cute
Nov 2, 2026 5:34 AM
Server Maintenance Notice — We are currently performing partial maintenance on our server facility. During this time, SDXL and Tsubaki.1 generation…
View detailsAB Afi
🎨 Anime & Manga Creator | AI Artist Bringing imagination to life through anime, manga, character design, and cinematic storytelling. ✨ Anime Art • Manga Creation • AI Creativity • Visual Storytelling 🚀 Dream Big. Create More. Inspire Others. **AB AFI | Creative Mind, Limitless Imagination.**
Latest
reality is not heaven
Nov 2, 2026 4:40 AM
alone ness
Nov 2, 2026 4:36 AM
TITLE: THE FLOWER AND THE BOTTLE
CHARACTER DESIGN
A mysterious 24-year-old adult male anime character.
Beautiful, sharp facial features.
Messy, medium-length black hair.
Deep dark eyes with a tired, emotionless expression.
Wearing a slightly oversized black shirt and dark trousers.
A mysterious, lonely personality.
Premium Japanese anime character design.
MAIN SCENE — THE MIDNIGHT GARDEN
A beautiful but abandoned garden at midnight.
The young man is lying on his back on the soft grass, staring silently at the night sky.
In his right hand, he holds a partially filled glass alcohol bottle.
In his left hand, he gently holds a single beautiful red rose.
He slowly raises both hands, looking alternately at the bottle and the flower.
His face shows deep sadness, confusion, and philosophical curiosity.
Around him are scattered rose petals, beautiful flowers, dark green trees, and a few glowing fireflies.
The moonlight falls gently across his face. A cold breeze moves his black hair and the surrounding grass.
The atmosphere feels lonely, mysterious, and emotionally powerful.
DIALOGUE (English)
Boy (quietly, with a faint bitter smile):
"Tell me... which one is the greater sin?"
"Drinking away my life with this bottle..."
"Or holding a beautiful flower, knowing that even it will eventually die?"
He pauses and looks at the rose.
"Perhaps neither is a sin..."
"Perhaps the real tragedy is knowing that everything fades away... and still wishing it would stay forever."
ARTWORK QUALITY
Ultra-premium Japanese 2D anime illustration.
4K+ ultra-detailed artwork.
Professional anime movie aesthetics.
Cinematic moonlight and atmospheric lighting.
Extremely detailed male character anatomy and facial expressions.
Realistic fabric and hair details.
Beautiful botanical environment.
Deep shadows and sophisticated color grading.
Dark fantasy and melancholic atmosphere.
Masterpiece-level composition.
Vertical 9:16 TikTok format.
NEGATIVE PROMPT
Female characters, girls, extra people, distorted hands, extra fingers, bad anatomy, blurry image, low resolution, 3D rendering, childish cartoon style, watermark, unwanted text.
Nov 1, 2026 3:37 PM
harukav2 style,
MAKE A CUTE CARACTER
Nov 1, 2026 5:49 AM
harukav2 style,
MAKE A CUTE CARACTER
Nov 1, 2026 5:16 AM
A detailed digital anime illustration of the character from image1 in a bittersweet, heartwarming but sad moment. She has long dark hair and wears the same oversized white sweater and dark skirt. She is crying with thick tears rolling down her cheeks, yet she wears a gentle, tender smile. Bright red blood is smeared across her face and heavily stains her white sweater. She sits huddled beside a rain-streaked window, illuminated by a moody mix of cool blue rain light and warm yellow ambient glows. The art style stays the same as the input image1.
Nov 1, 2026 5:15 AM
SCHOOL LAST DAY
Chapter 1: A Night Before Everything Changes
Scene 01 — Dinner at 9:30 PM
SCENE PURPOSE
Introduce Souto, a hardworking teenage boy living in a financially struggling family. Establish his exhaustion after work, his relationship with his mother, and the quiet anticipation of his first day of high school tomorrow.
ART STYLE
Professional Japanese manga illustration with cinematic panel composition, master-level ink linework, detailed facial expressions, realistic anatomy, rich black-and-white contrast, subtle screentones, detailed environmental backgrounds, natural body language, and emotional storytelling.
CHARACTER DESIGN — SOUTO
Age: 15 years old.
Appearance: A slim Japanese teenage boy with slightly messy black hair, expressive dark eyes, and a youthful face.
Clothing: Simple, slightly worn casual shirt and dark trousers. No school uniform yet.
