette, subtle grain The camera sits low and looks up: the cat-eared cyborg fills the frame from mid-thigh to the tips of her ears, her chin tipped down so her eyes meet the lens along the length of her own raised arm. She stands with her weight on her right hip, left leg relaxed, her tail of jointed metal segments curled up behind her shoulder and catching the light in a row of small highlights. Her arms are crossed at the chest, the lower forearm braced under the other, and from that crossed knot her left hand has broken free into a finger gun aimed straight at the viewer, thumb cocked, index finger extended; her right hand grips her own left elbow, fingertips denting the plating. Where skin meets metal, the seams run in thin black lines, and a faint piston shows at the side of her neck; her cat ears are folded metal shells with black-outlined rims, one tipped slightly forward as if listening. A lopsided smirk pulls one corner of her mouth, one brow arched, and her gaze comes down the barrel of her own gesture, fixed on the viewer. Lighting is a single overhead workshop lamp: it strikes the tops of her shoulders, the bridge of her nose and the upper rims of her ears, leaving the undersides of her jaw, her crossed arms and the hollow of her throat in cool shadow that spreads across the concrete wall behind her. The palette is muted teal and rust against grey concrete, with the black lineart the darkest value in the image. Every edge, from the curve of her ear to the cable behind her, is drawn in a fine continuous black line, light at the contours and never thickening into a heavy rim. A single drop of condensation slides down the nearest hanging cable and hangs, trembling, at its lowest point. Effortlessly cool, faintly mischievous.
Deity of golc Channel
AI artwork
do
1girl, solo, catgirl, robot girl, cyborg, cat ears, mechanical ears, metallic skin, segmented plating, visible panel seams, thin black lineart, light line weight, clean outlines on every edge, hand-drawn illustration, from below, cowboy shot, standing, weight on one hip, head tilted down toward viewer, looking down at viewer, sideways glance, one eyebrow raised, lopsided smirk, arms crossed, one hand raised, finger gun gesture, pointing at viewer, segmented mechanical tail, cable tail, thigh gap plating, dutch angle, close-up on upper body, workshop background, concrete wall, hanging cables, single overhead lamp, warm key light, cool shadow, muted teal and rust palette, subtle grain The camera sits low and looks up: the cat-eared cyborg fills the frame from mid-thigh to the tips of her ears, her chin tipped down so her eyes meet the lens along the length of her own raised arm. She stands with her weight on her right hip, left leg relaxed, her tail of jointed metal segments curled up behind her shoulder and catching the light in a row of small highlights. Her arms are crossed at the chest, the lower forearm braced under the other, and from that crossed knot her left hand has broken free into a finger gun aimed straight at the viewer, thumb cocked, index finger extended; her right hand grips her own left elbow, fingertips denting the plating. Where skin meets metal, the seams run in thin black lines, and a faint piston shows at the side of her neck; her cat ears are folded metal shells with black-outlined rims, one tipped slightly forward as if listening. A lopsided smirk pulls one corner of her mouth, one brow arched, and her gaze comes down the barrel of her own gesture, fixed on the viewer. Lighting is a single overhead workshop lamp: it strikes the tops of her shoulders, the bridge of her nose and the upper rims of her ears, leaving the undersides of her jaw, her crossed arms and the hollow of her throat in cool shadow that spreads across the concrete wall behind her. The palette is muted teal and rust against grey concrete, with the black lineart the darkest value in the image. Every edge, from the curve of her ear to the cable behind her, is drawn in a fine continuous black line, light at the contours and never thickening into a heavy rim. A single drop of condensation slides down the nearest hanging cable and hangs, trembling, at its lowest point. Effortlessly cool, faintly mischievous.
Deity of golc Channel

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