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Marisa Kirisame, Alice Margatroid
Contest Entry
PixAI ร zeta Original Character Creation Contest 2026 #zetaCollab
Show Parameters
- Original Prompt
- ใขใชในใปใใผใฌใใญใคใใจ้ง้จ้ญ็ๆฒใฎ่ถณใ่ ใๆใ้ซชใๅฃใ้ก้ขใ่ธ้จใไธๅ่บซใไธๅ่บซใ่ใๆๅซใๅ จไฝใ้ใซใชใฃใฆใใใ้ก้ขๅ จ้ขใ้ซชใ็ฎๅ จไฝใๅซใๅ จใฆ้ใซใชใฃใฆใใใ็ฝ็ฎใใค้ป่ฒไธ่ฒใงใ็ฎๅ จไฝใ้ป้ใงไธใใ่ฆใใใฆใใใ็ฎ็ใ็ผ็ใฏๆใๅใใใฆใใใใ็กใใ้ก้ขใฏใในใฆ้ใซๅค่ณชใใฆใใใ้ซชใฏๅ จใฆ้ป้ใซๅค่ณชใใฆใใใ็ๅทจไนณใOใซใใใๆใฏ้ใซใชใฃใฆใฏใใชใใใ่ธ้จใ้ใใฆใใใๆใฏใชใใชใฃใฆใใใๅฎๅ จใซ้ๅใซใชใฃใฆใใใ็ฆใฃใฆใใ่กจๆ ใฎใพใพ้ป้ๅใใฆใใใใขใชในใปใใผใฌใใญใคใใจ้ง้จ้ญ็ๆฒใฎๆ่ญใฏใชใใชใฃใฆใใใ
- Mode
- flash
- Size
- 768 x 1280
Prompt Helper
Model & LoRA used
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so
character: alice_margatroid, kirisame_marisa
two girls, golden statue, full body, entire body made of gold, gold skin, golden hair, gold face, hollow empty golden eye sockets, eyeballs removed, missing eyeballs, blank unseeing empty sockets, no pupils, no irises, solid gold eyelids, panicked expression, flustered face, frozen mid-transformation, unconscious, lifeless, no awareness, huge breasts, O-cup, chest visible through clothing, clothes not golden, non-gold fabric, blonde hair, long hair, side braid, single braid, white hair bow, witch hat, black hat, hat bow, apron, black and white outfit, gold hands, gold fingers, gold feet, gold arms, gold legs, gold mouth, gold lips, standing statue, sculpted drapery, from below, wide shot, two-shot, museum interior, plinth, raking light, gold leaf sheen, cold marble
The camera looks up from knee height at a slight upward tilt across a bare marble museum floor, and two life-size female statues stand side by side on one low pale plinth, both caught in the same instant of a transformation that has run to completion. Everything about their bodies is gold: skin, face, arms, hands, fingers, feet, legs, torso and hair, cast in dense yellow gold with the soft satin sheen of polished leaf over cast metal, every eyelash, lip line, knuckle and toenail sculpted in the same metal down to the faint dimples at the base of each finger. Neither figure has a single living surface left.
On the left stands the shorter-haired one: chin-length wavy blonde gold bangs and a short gold bob sculpted into stiff waves around her jaw, a gold hairband fused into the hair, a gold capelet spreading in rigid fluted folds over the shoulders, gold frilled dress hem and gold ribbon ends, all of it gold and only the garment fabric below the capelet kept in its own colour. On the right stands the long-haired one: a long gold braid swings forward over her shoulder, a white cloth hair bow knotted at its end, a black witch hat with a white cloth bow sitting tilted on her head, both hat and bow non-golden and matte against the shining metal beneath. Below the hat she wears her black-and-white blouse, an apron, and the dark skirt, all of it ordinary dyed cloth, not gold, with the folds of the fabric creased hard where the gold caught it mid-motion.
Both faces are entirely gold, and both wear the identical panicked expression frozen into the metal: brows drawn up and pinched inward, mouth open on a caught breath, cheeks pulled tight, a flinch that never resolved. In each face, where the eyes should be, the gold has closed inward into two hollow empty sockets, the eyeballs entirely absent, the gold rims of the lids peeled back and the cavities beneath left as scooped, shadowless hollows with nothing set inside them.
At both chests the fabric has been pulled taut and translucent, the enormous O-cup breasts swelling through the cloth so the shape, curve and weight of each is fully visible through the cloth while the cloth itself stays its own non-gold colour, the thin fabric lifted and dimpled at each point of pressure. The gold skin beneath shows through this thin, semi-transparent cloth in warm patches.
