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- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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so
character: alice_margatroid, kirisame_marisa. A medium shot depicts alice_margatroid and kirisame_marisa as lifeless golden statues, positioned side-by-side against a neutral background. Both characters have been completely transformed into solid gold, from their skin and hair to their facial features, maintaining a frozen, panicked expression of distress. Their eyes are entirely golden, devoid of pupils or eyeballs, appearing as hollow, metallic spheres. They both possess extremely oversized, O-cup breasts; while they are no longer wearing clothes, the remnants of their attire are translucent, revealing the polished gold surfaces of their bodies. Alice's short hair and Marisa's long braided hair are rendered as rigid, shimmering gold metal. Their hands and arms are frozen in mid-action, coated in a brilliant, reflective gold sheen. The lighting is bright and harsh, creating sharp specular highlights on the metallic surfaces to emphasize their complete transformation into inorganic gold statues.
Soul of determination sans
ks
1girl, lucy heartfilia, fairy tail, cloth gag, over the mouth gag, otakugal, yuri, kiss, pushing down, twintails, tongue, long hair, blonde hair, brown eyes, hair between eyes, sidelocks
Kariage Sikangari
g0
Witchy Desires: A Spellbinding Kiss
Gaikyu07
so
character: alice_margatroid, kirisame_marisa
two girls, golden statue, full body, entire body made of gold, gold skin, golden hair, gold face, hollow empty golden eye sockets, eyeballs removed, missing eyeballs, blank unseeing empty sockets, no pupils, no irises, solid gold eyelids, panicked expression, flustered face, frozen mid-transformation, unconscious, lifeless, no awareness, huge breasts, O-cup, chest visible through clothing, clothes not golden, non-gold fabric, blonde hair, long hair, side braid, single braid, white hair bow, witch hat, black hat, hat bow, apron, black and white outfit, gold hands, gold fingers, gold feet, gold arms, gold legs, gold mouth, gold lips, standing statue, sculpted drapery, from below, wide shot, two-shot, museum interior, plinth, raking light, gold leaf sheen, cold marble
The camera looks up from knee height at a slight upward tilt across a bare marble museum floor, and two life-size female statues stand side by side on one low pale plinth, both caught in the same instant of a transformation that has run to completion. Everything about their bodies is gold: skin, face, arms, hands, fingers, feet, legs, torso and hair, cast in dense yellow gold with the soft satin sheen of polished leaf over cast metal, every eyelash, lip line, knuckle and toenail sculpted in the same metal down to the faint dimples at the base of each finger. Neither figure has a single living surface left.
On the left stands the shorter-haired one: chin-length wavy blonde gold bangs and a short gold bob sculpted into stiff waves around her jaw, a gold hairband fused into the hair, a gold capelet spreading in rigid fluted folds over the shoulders, gold frilled dress hem and gold ribbon ends, all of it gold and only the garment fabric below the capelet kept in its own colour. On the right stands the long-haired one: a long gold braid swings forward over her shoulder, a white cloth hair bow knotted at its end, a black witch hat with a white cloth bow sitting tilted on her head, both hat and bow non-golden and matte against the shining metal beneath. Below the hat she wears her black-and-white blouse, an apron, and the dark skirt, all of it ordinary dyed cloth, not gold, with the folds of the fabric creased hard where the gold caught it mid-motion.
Both faces are entirely gold, and both wear the identical panicked expression frozen into the metal: brows drawn up and pinched inward, mouth open on a caught breath, cheeks pulled tight, a flinch that never resolved. In each face, where the eyes should be, the gold has closed inward into two hollow empty sockets, the eyeballs entirely absent, the gold rims of the lids peeled back and the cavities beneath left as scooped, shadowless hollows with nothing set inside them.
At both chests the fabric has been pulled taut and translucent, the enormous O-cup breasts swelling through the cloth so the shape, curve and weight of each is fully visible through the cloth while the cloth itself stays its own non-gold colour, the thin fabric lifted and dimpled at each point of pressure. The gold skin beneath shows through this thin, semi-transparent cloth in warm patches.
Both figures are limp and lifeless: no tension in the fingers, no focus in the empty sockets, heads lolled just slightly off axis, the gold holding the same arrested pose from the moment the transformation took them, no awareness left in either body.
The only light is a single raking source from the upper left, grazing the gold so the highlight runs in a thin bright line along the top of each shoulder, the ridge of each brow and the curve of each breast, and so the empty eye sockets catch no light at all and stay flat and dead. A soft secondary fill lifts the first few inches above the plinth base, where the marble is polished enough to hold a dim, blurred, inverted reflection of both gold bodies that is softer and darker than the figures themselves. Deep shadow pools behind them and along the floor where the light falls away. Palette limited to yellow gold, the off-white of the marble, and the two non-gold garments' black, white and blue. A museum's worth of cold quiet around two warm corpses.
Soul of determination sans
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