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View detailsShimoe Koharu, Blue Archive
Show Parameters
- Original Prompt
- 下江コハル。ピンクをモチーフにしたフワフワのアイドルの豪華な衣装。スカートは水平に近くドーム状だが真横に円状に均等に広がっているがスカートの中は見えない。足を揃えて斜め向きに立つ。(スカートの円の1番下の下に取り付けられた部分は筒になっている。:1.5)コハルはとても長くとても細い足。アリーナでの会場、スカートはちょうど良い丈。スカートはドーム状にふんわりと広がり、1番端っこが筒のよう。一番下の端以外のスカートの部分はとてももふもふ。スカートより上は豪華なドレス。1番下の端の部分のみ筒のように固そう。
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1408 x 1408
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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character: koharu_(blue_archive)
1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings at the hips, luxurious idol costume, pink theme, frills, ribbons, fluffy skirt, dome skirt, wide skirt, stiff cylindrical skirt hem, long thin legs, legs together, standing, diagonal angle, arena venue, concert hall, stage, from side, full body, cowboy shot, looking to the side, faint closed-lip smile
A full-body cowboy shot from slightly below eye level at a three-quarter side angle: a girl with long pink hair tied in two twintails and pink eyes stands on an arena stage, her body turned diagonally away from the camera with her feet pressed together, long thin legs held straight and close, her weight settled onto the left leg while the right toe just touches the floor beside it. The camera angle puts the underside of the wide skirt at eye level but reveals nothing beneath the fabric; the skirt falls into a smooth dome that spreads horizontally in an even, symmetrical circle, its outer surface covered in dense, soft pink fur-like fluff except for the lowest ring, which is a stiff, rigid vertical cylindrical band like a drum wall, flat and hard against the fluffy mass above it. Above the skirt, the bodice is a lavish pink idol dress: layered satin and tulle, gold piping, a frilled high collar, puffed sleeves with ribbon ties, and a fitted waist that transitions into the skirt. Her wings sit low at her hips as black feathered fans mostly hidden behind the dome silhouette. She looks off to the side toward the arena floor with a faint, closed-lip smile, one hand resting lightly at her hip near the skirt's edge, the other relaxed at her side. The background is a blurred arena interior: tiered seating fading into a blue-purple haze, spotlight beams cutting down from above, tiny pinpricks of penlight glow in the stands. A warm white key light from the front-left catches the fluff of the skirt and the sheen of the bodice, while a cooler rim light from behind traces the cylinder hem and the edges of her hair; the floor beneath her is dark and polished, reflecting a soft pink haze where the stage lights spill. Quiet, luminous stage presence.
Delmonda
jp
character: koharu_(blue_archive)
1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings, low wings, full body, standing, feet together, body angled diagonally, pink idol costume, luxurious idol outfit, princess-like dress bodice, contrasting upper body, dome-shaped skirt, skirt spread in a perfect even circle, knee-length skirt, fluffy pink skirt, one-color pink, stiff vertical cylindrical tube rim at hem, very long very thin legs, arena concert venue, stage, from below, wide shot, looking off to the side, light smile, spotlights,
A girl with long pink hair tied in twin tails and small black feathered wings sprouting at the sides of her head stands full-body on an arena stage, seen from a low camera that looks slightly up, her body angled diagonally to the frame with both feet pressed neatly together, weight settled evenly on both heels, so the hem of her skirt presents its circle at a tilt rather than square on. Her very long, very thin legs rise straight and bare from the stage floor, pale and slender under the spotlights. Her upper body wears the opposite of the skirt: a princess-like idol dress bodice in deep rose and pearl, structured, with a fitted waist, and her arms are gracefully held, one hand lightly resting near her waist, the other relaxed at her side. The skirt is the centerpiece: it billows into a near-horizontal dome of soft, evenly-spread volume, falling in a full circular flare all the way around her, and the fabric is an uninterrupted single shade of fluffy, plush pink from waist to rim, so densely fuzzy it catches the light in a soft halo. At the very lowest edge of that circle, only the bottom rim, a short stiff vertical cylindrical tube forms a hard, lacquered band that holds the skirt's shape rigidly and stands in sharp contrast to the soft fuzz above it; the angle of the circle and the dome keep the skirt's interior entirely hidden, the underside sealed in shadow. Behind her the arena opens in vast, dark rows of seating, held flat and simple, with beams of magenta and white stage light cutting down through haze; the spotlights pool at her feet on the reflective stage, and the hard, polished tube at the hem throws a crisp, shallow reflection that the matte fuzz of the skirt above does not. The palette is dominated by pink, rose and pearl against the arena's black, with the hard rim glinting like enamel. A grand, theatrical idol moment, delicate yet commanding.