Both figures are limp and lifeless: no tension in the fingers, no focus in the empty sockets, heads lolled just slightly off axis, the gold holding the same arrested pose from the moment the transformation took them, no awareness left in either body.
The only light is a single raking source from the upper left, grazing the gold so the highlight runs in a thin bright line along the top of each shoulder, the ridge of each brow and the curve of each breast, and so the empty eye sockets catch no light at all and stay flat and dead. A soft secondary fill lifts the first few inches above the plinth base, where the marble is polished enough to hold a dim, blurred, inverted reflection of both gold bodies that is softer and darker than the figures themselves. Deep shadow pools behind them and along the floor where the light falls away. Palette limited to yellow gold, the off-white of the marble, and the two non-gold garments' black, white and blue. A museum's worth of cold quiet around two warm corpses.
Soul of determination sans
so
character: alice_margatroid, kirisame_marisa
two girls, golden statue, full body, entire body made of gold, gold skin, golden hair, gold face, hollow empty golden eye sockets, eyeballs removed, missing eyeballs, blank unseeing empty sockets, no pupils, no irises, solid gold eyelids, panicked expression, flustered face, frozen mid-transformation, unconscious, lifeless, no awareness, huge breasts, O-cup, chest visible through clothing, clothes not golden, non-gold fabric, blonde hair, long hair, side braid, single braid, white hair bow, witch hat, black hat, hat bow, apron, black and white outfit, gold hands, gold fingers, gold feet, gold arms, gold legs, gold mouth, gold lips, standing statue, sculpted drapery, from below, wide shot, two-shot, museum interior, plinth, raking light, gold leaf sheen, cold marble
The camera looks up from knee height at a slight upward tilt across a bare marble museum floor, and two life-size female statues stand side by side on one low pale plinth, both caught in the same instant of a transformation that has run to completion. Everything about their bodies is gold: skin, face, arms, hands, fingers, feet, legs, torso and hair, cast in dense yellow gold with the soft satin sheen of polished leaf over cast metal, every eyelash, lip line, knuckle and toenail sculpted in the same metal down to the faint dimples at the base of each finger. Neither figure has a single living surface left.
On the left stands the shorter-haired one: chin-length wavy blonde gold bangs and a short gold bob sculpted into stiff waves around her jaw, a gold hairband fused into the hair, a gold capelet spreading in rigid fluted folds over the shoulders, gold frilled dress hem and gold ribbon ends, all of it gold and only the garment fabric below the capelet kept in its own colour. On the right stands the long-haired one: a long gold braid swings forward over her shoulder, a white cloth hair bow knotted at its end, a black witch hat with a white cloth bow sitting tilted on her head, both hat and bow non-golden and matte against the shining metal beneath. Below the hat she wears her black-and-white blouse, an apron, and the dark skirt, all of it ordinary dyed cloth, not gold, with the folds of the fabric creased hard where the gold caught it mid-motion.
Both faces are entirely gold, and both wear the identical panicked expression frozen into the metal: brows drawn up and pinched inward, mouth open on a caught breath, cheeks pulled tight, a flinch that never resolved. In each face, where the eyes should be, the gold has closed inward into two hollow empty sockets, the eyeballs entirely absent, the gold rims of the lids peeled back and the cavities beneath left as scooped, shadowless hollows with nothing set inside them.
At both chests the fabric has been pulled taut and translucent, the enormous O-cup breasts swelling through the cloth so the shape, curve and weight of each is fully visible through the cloth while the cloth itself stays its own non-gold colour, the thin fabric lifted and dimpled at each point of pressure. The gold skin beneath shows through this thin, semi-transparent cloth in warm patches.
Both figures are limp and lifeless: no tension in the fingers, no focus in the empty sockets, heads lolled just slightly off axis, the gold holding the same arrested pose from the moment the transformation took them, no awareness left in either body.
The only light is a single raking source from the upper left, grazing the gold so the highlight runs in a thin bright line along the top of each shoulder, the ridge of each brow and the curve of each breast, and so the empty eye sockets catch no light at all and stay flat and dead. A soft secondary fill lifts the first few inches above the plinth base, where the marble is polished enough to hold a dim, blurred, inverted reflection of both gold bodies that is softer and darker than the figures themselves. Deep shadow pools behind them and along the floor where the light falls away. Palette limited to yellow gold, the off-white of the marble, and the two non-gold garments' black, white and blue. A museum's worth of cold quiet around two warm corpses.
