ぱいっお Version.4

うざぴょい的 AI 作品「ぱいっお Version.4」，發布於 PixAI。標籤：長裙、捲髮、貧乳、燈。使用模型：Tsubaki.3。

結局のところ、元の画からは大幅に印象が変わるものに…w πのサイズと露出度を活かそうとすると、結局いつまで経っても公開できるレベルにならない！コレ教訓！w

#紅瞳 #小斗篷 #黑髮 #椅子 #長裙 #捲髮 #貧乳 #燈

發布於 Nov 14, 2026

うざぴょい

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1girl, solo, black hair, long hair, curled ends, red eyes, half-closed eyes, listless, jitome, expressionless, closed mouth, pale skin, cream-colored gown, shawl over shoulders, sweater, chest slit, visible upper chest, long sleeves, sitting, large chair, four square legs, hands down, hands resting on chair, leaning back, from below, full body, dim lighting, indoor, indirect lighting, lamplight, warm light, chiaroscuro, dark background, muted palette, smooth shading, glossy finish The view is a low three-quarter angle from below and slightly to her right, the camera near knee height so the tall back of the chair looms above her and the ceiling of the room sinks into shadow. One girl sits deep in a large upholstered chair whose four square wooden legs plant wide apart on a dark parquet floor, each leg casting its own soft-edged shadow that converges away from the single warm lamp behind and to her left; a low glass-shaded floor lamp is the only light source, and beyond its pool the corners of the room fall into absolute, even darkness. Her back rests against the cushion, hips slid forward, knees loosely apart with both feet flat on the boards, the stockinged or bare toes of one foot turned slightly inward. Her long black hair pours down over the chair back and one shoulder, the ends curling faintly where they rest against the cream fabric. Both arms hang straight down, stretched out of the long sleeves, and both hands open loosely at the wrists to lie palm-down on the seat cushion on either side of her hips, fingers slack, the knuckles losing their shape in the low light; the sleeve hems bunch at her wrists and the cream gown, thin as gauze, is drawn up over both shoulders so that no skin of shoulder or arm shows between the gown's collar and the sweater's long sleeves. The sweater's high neck is cut by a single short vertical slit at the centre of the chest, the fabric parting just enough to show the flat top of her breastbone and the upper edge of her chest, no more; the wool is thick and matte against the gown's translucency where the lamp grazes it. Her face is turned a little toward the lamp, chin dropped, eyelids lowered to a heavy half-cover over the red irises, which look off to the side at nothing in the room rather than at the viewer; her cheeks are pale and entirely unflushed, her mouth closed and calm with no parted lips and no visible breath, the whole face carrying a slovenly, listless indifference. The lamp's warm pool climbs her right cheek, the rim of the gown and the near chair leg, and leaves the far side of her throat, the far hand and the back of the chair in a dense brown half-dark; a faint sheen sits on the wool of the sweater and on the polished wood of the near leg. The palette stays in cream, charcoal black, muted red and the lamp's amber, with the floorboards a deep warm brown, nothing else admitted. The rendering is a mature anime finish, glossy and high-end, skin blended in subtle warm gradients, smooth and almost airbrushed, brushwork barely visible and the colour harmony held quiet and close. Intimate, quietly languid.

ぱいっお Version.4

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