顯示參數
- 原始提示詞
- The image shows a girl in a white dress standing in a snow globe, holding a lantern in her hand. The snow globe is filled with a spooky scene of a graveyard, a tree, a pumpkin, and leaves, creating a perfect Halloween illustration. 1girl, solo, looking at viewer, shirt, dress, closed mouth, ribbon, standing, white hair, shoes, hand up, solo focus, grey eyes, hands up, tree, neck ribbon, petals, leaf, red nails, out of frame, halloween, lantern, branch, dark, falling leaves, surreal
- 模式
- pro
- 風格
- 經典動畫
- 尺寸
- 1232 x 1632
- 取樣方式
- Euler
- 反向提示詞
- nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
風格: 經典動畫
提示詞助手
使用的模型和 LoRA
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1girl, solo, solo focus, full body, from below, standing, looking at viewer, closed mouth, white hair, grey eyes, white dress, shirt, neck ribbon, ribbon, shoes, hand up, hands up, arm up, holding lantern, red nails, out of frame, dark background, surreal, halloween, snow globe interior, graveyard, tree, branch, pumpkin, falling leaves, leaf, petals, night, volumetric mist, high contrast
The camera sits low outside the glass and tilts up: the whole snow globe swells across the frame, its curved glass wall bowing the view, and the girl stands inside it on the graveyard ground, rendered tall and near-presence by the upward angle. Her feet, in dark shoes, are planted on the pale snow-dusted stone path with one toe angled out; her weight is on her right hip, torso turned a quarter toward the left while her face comes back round to the viewer — grey eyes open and steady on the lens, mouth closed in a faint, unamused stillness. Her white hair falls straight past her shoulders, strands lifting slightly where the air inside the globe is stirred. She wears a white dress that falls to her knees, a white shirt beneath it with a ribbon tied at the throat, the ends of the neck ribbon hanging against her collarbone. Her right arm is raised, hand up and closed around the ring handle of a small lantern, the lantern hanging at the level of her shoulder; her left arm lifts too, hand up near the glass with fingers loosely spread, red nails catching the lantern light. The graveyard fills the globe behind and around her: cracked headstones tilt at odd angles among low mounds, a bare crooked tree stands at the globe's back with black branches reaching up and out, one branch crossing in front of the glass, a carved pumpkin rests on a headstone to her left with its cut grin facing out. Dry leaves and pale petals hang in the air inside the globe, caught mid-fall, and a scatter of them has already settled on the stones and on the pumpkin's shoulders.
The lantern is the only warm source: its amber light pushes up under her chin and along the underside of her raised forearm, glosses the red nails, and picks the rim of the ribbon at her throat; everything above and behind her falls into blue-black dark, the tree reduced to silhouette. The globe's glass holds a soft specular crescent on its upper left curve and wrinkles the graveyard's far stones through refraction; the world beyond the glass is a flat, featureless dark field, so the globe reads as the whole of the lit world, and a low mist pools at its base where the cold air has settled. Palette: white, grey and wet stone, with amber confined to the lantern's throw and red only in the nail tips. Gentle, glossy, softly cool Halloween quiet.
ニニモモ（ニュモ）
1girl, solo, solo focus, full body, from below, standing, looking at viewer, closed mouth, white hair, grey eyes, white dress, shirt, neck ribbon, ribbon, shoes, hand up, hands up, arm up, holding lantern, red nails, out of frame, dark background, surreal, halloween, snow globe interior, graveyard, tree, branch, pumpkin, falling leaves, leaf, petals, night, volumetric mist, high contrast
The camera sits low outside the glass and tilts up: the whole snow globe swells across the frame, its curved glass wall bowing the view, and the girl stands inside it on the graveyard ground, rendered tall and near-presence by the upward angle. Her feet, in dark shoes, are planted on the pale snow-dusted stone path with one toe angled out; her weight is on her right hip, torso turned a quarter toward the left while her face comes back round to the viewer — grey eyes open and steady on the lens, mouth closed in a faint, unamused stillness. Her white hair falls straight past her shoulders, strands lifting slightly where the air inside the globe is stirred. She wears a white dress that falls to her knees, a white shirt beneath it with a ribbon tied at the throat, the ends of the neck ribbon hanging against her collarbone. Her right arm is raised, hand up and closed around the ring handle of a small lantern, the lantern hanging at the level of her shoulder; her left arm lifts too, hand up near the glass with fingers loosely spread, red nails catching the lantern light. The graveyard fills the globe behind and around her: cracked headstones tilt at odd angles among low mounds, a bare crooked tree stands at the globe's back with black branches reaching up and out, one branch crossing in front of the glass, a carved pumpkin rests on a headstone to her left with its cut grin facing out. Dry leaves and pale petals hang in the air inside the globe, caught mid-fall, and a scatter of them has already settled on the stones and on the pumpkin's shoulders.
