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AI artwork featuring #Blue Archive and #Shimoe Koharu
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Shimoe Koharu, Blue Archive

#Blue Archive#Shimoe Koharu
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character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, wings, head wings, black feathered wings, low wings, full body, standing, legs together, angled diagonally, three-quarter view, pink motif, fluffy idol costume, luxurious stage costume, frills, ruffles, layered ruffles, puffy sleeves, pink and white palette, dome skirt, bell-shaped skirt, nearly horizontal skirt flare, circular skirt silhouette, evenly spread skirt, opaque skirt, cylinder-band hem, wide stiff hem band, hidden skirt interior, no panties visible, no upskirt, no skirt interior, arms at sides, gentle closed-lip smile, looking at viewer, stage, spotlight, simple backdrop A full-body three-quarter view from slightly below eye level: one girl stands with her feet pressed together and her body turned diagonally toward the camera, so the flank of her skirt is what the lens reads first. Long pink hair falls in two twintails that hang past her hips, and small feathered head wings sit low at either side of her head. Both arms rest easy at her sides, elbows just off her ribs, hands open and relaxed. Her chin is faintly lifted, her eyes meet the viewer, and her smile is small and closed-lipped. The costume is built entirely on a pink motif and reads as an extravagant idol stage outfit: a fitted bodice of deep rose satin, a white sailor-style collar edged with lace, puffed sleeves gathered at the shoulder and tightly cuffed at the wrist, and a cascade of pale-pink ruffles at the chest, cuffs and back. The skirt is the centerpiece — it springs out from her waist almost horizontally into a wide dome, its pleated panels spreading in an even circle around her, so the silhouette is round from every side. Along the lowest edge of that circle a stiff, upright band runs all the way around like a short cylinder wall, its top edge a crisp seam and its face a clean satin strip in slightly deeper pink. Because the skirt stands out level, the hem band closes the shape from below: the inside of the skirt is completely hidden, no gap and no underside visible from this angle or any other, only opaque pleated fabric and the band's outer face. She stands alone on a stage floor of dark polished boards that reflect a soft, blurred pink smear beneath her; a plain deep-indigo backdrop falls away behind her. A single spotlight comes down from high in front of her, striking the tops of the ruffles and the upper surface of the dome skirt, leaving the pleat valleys and the cylinder band in cool shadow, and throwing a low soft shadow on the floor behind her heels. Palette confined to rose, blush and white against indigo and near-black, one warm key light. Effortlessly glamorous, bright.
Show Parameters
Original Prompt
下江コハル。ピンクをモチーフにしたフワフワのアイドルの豪華な衣装。スカートは水平に近くドーム状だが真横に円状に均等に広がっているがスカートの中は見えない。足を揃えて斜め向きに立つ。スカートの円の1番下の端っこは短い円柱のようになっている。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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AI artwork
d
character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, feathered wings, head wings, black wings, luxurious pink idol costume, fluffy costume, frills, ruffles, layered frills, pink ribbon motif, dome-shaped skirt, skirt spreading horizontally, circular skirt silhouette, skirt interior not visible, skirt hem like a short cylinder, standing, feet together, angled body, to the side, full body, long legs, slender legs, very long legs, from below, wide shot, plain seamless background, soft studio light A single figure stands full-body in a wide shot seen from slightly below, her body turned diagonally to the frame so that her profile and one shoulder lead while her hips stay behind — her two long twintails of pink hair fall past her waist and past the edge of the skirt, swinging slightly with the turn of her torso. She stands with both feet set neatly together, weight even on both, ankles touching, the whole line of her from hip to shoe reading as extremely long and extremely slender. Her costume is a lavish idol stage outfit built entirely on a pink motif: shoulders puffed into rounded fluffy sleeves, the bodice densely ruffled in pale rose and deeper magenta layers, a small pink ribbon-like ornament worked into the chest frills, fluffy trim along every seam. The skirt is the centerpiece — a nearly horizontal dome that swells outward from her waist and spreads absolutely evenly in a perfect circle to either side of her, the fabric smooth and taut over the upper dome and swelling outward, so the space beneath it stays forgotten; the very lowest rim of that circular crowd of fabric thickens into a short, upright cylindrical band of frilled, fluffy brim, a vertical ring of pleated rose cloth that closes the underside of the skirt completely, hidden from every angle, no matter how low the camera is. The dome's silhouette reads as a wide flat disc, the cylindrical brim as a banded edge around it. Behind her shoulders, her small feathered wings are folded and partly hidden by the flare of the puffed sleeves; only the pale feather tips peak over the silhouette on either side. Her face is turned in the three-quarter direction she faces: chin slightly lifted, the near eye visible with its pink iris turned away past the edge of frame, lips softly closed, a proud, stage-ready calm in her expression. Her arms are relaxed, one hand lightly catching a fold of the flouncing hem at her side, fingers curled into the frill, the other arm at rest with the wrist just touching the ruffled edge of the skirt's dome. The floor beneath her is a seamless soft pink-white studio sweep with no horizon line; a broad, diffused key light from front-above lays an even sheen across the dome of the skirt and puts a soft elliptical shadow on the floor directly under its circular edge, the shadow narrower than the skirt itself — the dome blocks the light and the small dark ellipse below proves how completely closed the garment is. Palette: rose, blush, cream highlights and deep magenta shadow, no other hue admitted. Polished, frilly, sweetly elegant.
