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AI art "屋上で考え事のOLさん" featuring #襪子, #及膝襪, #黑髮, #制服, #單腳站立, #黑色過膝襪, #飛機雲, #女孩, #拿著, #OL, #易開罐, #鉛筆裙, #屋頂 and #藍天
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屋上で考え事のOLさん

じん汁 的 AI 作品「屋上で考え事のOLさん」,發布於 PixAI。標籤:制服、單腳站立、黑色過膝襪、飛機雲、拿著、OL、易開罐。使用模型:Tsubaki.2。

#襪子#及膝襪#黑髮#制服#單腳站立#黑色過膝襪#飛機雲#女孩#拿著#OL#易開罐#鉛筆裙#屋頂#藍天
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在 PixAI 上,提示詞預設為公開,但創作者可以在自己發布的任何作品中隱藏提示詞。這件作品的創作者選擇了隱藏,因此用來生成圖片的文字不會公開,只有創作者本人看得到。隱藏提示詞不會影響其他功能:作品仍然是公開的,你一樣可以按讚、留言和分享。
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1girl, solo, full body shot, from below, dutch angle, low angle, dynamic pose, mid-air, jumping, parkour, vaulting over railing, one hand on railing, legs tucked, long black hair, hair flying, black eyes, tall stature, long legs, slender legs, very thin legs, gyaru, onee, kogal, navy jacket, school emblem on left chest, jacket fully buttoned, white blouse, long sleeves, blouse fully buttoned, blouse tucked into skirt, striped necktie, blue necktie, necktie tightened to collar, grey plaid skirt, blue check pattern, miniskirt, skirt 15cm above knee, black tights, 80 denier, black penny loafers, open mouth, grin, looking at viewer, sunrise, school commute, urban street, morning light, Seen from below and tilted a few degrees off level, the whole figure airborne in one clean vault: a tall young woman with long black hair streaming back off her shoulders, her right hand planted flat on the top edge of a low steel pedestrian railing, her weight rolling over that palm, hips lifted, both knees tucked up and swung to the left so her loafers clear the rail by a hand's width. Her left arm is flung out behind for balance, fingers spread. Her chin is up, eyes wide and bright with a crooked open-mouthed grin aimed past the lens, cheeks faintly flushed from the effort. The navy jacket is buttoned to the throat and pulls taut across her shoulders; the white blouse is buttoned all the way and its hem stays tucked inside the waistband of the grey-and-blue check skirt, the pleats snapping up around her thighs, the hem riding a clean fifteen centimetres above her knees. The ultramarine striped tie is knotted snug to the collar and swings out sideways from her chest with the jump. Black 80-denier tights run unbroken to her ankles, matte and sheer-tight over legs that stay straight and model-thin, ending in polished black penny loafers whose leather catches a hard glint. Behind her the street recedes: wet asphalt still dark from night dew, a low yellow-lit convenience-store sign, a bicycle rack, tiled shopfronts in soft grey and cream, all simplified into two depth layers and held out of focus. The low sun sits behind and to the right of her, so the light rims her hair and the outer edge of her right arm in warm gold, throws the front of her jacket into cool shade, and casts her own blurred shadow across the pavement below and ahead of the railing, shortened and pulled out of true by the height of the light. A single detail worth trusting: the hem of her skirt lifts and hangs while the tights on her tucked legs stay creased only where the knees bend. The palette stays tight -- navy, white, ultramarine, grey-blue, black -- with warm sunrise gold admitted only as rim light and only in the sky. Early-morning energy, effortlessly stylish.
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