Expression: Physically tired after a long shift, with faint under-eye shadows, but gentle and composed around his mother.
Body language: Sitting at the dining table with slightly slumped shoulders, one hand holding chopsticks and the other resting naturally beside his bowl.
Personality conveyed visually: Responsible, hardworking, caring, quietly determined.
CHARACTER DESIGN — MOTHER
Appearance: A Japanese woman in her early-to-mid 40s, with tied-back dark hair, gentle eyes, and a slightly tired face.
Clothing: Simple home clothes and a plain apron.
Expression: Warm, caring, and subtly worried about her son's exhaustion.
Body language: Sitting opposite Souto, watching him eat with a small, affectionate smile. One hand rests near her bowl while the other gently holds her chopsticks.
ENVIRONMENT AND BACKGROUND
A modest Japanese family home at 9:30 PM. The dining area is small and connected to a compact kitchen. The wooden dining table has minor scratches. Two simple bowls of rice, a modest homemade side dish, miso soup, and ordinary chopsticks sit on the table.
Behind the mother, show a small kitchen counter, a few neatly arranged utensils, and an old refrigerator. A wall clock clearly indicates 9:30 PM. Through a nearby window, the night sky is dark, with faint city lights and a quiet residential street.
The room is clean but modest. Avoid excessive dirt or exaggerated poverty. The family's financial difficulties should be communicated through ordinary, inexpensive furniture and the simplicity of the meal.
LIGHTING AND ATMOSPHERE
Use a single warm ceiling light above the dining table, creating soft shadows beneath their faces and hands. The corners of the room fall into deeper shadow. The window carries cool nighttime tones, contrasting with the warmth of the dining area.
In black-and-white manga rendering, translate this contrast into fine screentones, deep blacks, soft gray gradients, and controlled white highlights.
CAMERA AND COMPOSITION
Create one polished, cinematic manga panel in a landscape composition.
Use a medium-wide, slightly low three-quarter camera angle. Souto sits in the foreground on the left side of the table, while his mother sits opposite him on the right. Both characters' faces must be clearly visible, with natural eye direction and believable anatomy.
Keep the wall clock visible in the upper background, showing 9:30 PM. The dinner dishes should be visible in the lower foreground. Use background perspective lines to guide the reader's eye from the clock toward Souto and then toward his mother.
Souto's shoulders should look slightly heavy from exhaustion. His mother leans forward just a little, showing quiet concern. Their expressions should feel subtle and human rather than exaggerated.
EMOTIONAL DIRECTION
The scene should feel quiet, intimate, and bittersweet. Souto is tired from working to help support his family, but tomorrow is an important day: his first day of high school.
His mother is happy to share dinner with him, yet her eyes reveal that she worries about how much responsibility he carries at such a young age.
The reader should sense that this ordinary night matters, even though neither character knows what tomorrow will bring.
DIALOGUE — OPTIONAL
Mother: “You must be exhausted. Eat while the food is still warm.”
Souto: “I'm fine, Mom. Tomorrow is my first day of high school, after all.”
Mother: “Then you should get some proper rest tonight.”
Souto: “Yeah. I will.”
Keep dialogue minimal, natural, and emotionally restrained. Use clean manga speech bubbles with ample space around the characters' faces.
FINAL VISUAL GOAL
A high-quality Japanese manga panel that introduces Souto's ordinary life before the main story begins. The art should feel cinematic, emotionally grounded, professionally inked, and suitable for the opening page of a serious coming-of-age manga titled DICECOOL LAST DAY.
No exaggerated facial expressions, no chibi proportions, no glossy 3D rendering, no random background characters, no inconsistent character designs, and no unnecessary decorative effects.
Oct 31, 2026 1:52 PM
A full-color vertical webtoon page featuring three panels that continue the story, showing the mother from image1. Throughout all panels, the mother retains her appearance from image1: long, slightly unkempt black hair, sad brown eyes, and a worn, simple beige tunic.
Panel 1 displays a wide shot of a bustling daytime market. The mother stands timidly in the center, looking impoverished. She is surrounded by wealthy, ornately dressed townspeople, including a haughty woman who stares downward at her with profound disgust and smugness, visibly insulting and humiliating her.
Panel 2 is a close-up of the mother clutching a few coins. Her head is bowed and she bites her lower lip to hold back tears as she receives a small, meager wrapped bundle of food from a dismissive merchant's hand.
