便子の大量のうんちて異様に膨らんだズボンのお尻

西山浩司的 AI 作品「便子の大量のうんちて異様に膨らんだズボンのお尻」，發布於 PixAI。使用模型：Tsubaki.3。

マンション 250cm　マッシュルームヘア茶髪　赤のトレーナー白いガウン　スリム体型　茶色いジーンズを履いた女　大肥　便子18歳身長165cm　ストレートヘア黒髪　明るいオレンジ色のトレーナーに茶色のガウン　紺色ののジーンズを履いた女　成乃　物子18歳便子が大量のうんち漏らしてズボンのお尻が物子の上半身が入るほど膨らんだ状態で帰ってくる

發布於 Nov 12, 2026

西山浩司

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2girls, apartment interior, genkan entryway, from below, wide shot, dutch angle, low angle, standing, looking at another, surprised, wide-eyed, open mouth, mushroom haircut, brown hair, short hair with rounded voluminous crown and tapered underside, tall female, slim body, red trainer sweater, white gown, brown jeans, extremely tall woman, height difference, straight hair, black hair, long hair, bright orange trainer sweater, brown gown, navy blue jeans, shorter female, 165cm, enormous rear bulge, pants bulging hugely, brown jeans stretched taut over gigantic rounded distended seat, strained seams, overflowing load, feces leaking through fabric, dark staining spreading down the back of the jeans, dripping down the legs, soiled, messy, standing in doorway, doorway framing, sliding door open behind her, one hand on the door edge, one hand braced on the wall, weight shifted onto one leg, leaning forward slightly, backpack absent, empty hands, blush, embarrassed expression, sweat, nervous smile, steam, warm interior lighting, ceiling light, polished floor reflections, glossy rendering, soft lighting, warm highlights, subtle gradients, controlled color harmony, smooth brushwork, intimate atmosphere, darkly comedic tension The camera sits low and close to the floor of a compact Japanese apartment genkan, tilted a few degrees off level, looking up: the tall woman dominates the left half of the frame, the shorter woman stands just inside the hallway on the right, turned toward the open door. Both are seen from below, so the entryway ceiling and the top of the doorframe close the upper edge of the shot. The tall woman — a slim, extremely tall figure with a mushroom haircut of brown hair, cropped at the sides and capped by a heavy rounded crown — has just stepped in over the threshold. She wears a red trainer sweater and a white gown over it, and brown jeans. Her weight rests on her right leg, left knee bent, and she leans a little forward and sideways into the room. Her right hand is still flat on the edge of the sliding door, holding it partway open, and her left palm is braced against the wall beside the frame; both arms take a share of her weight. Her gaze slides sideways and down toward the other woman, chin tucked, mouth open in a startled, sheepish shape, one brow lifting. The brown jeans are blown out at the rear into one enormous rounded mass that swells far past the plane of her back and thighs, pouching the denim drum-tight so the seams pull and the back pockets ride up and vanish over the curve. The volume is colossal — wide and deep enough that a person's whole upper body could be folded inside it. The fabric is soaked through in a broad dark patch that creeps down from the bulge and spreads along the back of both legs to the cuffs; the load leaks visibly, running in slow rivulets down the denim and gathering at the hem, and a thin drip hangs and falls to the tile beneath her heel. A single droplet sits intact on the polished floor, and her reflection in that same polished tile shows the bulge from underneath, dark and swollen, dragging her silhouette wide. The shorter woman — 165cm, straight black hair falling flat past her shoulders, in a bright orange trainer sweater and a brown gown over it, navy blue jeans — stands planted a step inside, knees locked, one hand raised halfway to her chest as if she stopped mid-gesture. Her head tilts up toward the tall woman, eyes wide, mouth open, held in a stunned beat; the height gap between them puts her crown barely level with the other woman's shoulder. No one is touching anyone. The apartment behind them is small and warm: a narrow hallway running back past a closed door, a shoe cabinet at the right edge, a coat hanging, and the pale rectangle of the open door letting a cooler light spill across the threshold tiles, where it meets the warm ceiling light from inside. The ceiling lamp above the genkan is the dominant source, throwing soft highlights on the glossy floor, on the taut denim, and along the wet streaks; the doorway light rims the tall woman's shoulder and the front of her gown. Palette is restricted to red, bright orange, white and brown gowns, brown and navy denim, warm wood tones and the dark wet staining — nothing else admitted. Glossy, high-finish rendering with soft lighting, blended skin gradients, controlled warm color harmony and smooth, minimally visible brushwork throughout; intimate, darkly comedic tension.

便子の大量のうんちて異様に膨らんだズボンのお尻

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