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AI art "something urgent 12" featuring #槍, #腹肌, #死神, #大鐮刀, #槍套, #女孩, #建築物 and #自由創作
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something urgent 12

55prov 的 AI 作品「something urgent 12」，發布於 PixAI。標籤：槍套、建築物。使用模型：Tsubaki.3。

參賽作品
沒有靈感，隨興創作
#槍#腹肌#死神#大鐮刀#槍套#女孩#建築物
5p
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55prov

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在 PixAI 上，提示詞預設為公開，但創作者可以在自己發布的任何作品中隱藏提示詞。這件作品的創作者選擇了隱藏，因此用來生成圖片的文字不會公開，只有創作者本人看得到。隱藏提示詞不會影響其他功能：作品仍然是公開的，你一樣可以按讚、留言和分享。
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使用的模型和 LoRA

Tsubaki.3 - AI Model封面圖片

PixAI DiT.3

Tsubaki.3
7.54k
手hand knuckles - AI Model封面圖片

使用者LoRA

手hand knuckles
223

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ぱ
copyright: kara_no_kyoukai 1girl, solo, blue eyes, mystic eyes, glowing blue irises, black hair, semi-short hair, bob cut, leather jacket, open jacket, white turtleneck, short shorts, belt, black tights, boots, expressionless, blank stare, large breasts, slim waist, katana, holding katana, night, city street, simple background, building silhouette, focus on character, cowboy shot, from below, dutch angle, looking at viewer, arms at sides, katana in right hand, sheath in left hand, wind, rim light, cool palette, dark blue and black, cel shading, sharp highlights, high contrast, crisp lineart From a low, slightly tilted angle, a single young woman stands alone on a narrow city street at night, the camera looking up at her so the dark building silhouettes fall away behind her shoulders into a vault of near-black sky. Her black hair is cut in a rough semi-short bob, strands lifting and crossing her cheek in the wind; her blue eyes hold a mystic glow, irises lit from within with a pale cold light even though no lamp is aimed at her face. Her expression is perfectly expressionless, lips a flat line, brows level, gaze fixed straight out at the viewer with an unreadable stillness. She wears an open black leather jacket whose collar stands up against her neck, its sleeves pushed to the wrists, the leather catching hard specular highlights along the shoulder seams; beneath it a white turtleneck fits close to her throat and chest, stretching over her large breasts before cinching tight at a narrow, sharply defined waist. A wide belt with a plain buckle sits low at her hips over short shorts, and black tights run unbroken down her legs into scuffed leather boots planted apart on the wet asphalt. In her right hand, held down and slightly out from her thigh, she grips a Japanese katana, the blade still sheathed, the dark lacquered scabbard angled back; her left hand rests loosely at her side, fingers half-curled. Her weight is on her back foot, hips canted, one shoulder dropped lower than the other. The only light is a cold street lamp behind and to her left, rimming the edge of her hair and jacket in a thin blue-white line while her face and the front of the white turtleneck fall into soft shadow, and a faint reflection of that light pools in the damp street at her boots. The palette is restricted to black, white, and cold blue. Behind her, a simple row of unlit buildings recedes in flat blocks of dark grey-blue, windows dark, signage illegible, kept deliberately plain so nothing competes with her. Cold, quiet, and still.
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