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水槽 畫廊

探索當前爆紅的 2,088 件 水槽 作品

流理台與洗手槽（流し）是居家與商業室內空間中常見的盆狀水管設備。常見的變化款式包括廚房水槽、浴室洗臉盆、工作托盆與裝飾底座，通常配有水龍頭、排水孔以及反光的金屬或陶瓷表面。這些設施在建築渲染圖、現代公寓室內設計與日常的生活插畫中，經常作為提升寫實感的場景元素。

AI artwork
Avatar image of Mizuki
character: tsumiki_mikan, copyright: danganronpa_2:_goodbye_despair, danganronpa_(series) , , character: tsumiki_mikan, copyright: danganronpa_2:_goodbye_despair, 1girl, solo, upper body, from above, dutch angle, (selfie:1.2), reaching towards viewer, outstretched arm, arm toward camera, hand behind head, hand in own hair, looking at viewer, smile, crooked smile, parted lips, teeth, yandere, blush, heavy blush, worried eyebrows, raised eyebrows, gray eyes, dark eyes, empty eyes, eye bags, dark purple hair, black hair, very long hair, messy hair, wavy hair, blunt bangs, ahoge, pink shirt, short sleeves, white apron, nurse, (blood on face:1.1), blood on cheek, blood on arm, blood smear, (mirror:1.2), reflection, reflection in mirror, blood on mirror, blood splatter on glass, bathroom, restroom, dim room, tiled wall, window light, light rays, cold blue light, dark interior, cool blue palette, pink accent, red accent, painterly, rough brushstrokes, visible brushwork, grain, ominous, unsettling, A single girl taking a selfie in a dim bathroom, seen from slightly above in an upper-body shot rolled into a dutch tilt, her right arm stretched straight out toward the lens so the forearm runs off the bottom-left corner of the frame, holding the unseen camera. Her left hand is raised behind her head, fingers sunk into her hair. Her very long, messy dark purple-black hair falls in wavy strands around her shoulders and trails across the frame, blunt bangs cut straight across her forehead with a small ahoge at the crown. She leans her face toward the camera with a crooked, parted-lip smile showing her teeth, brows raised and pinched upward in a worried-happy shape, gray eyes with heavy dark lower lids staring into the lens, a strong blush across her cheeks — an unsettling, adoring expression. A smear of red blood marks her left cheek and faint streaks stain her raised forearm, the blood drawn only as smudges and specks with no wound shown. She wears a pink short-sleeved top under a white apron with a wide collar. Behind her, a mirror fills the upper right of the frame, its metal frame edges cutting diagonally across the image: in it her own reflection shows from behind, the long dark hair and the raised arm echoing her pose, darker, softer and cooler than she is, and a spatter of red blood dripping down the surface of the glass itself. Cold blue light slants in from the upper right in diagonal rays, catching the mirror frame, her hair highlights and the top of her face, while the tiled walls on the left sink into dark blue shadow. The palette is cool blue and gray, pink in her top and blush, red appearing only as the blood on her cheek, her arm and the mirror glass. Painterly rendering with rough, visible brushstrokes and a light grain. Ominous, unsettling,
Mizuki
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