窓辺に佇む白いドレスの少女

みかんsan 的 AI 作品「窓辺に佇む白いドレスの少女」，發布於 PixAI。標籤：眼罩、長袖、白色連身裙、閉著嘴。使用模型：Tsubaki.3。

窓から差し込む柔らかな光の中、白いドレスを纏い静かに佇む姿に心を奪われました。目隠しの奥に秘められた彼女の想いを想像すると、切なくも美しい気持ちでいっぱいになります。気に入っていただけたら、いいねとフォローをお願いします。コメントで感想も聞かせてくださいね。

#窗戶 #洋裝 #黑髮 #眼罩 #長袖 #白色連身裙 #女孩 #閉著嘴

發布於 Nov 14, 2026

み

みかんsan

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1girl, solo, blind, black bandage over eyes, blindfold, holding white cane, cane in both hands, quiet, gentle, docile, calm expression, closed mouth, light smile, head tilt, looking up, from below, cowboy shot, three-quarter view, standing, hands clasped around cane grip, white cane diagonal across body, cane tip on floor, indoors, empty corridor, tall narrow window, sunlight shaft, dust motes, muted palette, soft grey and cream, warm skin tone, anime coloring Camera sits low, looking up at her from about knee height in a three-quarter view from her right, so the corridor's tall narrow window rises behind her left shoulder and she fills the right two-thirds of the frame in a cowboy shot cropped just below the hips. She stands with her weight settled on her left leg, right knee slightly bent and right hip dropped, her torso turned a few degrees off the lens, shoulders relaxed and drawn slightly inward in a quiet, self-contained posture. Her chin is tipped down a little and turned toward the warmth of the window, head tilted softly to one side; her mouth is closed in a faint, calm smile, the corners barely lifted, her brow smooth and untroubled. A black bandage wraps her eyes and the upper bridge of her nose, its matte cloth crossing her face in overlapping diagonal turns that flatten slightly where it presses the cheekbones, a narrow knot at her right temple with two short tails hanging down past her ear; her hair falls around it in a soft, unstyled curtain, a few strands caught against the bandage's edge. Both hands close around the grip of a white cane held up across her body at a shallow diagonal, her right hand above her left stacked on the handle, fingers wrapped and thumb resting along the shaft; the cane runs down and away to plant its tip on the floorboards near her left foot, and her knuckles show pale where she holds it. She faces the corridor but her attention is in the sound and warmth of the light: her head angles toward the window rather than the lens, one ear turned to it. The corridor is empty and quiet: a bare wooden floor with visible board seams running toward the far end, a plain plaster wall on the right, and on the left the tall narrow window set deep in the wall with a worn sill. Daylight comes through that window only, a single cool-warm shaft that strikes the left side of her face, the edge of the bandage, her left shoulder, the cane's upper shaft and a long wedge of floor, while the right side of her face and the corridor behind her fall into soft grey shadow; her cast shadow stretches to the right across the boards and is broken where the cane crosses it, and the dust in the beam is visible only inside the lit shaft, thinning to nothing in the shade. The palette stays restrained -- black bandage and dark hair, white cane and pale cloth, warm skin, cream plaster, grey-brown floor -- with no strong colour anywhere. Texture is clean cel shading with soft gradient shadow, thin dark linework, and the smallest highlight along the cane's shaft where the light catches it. Quiet, gentle.

窓辺に佇む白いドレスの少女

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