Delmonda
AI artwork
d
character: koharu_(blue_archive) 1girl, solo, koharu \(blue_archive\), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings folded low behind her back, pink theme, luxurious idol stage costume, frilly pink dress bodice above the skirt, ruffled puff sleeves, layered frills and ribbon trim, dome-shaped skirt, (スカートの円の1番下の下に取り付けられた部分は筒になっている。:1.5), skirt spreading evenly in a perfect circle, extremely fluffy soft skirt fabric except at the bottom rim, stiff cylindrical tube hem at the lowest edge, skirt interior completely concealed, closed hem, proper-length skirt hitting mid-thigh, very long thin legs, slender legs, bare legs, standing, legs together, feet together, angled diagonally, from below, full body, arena concert venue, stadium seating, stage lights, looking at viewer, light smile The camera sits low near the arena floor and tilts up, so the figure reads tall against the dark banked seating: one pink-haired girl with long twin tails and pink eyes stands on the stage apron, her whole body turned three-quarters away toward the left of frame while her chin comes back over her shoulder and her eyes find the lens with a faint closed-lip smile. Her feet are pressed together and both knees touch; her weight settles onto her left leg while the right knee bends just enough to break the line, and her hands rest lightly clasped at her waist above the bodice, fingers loosely laced, shoulders drawn back so the feathered black wings hang low and folded behind her shoulder blades, their tips just past her hips. All the detail budget goes to the skirt: it balloons from her waist into a wide dome that spreads evenly in a full circle left and right of her hips, its surface made of dense pink fluff that catches the light in soft nap and shallow dimples wherever a frill overlaps the next. At the very bottom of that dome, below the fluff and below the lowest frill, a rim runs all the way around as (スカートの円の1番下の下に取り付けられた部分は筒になっている。:1.5): a smooth, stiff, matte cylinder of pale pink fabric, holding a hard straight edge that does not dent, does not lift, and closes the underside of the skirt completely — no gap, no shadow of inner fabric, the interior of the dome sealed off by that tube. Beneath the rim her very long, very thin legs drop straight down, pale and narrow, the two of them almost touching the whole way to the stage floor. Above the waist the costume turns lavish: a fitted pink bodice crusted with layered frills, small satin rosettes and ribbon bands at the corset line, puff sleeves bunched at the shoulders, a ruffled choker collar high at the throat. An arena surrounds her — a dark elliptical bowl of tiered seating packed with an unreadable crowd, rigging and speaker arrays hung overhead, a polished stage floor carrying a faint skewed reflection of the pink dome and of the stiff tube rim, which sits slightly compressed and darker than the fabric above it. Cool blue-white spotlight beams converge from the upper rigging and bite the top of the fluffy dome, while pink wash light bounces up off the stage deck and stains the underside of the rim and the front of her shins, leaving the far seats in deep darkness; the beams throw her long shadow backward across the deck. Palette held to pink, white, warm skin tones and the cool blue-black of the arena dark. Glamorous, buoyant.
Delmonda

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