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Shimoe Koharu, Blue Archive

#Blue Archive#Shimoe Koharu
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A full-body shot of the character from image1, standing with her legs together and facing slightly to the side in a large concert arena. She has long pink hair with a small ponytail, pink eyes, and a floating pink halo with a small wing. She is wearing a luxurious pink idol dress; the upper part is a detailed dress with a bow and frills, while the skirt is a massive, fluffy, dome-shaped tutu that spreads evenly in a wide circle. The main body of the skirt is extremely fluffy and textured with drapes, but the very bottom edge of the skirt is a stiff, thin, cylindrical ring. She has very long, slender legs and wears pink shoes. The lighting is a dramatic spotlight in the arena. The art style stays the same as the input image1.
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Original Prompt
下江コハル。ピンクをモチーフにしたフワフワのアイドルの豪華な衣装。スカートは水平に近くドーム状だが真横に円状に均等に広がっているがスカートの中は見えない。足を揃えて斜め向きに立つ。スカートの円の1番下の端っこは短い筒になっている。コハルはとても長くとても細い足。アリーナでの会場、スカートはちょうど良い丈。スカートはドーム状にふんわりと広がり、1番端っこが筒のよう。一番下の端以外のスカートの部分はとてももふもふ。スカートより上は豪華なドレス。1番下の端の部分のみ筒のように固そう。スカートはドレープ付き。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1088 x 1824
Sampling Method
Euler
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character: koharu_(blue_archive) 1girl, solo, koharu \(blue_archive\), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings folded low behind her back, pink theme, luxurious idol stage costume, frilly pink dress bodice above the skirt, ruffled puff sleeves, layered frills and ribbon trim, dome-shaped skirt, (スカートの円の1番下の下に取り付けられた部分は筒になっている。:1.5), skirt spreading evenly in a perfect circle, extremely fluffy soft skirt fabric except at the bottom rim, stiff cylindrical tube hem at the lowest edge, skirt interior completely concealed, closed hem, proper-length skirt hitting mid-thigh, very long thin legs, slender legs, bare legs, standing, legs together, feet together, angled diagonally, from below, full body, arena concert venue, stadium seating, stage lights, looking at viewer, light smile The camera sits low near the arena floor and tilts up, so the figure reads tall against the dark banked seating: one pink-haired girl with long twin tails and pink eyes stands on the stage apron, her whole body turned three-quarters away toward the left of frame while her chin comes back over her shoulder and her eyes find the lens with a faint closed-lip smile. Her feet are pressed together and both knees touch; her weight settles onto her left leg while the right knee bends just enough to break the line, and her hands rest lightly clasped at her waist above the bodice, fingers loosely laced, shoulders drawn back so the feathered black wings hang low and folded behind her shoulder blades, their tips just past her hips. All the detail budget goes to the skirt: it balloons from her waist into a wide dome that spreads evenly in a full circle left and right of her hips, its surface made of dense pink fluff that catches the light in soft nap and shallow dimples wherever a frill overlaps the next. At the very bottom of that dome, below the fluff and below the lowest frill, a rim runs all the way around as (スカートの円の1番下の下に取り付けられた部分は筒になっている。:1.5): a smooth, stiff, matte cylinder of pale pink fabric, holding a hard straight edge that does not dent, does not lift, and closes the underside of the skirt completely — no gap, no shadow of inner fabric, the interior of the dome sealed off by that tube. Beneath the rim her very long, very thin legs drop straight down, pale and narrow, the two of them almost touching the whole way to the stage floor. Above the waist the costume turns lavish: a fitted pink bodice crusted with layered frills, small satin rosettes and ribbon bands at the corset line, puff sleeves bunched at the shoulders, a ruffled choker collar high at the throat. An arena surrounds her — a dark elliptical bowl of tiered seating packed with an unreadable crowd, rigging and speaker arrays hung overhead, a polished stage floor carrying a faint skewed reflection of the pink dome and of the stiff tube rim, which sits slightly compressed and darker than the fabric above it. Cool blue-white spotlight beams converge from the upper rigging and bite the top of the fluffy dome, while pink wash light bounces up off the stage deck and stains the underside of the rim and the front of her shins, leaving the far seats in deep darkness; the beams throw her long shadow backward across the deck. Palette held to pink, white, warm skin tones and the cool blue-black of the arena dark. Glamorous, buoyant.
Delmonda
AI artwork
d
character: koharu_(blue_archive) 1girl, solo, koharu (blue archive), pink hair, long hair, twintails, pink eyes, head wings, black feathered wings at the hips, luxurious idol costume, pink theme, frills, ribbons, fluffy skirt, dome skirt, wide skirt, stiff cylindrical skirt hem, long thin legs, legs together, standing, diagonal angle, arena venue, concert hall, stage, from side, full body, cowboy shot, looking to the side, faint closed-lip smile A full-body cowboy shot from slightly below eye level at a three-quarter side angle: a girl with long pink hair tied in two twintails and pink eyes stands on an arena stage, her body turned diagonally away from the camera with her feet pressed together, long thin legs held straight and close, her weight settled onto the left leg while the right toe just touches the floor beside it. The camera angle puts the underside of the wide skirt at eye level but reveals nothing beneath the fabric; the skirt falls into a smooth dome that spreads horizontally in an even, symmetrical circle, its outer surface covered in dense, soft pink fur-like fluff except for the lowest ring, which is a stiff, rigid vertical cylindrical band like a drum wall, flat and hard against the fluffy mass above it. Above the skirt, the bodice is a lavish pink idol dress: layered satin and tulle, gold piping, a frilled high collar, puffed sleeves with ribbon ties, and a fitted waist that transitions into the skirt. Her wings sit low at her hips as black feathered fans mostly hidden behind the dome silhouette. She looks off to the side toward the arena floor with a faint, closed-lip smile, one hand resting lightly at her hip near the skirt's edge, the other relaxed at her side. The background is a blurred arena interior: tiered seating fading into a blue-purple haze, spotlight beams cutting down from above, tiny pinpricks of penlight glow in the stands. A warm white key light from the front-left catches the fluff of the skirt and the sheen of the bodice, while a cooler rim light from behind traces the cylinder hem and the edges of her hair; the floor beneath her is dark and polished, reflecting a soft pink haze where the stage lights spill. Quiet, luminous stage presence.
Delmonda

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