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Jacqueline

Jacqueline 的 AI 作品,發布於 PixAI。使用模型:Tsubaki.3。

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1girl, solo, androgynous, short hair, bob cut, rounded bob, wispy bangs, see-through bangs, piecey bangs, layered hair, hair behind ear, pale skin, delicate features, cold eyes, expressionless, white hair, silver hair, icy blue eyes, white theme, silver theme, icy blue theme, oversized clothes, white dress, layered dress, asymmetrical clothes, long sleeves, wide sleeves, flowing sleeves, lace trim, white lace, ribbon, choker, silver choker, belts, multiple belts, harness, straps, buckles, silver buckles, metallic ornaments, silver accessories, dark fantasy, ornate sword, holding sword, sword, silver hilt, full body, standing, from side, looking at object, head tilt, arm support, intricate details, high detail, dutch angle, A full-body three-quarter view from a low camera, angled slightly from her right side, so that she reads tall and narrow against a cold empty void; one knee is bent and her weight rests on her left leg, her right hip pushed out, and she holds the ornate sword low and loosely in her right hand, the point almost grazing the ground behind her heel, the silver hilt turned so the icy blue inlay catches the light along its full length, her fingers closed around the grip with the index finger relaxed along the guard. Her left arm hangs close but not flat, the oversized white sleeve sliding down past her wrist to hang in a long sheet of fabric, its hem fluttering as though the air is moving slowly, and the sleeve's inner edge shows delicate white lace against her pale forearm. The rounded bob is cut short at the jawline, soft layered hair tucked behind both ears so the ears are bare and the face is fully uncovered, the piecey see-through wispy bangs falling across the brow in fine separated strands that break up the pale forehead, a couple of longer silver strands drifting loose at the temple. Her chin is turned slightly downward and away toward the sword's point, eyelids low and level, lips closed and held flat and even, the expression giving nothing away; the coldness sits in the flat stillness of the brow and the unblinking sideward gaze, not in a scowl. The pale complexion is lit cool from the upper left so the skin stays porcelain and the shadows under the jaw and along the throat are a soft grey-blue rather than warm. Her outfit is a layered asymmetrical construction in white: a high-collared underlayer with a narrow opening at the throat, and over it a long loose overgarment cut far longer on the left than the right so the diagonal hem slashes across the silhouette, its edges trimmed in delicate white lace and its icy blue lining just visible where the fabric turns back at the cuff and the lapel. Elegant ribbons trail from the shoulder seam and the back of the waist, pale white bands with faint icy blue edging, one of them caught and lifted by the air behind her elbow. A silver choker sits snug around the throat, a clean plain band with an intricate clasp at the front, and the harness system crosses under it: narrow white leather straps running over the shoulders and down the chest, cinched by several belts at the waist at slightly different angles, each fastened with an intricate silver buckle whose polished faces glint individually; small decorative metallic ornaments and silver chains hang in short arcs from the belt line, and fine silver accessories cluster at the collar and cuffs rather than at the ears, which stay bare. The lace and the weave of the white fabric are rendered as separate textures, the lace a mesh of thread and the cloth a heavy matte canvas; the silver is hard and specular and picks up the same cool key as the skin. The light comes from the upper left as a single cold source, throwing a long soft shadow of her and the sword across the seamless pale floor to the lower right; where the sword's blade angles against the light, a thin icy blue edge gleams along its spine while the flat of the blade stays dark, and the shadow of the blade falls narrow and slightly bluish on the ground. The background is an empty cold field of off-white and pale grey that darkens to a faint blue at the top corners, no architecture, no props, nothing else in the frame; the palette holds strictly to white, silver and icy blue, with the darkest value confined to the blade, the buckles' shadow sides and the soft hollows of her sleeves. Ethereal and quietly dangerous.
顯示參數
原始提示詞
1 young woman, solo, androgynous beauty, short bob, rounded bob haircut, wispy bangs, see-through bangs, piecey bangs, soft layered hair, hair tucked behind ears, pale complexion, delicate facial features, cold and unreadable eyes, emotionless expression, mysterious and unfathomable aura, ethereal yet intimidating beauty, white, silver, and icy blue color palette, oversized loose-fitting white clothing, elegant layered outfit, asymmetrical design, long flowing sleeves, refined silhouette, delicate white lace details, elegant ribbons, silver choker, multiple belts and harness straps, intricate silver buckles, decorative metallic ornaments, subtle icy blue accents, intricate silver accessories, sophisticated dark fantasy fashion, ornate sword with an elaborate silver hilt and icy blue details, elegant yet dangerous appearance, exquisite costume design, highly detailed clothing textures, intricate ornamental details,
模式
pro
品質標籤
﹝提示詞﹞
尺寸
720 x 1280
取樣方式
Euler
反向提示詞
lowres, worst quality, low quality, bad anatomy
提示詞助手