Panel 3 shows the mother walking alone down a quiet dirt path away from the market. She clutches the small bundle of food tightly to her chest. Tears stream quietly down her cheeks, her expression filled with deep sorrow as she walks home.
The style of the image remains faithful to image1.
overlay text: The words 'he next day, AB’s mother goes to the local market to buy some food.' are written in a black narration box at the top of Panel 1. The words 'In this world, everyone is judged by their power level and ranked accordingly. However, her power level is extremely low—only X-Rank, the lowest rank in the country.' are written in a black narration box spanning the gutter between Panel 1 and Panel 2. The words 'Holding back her tears, AB’s mother finally buys a small amount of food and slowly walks home, crying quietly' are written in a black narration box at the bottom of Panel 3.
Oct 31, 2026 1:45 PM
3 people, one man standing, one man lying on floor, one fleeing figure, wide cinematic shot, slightly low camera angle, dutch angle subtle, long black coat, black calf-length wool overcoat, cold expressionless face, jitome, empty stare, looking down, motionless body on floor, terrified woman running, grey cotton t-shirt, dark trousers, bare feet, reaching hand, open mouth, screaming, looking back over shoulder, damaged house interior, collapsed ceiling beam, broken furniture, splintered chair legs, shattered glass, glass shards on floorboards, flickering ceiling light, heavy rain outside, rain streaking window, wind-blown curtain, dramatic shadows, hard rim light, photorealistic, live-action cinematic photography, 35mm anamorphic, shallow depth of field, grain, deep shadows, desaturated palette, cold blue-grey, sickly amber lamp, no text, watermark-free, no glowing effects,
A wide cinematic shot from a slightly low angle, tilted a few degrees off level, inside the wrecked living room of an abandoned house at midnight. In the right third of the frame the standing man dominates the foreground, close enough that the camera sees him from mid-thigh up: he wears a heavy black wool overcoat reaching his calves, its collar turned up, shoulders squared and still, hands slack at his sides, weight settled evenly on both feet because he is not moving at all. His head is tilted down and slightly toward the left of frame, eyes half-lidded in a flat, unblinking stare aimed at the floor beside the fallen man rather than at the camera, mouth a straight closed line, jaw loose, no tension in the brow — a face emptied of anything readable. Cold blue-white light from the rain-soaked window behind him rims the coat's left shoulder and the edge of his cheek; the front of him falls into near-blackness, the coat swallowing the shadows around it.
Behind him and to the left, in the midground, a man in a dark shirt lies face-down and motionless across the buckled floorboards, one arm thrown out past his head, legs twisted, his body angled diagonally away from the camera and half cut by the shadow of an overturned sofa. The standing man's shadow falls across the fallen man's back, so that the body is not only in darkness but inside the villain's silhouette.
To the far left, at the edge of the frame, a woman in a grey cotton t-shirt and dark trousers is caught mid-stride fleeing toward a doorway whose frame is split and hanging, her bare feet pushing off through scattered glass, torso twisted, one arm flung forward and one reaching back, head cranked around over her shoulder with her mouth open in a scream and her eyes fixed past the camera on the standing man — she is looking at him, and he is not looking at her. Her hair whips across her cheek from her own motion. She is small in the frame, half-lit, already passing out of the light.
The room itself is a ruin: a ceiling beam has come down at an angle across the upper left, plaster dust hangs in the air as a faint grey haze, chairs lie with their legs splintered, a table is on its side, and the tall window behind the standing man is blown half out — rain drives through the empty panes in visible diagonal streaks, soaking the curtain so it bellies inward and snaps. The ceiling fixture above the fallen man flickers, its amber filament stuttering so that the light pulses unevenly across the room and the shadows shift a degree with every pulse; beyond the reach of that lamp and the window's cold spill, the corners of the house are absolute black.
Two lights, and only two, both with a source: the dying amber bulb overhead, warm and weak, striking the fallen man's shoulder and the floorboards around him; and the cold blue night and rain through the broken window, raking the standing man's back and the fleeing woman's outstretched arm from behind. Everything between them is shadow. The palette is held to cold blue-grey, dead plaster white, and that one sick amber, with the black of the coat at the centre — no other colour admitted. Rain beading and running down the inside of the broken glass, dust turning slowly in the flickering light, the woman's bare footprint appearing dark on the wet boards behind her. Grim, terrifying.
Oct 31, 2026 2:58 AM
CRAZY CHESS
Oct 31, 2026 1:49 AM