The lantern is the only warm source: its amber light pushes up under her chin and along the underside of her raised forearm, glosses the red nails, and picks the rim of the ribbon at her throat; everything above and behind her falls into blue-black dark, the tree reduced to silhouette. The globe's glass holds a soft specular crescent on its upper left curve and wrinkles the graveyard's far stones through refraction; the world beyond the glass is a flat, featureless dark field, so the globe reads as the whole of the lit world, and a low mist pools at its base where the cold air has settled. Palette: white, grey and wet stone, with amber confined to the lantern's throw and red only in the nail tips. Gentle, glossy, softly cool Halloween quiet.
ニニモモ（ニュモ）
1girl, solo, solo focus, full body, from below, standing, looking at viewer, closed mouth, white hair, grey eyes, white dress, shirt, neck ribbon, ribbon, shoes, hand up, hands up, arm up, holding lantern, red nails, out of frame, dark background, surreal, halloween, snow globe interior, graveyard, tree, branch, pumpkin, falling leaves, leaf, petals, night, volumetric mist, high contrast
The camera sits low outside the glass and tilts up: the whole snow globe swells across the frame, its curved glass wall bowing the view, and the girl stands inside it on the graveyard ground, rendered tall and near-presence by the upward angle. Her feet, in dark shoes, are planted on the pale snow-dusted stone path with one toe angled out; her weight is on her right hip, torso turned a quarter toward the left while her face comes back round to the viewer — grey eyes open and steady on the lens, mouth closed in a faint, unamused stillness. Her white hair falls straight past her shoulders, strands lifting slightly where the air inside the globe is stirred. She wears a white dress that falls to her knees, a white shirt beneath it with a ribbon tied at the throat, the ends of the neck ribbon hanging against her collarbone. Her right arm is raised, hand up and closed around the ring handle of a small lantern, the lantern hanging at the level of her shoulder; her left arm lifts too, hand up near the glass with fingers loosely spread, red nails catching the lantern light. The graveyard fills the globe behind and around her: cracked headstones tilt at odd angles among low mounds, a bare crooked tree stands at the globe's back with black branches reaching up and out, one branch crossing in front of the glass, a carved pumpkin rests on a headstone to her left with its cut grin facing out. Dry leaves and pale petals hang in the air inside the globe, caught mid-fall, and a scatter of them has already settled on the stones and on the pumpkin's shoulders.
The lantern is the only warm source: its amber light pushes up under her chin and along the underside of her raised forearm, glosses the red nails, and picks the rim of the ribbon at her throat; everything above and behind her falls into blue-black dark, the tree reduced to silhouette. The globe's glass holds a soft specular crescent on its upper left curve and wrinkles the graveyard's far stones through refraction; the world beyond the glass is a flat, featureless dark field, so the globe reads as the whole of the lit world, and a low mist pools at its base where the cold air has settled. Palette: white, grey and wet stone, with amber confined to the lantern's throw and red only in the nail tips. Gentle, glossy, softly cool Halloween quiet.
ニニモモ（ニュモ）
1girl, solo, solo focus, looking at viewer, standing, closed mouth, white hair, grey eyes, white dress, shirt, ribbon, neck ribbon, shoes, hand up, hands up, holding lantern, red nails, snow globe, graveyard, tree, branch, pumpkin, falling leaves, leaves, petals, dark, halloween, surreal, out of frame, from below, foreshortening, wide shot, dutch angle, head tilt, light smile, half-closed eyes, parted bangs, long hair, floating hair, bare arms, bare legs, mary janes, indoors, curved glass, glass reflection, refraction, cold blue palette, warm orange lantern light, high contrast, crisp cel shading, glossy highlights
Shot from a low, tilted angle looking up through the curve of a giant glass snow globe: at the center of the sphere a lone girl stands on the globe's inner floor, a small pale figure against the enormous sweep of glass. She has long white hair that drifts and floats upward as if stirred by an unfelt current, parted bangs over a calm face with half-closed grey eyes fixed directly on the viewer and a closed, faintly smiling mouth. She wears a white dress with a shirt-like bodice, a ribbon tied at the neck, and a pair of small dark shoes planted together; both hands are raised, one lifted high and curling around the wire handle of a small glowing lantern that hangs beside her face, the other open at shoulder height. Her nails are painted glossy red, catching the lantern's light. Around her, sealed inside the glass, a miniature graveyard scene unfolds: crooked headstones half-buried in snow, a bare black tree with sprawling branches arching over her, a single carved pumpkin grinning on the ground, and a drift of falling leaves and petals suspended mid-air, tumbling and swirling in the globe's still air. The globe's surface curves across the whole frame, bending the scene behind the glass into a distorted, dreamlike sphere, its top and edges cropped out of the frame. Outside the globe the world is dark and empty; inside, the lantern is the warm orange core of light, casting a soft pool on the snow and edge-lighting her hair, while the deeper graveyard falls into cold blue shadow. Snow settles only on the upward faces of the headstones and pumpkin, never beneath them. The palette holds only white, red, orange and deep blue-black. Surreal, eerie-sweet, quietly magical.
ニニモモ（ニュモ）
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