Jacky Podpo
jp
character: koharu_(blue_archive)
1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings low on the back, idol costume, pink-themed outfit, luxurious princess-like bodice, long sleeves, frilled bodice, white gloves, dome-shaped skirt, fluffy skirt, very fluffy skirt, circular skirt silhouette, stiff cylindrical hem tube at skirt's bottom edge, proper skirt length, very long legs, very thin legs, legs together, standing, diagonal angle, angled pose, three-quarter view, full body, arena, concert venue, stage, blurred crowd, spotlights, depth of field, from below, slight low angle
The shot is taken from slightly below in a three-quarter view, full body, so the whole figure stands on a wide arena stage that falls away behind her toward a dark mass of audience and scattered light sticks. Her legs are pressed together and held as one straight column, angled diagonally to the camera so the skirt reads as an ellipse; the camera sits below the hem line and the interior of the skirt is sealed shut — the stiff ring of the hem closes downward and the dense pile behind it admits no gap, so nothing inside is visible and both thighs disappear behind the skirt's leading edge, only the long lower halves of her legs — thin, extremely long, narrow calves and ankles — emerging beneath it. Her weight rides on the foot nearest the camera, the far heel lifted slightly, hips tipped so the diagonal stands; one gloved hand rests flat against the bodice at her waist, the other hangs just away from the skirt with fingers loosely curled, and her chin is tipped up and turned a little off-axis, eyes looking upward and out over the crowd, lashes low, a small closed-mouth smile of pleasant surprise. Her pink hair falls in two long twintails curving down past her shoulders with the ends swaying toward the far side from the turn; the black feathered wings sit low at her back, their tips just clearing the dome of the skirt at the sides.
The costume is entirely pink in layered registers: a deep rose princess bodice, densely ruffled and gathered, with puffed shoulders, a fitted waist, and long sleeves ending in white gloves; below it the skirt swells out almost horizontally from the waist into a broad, softly rounded dome that spreads evenly in a perfect circle to every side, so its silhouette is a smooth wide arc with no slope. Everything of the skirt except its very lowest rim is deep, plush, cloud-like fur pile that drinks the light — layered pink and cream fluff with soft self-shadowing and a few loose fibres catching the lamps. Only the bottom edge is different: a narrow, stiff, upright cylindrical band of pale pink rigid material ringing the hem like the lip of a drum, its surface hard and smooth with one clean specular line running around it, standing perpendicular to the floor and holding the fluffy dome above it. A believable physical detail: the stage floor is polished black, and the fluffy dome casts a wide, soft, slightly blurred shadow beneath it while the hard hem band reflects as a thin, sharp pink arc directly under the rim — soft above, crisp below.
Light comes from two hard follow spots angled from the upper left and from behind the stage, rimming her hair and the fluffy dome with a pink-white halo and leaving the under-curve of the skirt and her jawline in cool shadow; the crowd is a dark blue-grey bokeh of phone lights, and the palette is confined to deep rose, blush, cream and pale pink against that cold dark ground. Glamorous, buoyant.
Jacky Podpo
d
character: koharu_(blue_archive)
1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings, low wings, luxurious idol costume, pink-themed outfit, fluffy dress, frilly dress, layered ruffles, dome-shaped skirt, circular skirt silhouette, voluminous skirt, opaque skirt, closed skirt hem, stiff cylindrical hem, short tube hem at bottom edge, very fluffy skirt, long legs, very thin legs, legs together, standing, facing diagonally, diagonal stance, full body, cowboy shot, from below, low angle, looking to the side, light smile, arena, concert venue, stage, spotlight, penlight, crowd, bokeh, depth of field
The camera sits low and slightly off to the side, looking up, so the figure reads tall and the skirt's circle is seen close to edge-on: the hem line runs almost horizontally across the frame. She stands with both feet pressed together, body turned to the viewer's right in a diagonal, weight settled on the back leg with the front knee straight; her toes point the same way. Her long, very thin legs rise unbroken from the stage floor to the hem, slender calves and narrow ankles, the two legs held so close they nearly touch. The skirt is a wide soft dome whose outer edge sweeps out level and evenly on every side — a shallow circle seen almost from its rim — and the underside is completely closed: the opaque pale-pink fabric runs without a gap straight down to a narrow band, so nothing beneath the skirt is visible anywhere. That last band is different from the rest: a short, upright, stiff drum of smooth satin a few centimetres tall, holding its own cylindrical shape where the fuzzy volume above it stops. All the skirt above that rim is deep, plush fluff — heaped ruffles and pillowy tufts, dusted with fine glitter so the light catches a thousand soft points. Above the waist the costume is lavish: a fitted pink bodice crusted with pearls and crystal beads, layered ruffles climbing to a high collar, puffed shoulder tiers with ribbon bows, long fitted sleeves ending in flared lace cuffs; her hands are folded lightly one over the other at her waist, fingers relaxed. Her pink twintails hang long down her back and past her hips, the tips drifting and lifting slightly in the arena's updraft, and the small dark feathered wings at her lower back are folded close behind her, their edges showing beyond her left shoulder. Her face is turned toward the right of frame, chin lifted, eyes following something off-frame into the crowd — a faint closed-lip smile, one brow a touch higher than the other. The arena: a dark vaulted ceiling above, banks of cool white and magenta stage lights raking down from the rig behind her, a distant packed audience rendered as soft out-of-focus points of light in the lower background, and the glossy stage floor under her feet throwing a blurred, darker reflection of the skirt's rim. The key light comes from high behind-right, so the fluff lights up along its upper edges and the cylinder below falls into cool shadow, while a soft magenta bounce fills in on her lit side; behind her the darkness is deep and even. Palette: pink of every value from pale blossom to deep rose, softened by cool white light and the black of the rafters. Tender, glamorous.
Delmonda
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