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miyamoto kazuki

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1girl, ((loli)), solo, ((small breasts)), blush, smile, indoors, open mouth, night, dancer, bwyancy, yancy (pokemon), blue eyes, mole under eye, pink hair, short hair, twintails, frilled dress, twirling, spotlight, stage, barefoot, shy, happy, cheerful, sparkling eyes, dynamic pose, flowing hair, warm lighting, detailed background
Show Parameters
Original Prompt
1girl, ((loli)), solo, ((small breasts)), blush, smile, indoors, open mouth, night, dancer,bwyancy, yancy \(pokemon\), blue eyes, mole under eye, pink hair, short hair,
Size
768 x 1280
Sampling Steps
16
Sampling Method
Euler a
CFG Scale
5
Negative
worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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AI artwork
d
character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, wings, head wings, black feathered wings, low wings, full body, standing, legs together, angled diagonally, three-quarter view, pink motif, fluffy idol costume, luxurious stage costume, frills, ruffles, layered ruffles, puffy sleeves, pink and white palette, dome skirt, bell-shaped skirt, nearly horizontal skirt flare, circular skirt silhouette, evenly spread skirt, opaque skirt, cylinder-band hem, wide stiff hem band, hidden skirt interior, no panties visible, no upskirt, no skirt interior, arms at sides, gentle closed-lip smile, looking at viewer, stage, spotlight, simple backdrop A full-body three-quarter view from slightly below eye level: one girl stands with her feet pressed together and her body turned diagonally toward the camera, so the flank of her skirt is what the lens reads first. Long pink hair falls in two twintails that hang past her hips, and small feathered head wings sit low at either side of her head. Both arms rest easy at her sides, elbows just off her ribs, hands open and relaxed. Her chin is faintly lifted, her eyes meet the viewer, and her smile is small and closed-lipped. The costume is built entirely on a pink motif and reads as an extravagant idol stage outfit: a fitted bodice of deep rose satin, a white sailor-style collar edged with lace, puffed sleeves gathered at the shoulder and tightly cuffed at the wrist, and a cascade of pale-pink ruffles at the chest, cuffs and back. The skirt is the centerpiece — it springs out from her waist almost horizontally into a wide dome, its pleated panels spreading in an even circle around her, so the silhouette is round from every side. Along the lowest edge of that circle a stiff, upright band runs all the way around like a short cylinder wall, its top edge a crisp seam and its face a clean satin strip in slightly deeper pink. Because the skirt stands out level, the hem band closes the shape from below: the inside of the skirt is completely hidden, no gap and no underside visible from this angle or any other, only opaque pleated fabric and the band's outer face. She stands alone on a stage floor of dark polished boards that reflect a soft, blurred pink smear beneath her; a plain deep-indigo backdrop falls away behind her. A single spotlight comes down from high in front of her, striking the tops of the ruffles and the upper surface of the dome skirt, leaving the pleat valleys and the cylinder band in cool shadow, and throwing a low soft shadow on the floor behind her heels. Palette confined to rose, blush and white against indigo and near-black, one warm key light. Effortlessly glamorous, bright.
Delmonda

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