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AI art "Ui Ui & Mei Mei"
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Ui Ui & Mei Mei

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Kemono

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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SakuraPlatinum_IllustriousXL - AI Model cover image

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2-in-1: Mei Mei and Ui Ui (Jujutsu Kaisen) - commission! - AI Model cover image

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2-in-1: Mei Mei and Ui Ui (Jujutsu Kaisen) - commission!
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Avatar image of nnuiia
character: kamishiro_rui, tenma_tsukasa masterpiece, best quality, very aesthetic, detailed illustration, ultra detailed, anime coloring, detailed eyes, detailed hair, soft lighting, smooth shading, detail illustration, -2::simple illustration, cool lighting, pale color, clean lineart, limited shading, high-key lighting, glossy hair, delicate facial features, 2boys, kamishiro rui, tenma tsukasa, full body, from head to toe, high angle shot, diagonal angle, three-quarter view, camera above and to the side of the sofa, angled from the side, lying on a sofa, indoor, simple room background, kamishiro rui lying entirely on top of tenma tsukasa, rui's whole body flush against tsukasa's body, chest pressed against chest, no space between their bodies, rui completely limp, totally relaxed, body gone slack, all of rui's weight sinking onto tsukasa, melting onto him, rui draped over tsukasa, leaning his whole body on tsukasa, rui's back relaxed and softly rounded, shoulders drooping, rui's torso flattened against tsukasa's torso, rui's legs lying down flat on top of tsukasa's legs, thighs over thighs, calves resting down, feet lowered, legs relaxed and loosely sprawled over tsukasa's legs, rui's body aligned along tsukasa's body, head toward head, feet toward feet, rui's body not touching the sofa, only tsukasa touching the sofa, rui's elbows resting on tsukasa's chest, both hands stacked, rui's face resting on the backs of his hands, chin propped on the back of his hands, rui looking down at tsukasa, calm gaze, tenma tsukasa on the bottom, back resting on the sofa, lying on his back, head turned toward the viewer, looking up at the viewer, looking at the camera, both hands raised in the air, hands frozen in mid-air, hands hovering near rui's waist, hands stopped halfway as if about to hold rui's waist but hesitating, open fingers, no place for his hands to go, troubled and flustered expression, bewildered, awkward, eyebrows raised and slightly furrowed, mouth slightly open, a single drop of sweat on the temple, one sweat drop, light blush, bright expression, not dark, one knee slightly bent, the other leg stretched out straight, kamishiro rui, scool uniform, purple hair, golden eyes, tenma tsukasa, short blonde hair, gradient hair color, golden blonde roots fading into orange tips, amber eyes, school uniform, art style: flat painterly illustration, clean linework, soft shading, soft indoor lighting, detailed face, detailed hands
nnuiia
#Hatsune Miku: Colorful Stage!#Tenma Tsukasa#Kamishiro Rui
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Avatar image of Trevor
character: tsukishiro_yanagi 1girl, 1boy, 2girls, 2boys, couple, mature adult female, mature adult male, pink hair, long hair, hair between eyes, sidelocks, Tsukishiro Yanagi hair style, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, off-shoulder sweater, cream knit sweater, skirt, black skirt, white hair, medium length hair, blue eyes, toned body, casual clothes, navy t-shirt, grey lounge pants, cuddling, sitting on couch, leaning on another, head on another's shoulder, arm around waist, arm around shoulder, hand on another's arm, looking at another, light smile, half-closed eyes, blush, couch, cozy living room, warm lamp light, indoors, sunset through window, two-shot, close-up, from side, profile, soft warm palette, tender The frame is a side-on two-shot, camera level with the couch cushions and close, so the two of them fill the picture and the room falls away in soft focus behind. The couch runs across the lower right of the frame, a deep, nubby-upholstered couch in muted olive drab; the man sits near its center, weight back into the corner, one of its cushions compressed under his hip while the other sinks under her. He is the one leaning back — a tall, mature man with a solid, toned build, medium-length white hair swept back off his forehead and falling just past his nape, his navy t-shirt stretched across his chest and shoulders, his grey lounge pants bunched at one knee. His left arm lies along the couch's backrest and drops around her shoulders, his hand settling on the outside of her upper arm, thumb flat against the knit. His right hand rests loose on his own thigh. She is pressed in against his side, the direction of the whole shot set by the way she has tipped into him: her long pink hair — cut with the heavy side-swept wings and the short curtain of fringe that hang between her eyes — spills across the front of his shoulder and across the cream knit of her sweater, some of it falling onto his chest. Her glasses, rimless and near-invisible, catch a thin white line of reflection across one lens. Her violet eyes are turned up and sideways toward his jaw; her cheek is against the slope of his shoulder, her lashes lowered halfway, her lips in a small closed curve, a faint warmth of blush high on her cheekbone. Her figure is emphatically full — the off-shoulder sweater is a soft cream knit that has slipped off both shoulders, leaving the bare line of her collarbones and the tops of her arms exposed, the wool pulled taut over her gigantic chest and cinched in at her waist before her wide hips and wide thighs spread across the cushion, the short black skirt riding up against the seat. One of her thighs lies over his, the weight of it visibly sinking the cushion. Her left hand is folded against his chest, fingers curled into the cotton of his t-shirt, knuckles resting lightly, her other arm tucked down between them. The primary light is a warm table lamp out of frame at the left, a low golden key that strikes the left side of her face and glass and the left plane of his neck, leaving the right side of both of them in a soft, warm-shadowed dark against the couch. A cool dusk light from a window behind them edges the tops of their hair — hers pink, his white — in a thin silver rim and dies before it reaches their faces. The palette is warm and narrow: cream wool, olive couch, the blue-black of his shirt, her pink hair and the small hard glint of the rimless frames, on a ground of amber lamp shadow. Where her cheek meets his shoulder, the wool of his cotton bunches into a shallow fold, and the couch cushion keeps the dent of both their weights. Quiet, intimate.
Trevor

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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