Soul of determination sans
so
character: alice_margatroid, kirisame_marisa
two girls, golden statue, full body, entire body made of gold, gold skin, golden hair, gold face, hollow empty golden eye sockets, eyeballs removed, missing eyeballs, blank unseeing empty sockets, no pupils, no irises, solid gold eyelids, panicked expression, flustered face, frozen mid-transformation, unconscious, lifeless, no awareness, huge breasts, O-cup, chest visible through clothing, clothes not golden, non-gold fabric, blonde hair, long hair, side braid, single braid, white hair bow, witch hat, black hat, hat bow, apron, black and white outfit, gold hands, gold fingers, gold feet, gold arms, gold legs, gold mouth, gold lips, standing statue, sculpted drapery, from below, wide shot, two-shot, museum interior, plinth, raking light, gold leaf sheen, cold marble
The camera looks up from knee height at a slight upward tilt across a bare marble museum floor, and two life-size female statues stand side by side on one low pale plinth, both caught in the same instant of a transformation that has run to completion. Everything about their bodies is gold: skin, face, arms, hands, fingers, feet, legs, torso and hair, cast in dense yellow gold with the soft satin sheen of polished leaf over cast metal, every eyelash, lip line, knuckle and toenail sculpted in the same metal down to the faint dimples at the base of each finger. Neither figure has a single living surface left.
On the left stands the shorter-haired one: chin-length wavy blonde gold bangs and a short gold bob sculpted into stiff waves around her jaw, a gold hairband fused into the hair, a gold capelet spreading in rigid fluted folds over the shoulders, gold frilled dress hem and gold ribbon ends, all of it gold and only the garment fabric below the capelet kept in its own colour. On the right stands the long-haired one: a long gold braid swings forward over her shoulder, a white cloth hair bow knotted at its end, a black witch hat with a white cloth bow sitting tilted on her head, both hat and bow non-golden and matte against the shining metal beneath. Below the hat she wears her black-and-white blouse, an apron, and the dark skirt, all of it ordinary dyed cloth, not gold, with the folds of the fabric creased hard where the gold caught it mid-motion.
Both faces are entirely gold, and both wear the identical panicked expression frozen into the metal: brows drawn up and pinched inward, mouth open on a caught breath, cheeks pulled tight, a flinch that never resolved. In each face, where the eyes should be, the gold has closed inward into two hollow empty sockets, the eyeballs entirely absent, the gold rims of the lids peeled back and the cavities beneath left as scooped, shadowless hollows with nothing set inside them.
At both chests the fabric has been pulled taut and translucent, the enormous O-cup breasts swelling through the cloth so the shape, curve and weight of each is fully visible through the cloth while the cloth itself stays its own non-gold colour, the thin fabric lifted and dimpled at each point of pressure. The gold skin beneath shows through this thin, semi-transparent cloth in warm patches.
Both figures are limp and lifeless: no tension in the fingers, no focus in the empty sockets, heads lolled just slightly off axis, the gold holding the same arrested pose from the moment the transformation took them, no awareness left in either body.
The only light is a single raking source from the upper left, grazing the gold so the highlight runs in a thin bright line along the top of each shoulder, the ridge of each brow and the curve of each breast, and so the empty eye sockets catch no light at all and stay flat and dead. A soft secondary fill lifts the first few inches above the plinth base, where the marble is polished enough to hold a dim, blurred, inverted reflection of both gold bodies that is softer and darker than the figures themselves. Deep shadow pools behind them and along the floor where the light falls away. Palette limited to yellow gold, the off-white of the marble, and the two non-gold garments' black, white and blue. A museum's worth of cold quiet around two warm corpses.
Soul of determination sans
so
character: kirisame_marisa. A medium shot, front view of kirisame_marisa, who has been completely transformed into a golden statue. Her entire physical form, including her face, skin, long hair, and eyes, is rendered as (((gold body, gold skin, metal skin))) with a high-metallic, reflective shine. Her eyes are entirely gold, including the (((gold sclera))), with no visible pupils or outlines. She is frozen in a state of panic, her expression one of shock and anxiety. She possesses an extremely large bust, specifically an L-cup size. She is dressed in her signature witch's attire, consisting of a black hat and apron; however, while the clothes remain fabric, the material over her chest is translucent, revealing the gold skin beneath. She stands rigidly still, her hands frozen in a startled gesture. The background is a simple, neutral environment that emphasizes the brilliant, lustrous glow and metallic reflections emanating from her golden form.
Soul of determination sans
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