使用的模型和 LoRA

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AI artwork
Avatar image of Jacqueline
1girl, solo, short hair, silver hair, sky blue hair, pearlescent hair, silver streaks, streaked hair, silver eyes, thin frame, elegant, white dress pants, pearlescent dress shirt, long sleeves, puffy sleeves, pinafore ruffles, shoulder ruffles, white ruffles, no buttons, wide neckline, open collar, silver belt, silver body harness, X-pattern harness, O-rings, silver choker, holding sword, thin sword, pearlescent sword, spiral handle, long handle, other hand at side, standing, looking down, looking at viewer, from below, cowboy shot, determined, closed mouth, vertical gradient background, black to white gradient, simple background, dutch angle, full body, The camera looks up at her from just below chest height on a slight dutch tilt, so the long line of her thin frame tilts across the frame and she casts her gaze down the lens of the camera with a plain, level, subtly determined face — brows flat and even, lips closed in a straight line, no smile, chin dipped a few degrees. She stands with her weight sunk into her right hip, left leg relaxed and slightly forward, torso leaning a fraction back from the vertical so the buttonless front of the pearlescent dress shirt pulls smooth and taut across her chest; the wide neck opening sits open on her collarbones with nothing at the throat but the thin silver choker lying flat against the skin. The long puffy sleeves balloon at the upper arm and gather into cuffs at the wrist, and the white pinafore ruffles ride over the outside of both shoulders and the tops of the sleeves, their pleats springing up off the fabric. The shirt is tucked clean into the waistband of the crisp white dress pants, whose creases run sharp down each thigh; the silver belt bites the waist and the thin silver harness crosses over the shirt in a true X, one strap from each shoulder down to the opposite hip, the metal O-rings at the crossing point on her sternum and at each shoulder catching the light as small hard circles. Her right hand grips the sword low and easy, fingers wrapped around the long spiral handle so that the regular winding turns of the grip visibly travel under her knuckles and up toward the plain guard; the thin pearlescent blade angles down and out to the right, its length running off the bottom corner of the frame. Her left arm hangs loose at her side, hand open and relaxed beside her outer thigh, fingertips just brushing the seam of the pants. Strands of the short silver hair, tinted sky blue where the light grazes it and threaded with brighter silver streaks, fall forward over one temple and lift slightly as if a small air current crossed the set. The background is a single seamless vertical gradient running from deep black at the top of the frame to white at the bottom, with no horizon, no props and no second figure; the white floor zone swallows the tips of her shoes and the end of the blade, so the lowest part of her silhouette dissolves into the light while the top of her hair and shoulders sit almost black against the dark upper field. One soft key light comes from the upper left in front of her, laying a cool sheen along the left side of her face, the pearl surface of the shirt and the flat of the blade, and dropping the right side of her jaw and the underside of the puffy sleeve into soft grey; pearlescent highlights shift from blue to silver along the swell of each sleeve as the surface turns away from the light. Palette is strictly silver, white, sky blue and black, nothing else admitted. Quiet, composed, faintly severe.
Jacqueline

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