Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…
View details
Star Wars, Project Moon
Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
Hidden by author
Model & LoRA used
Similar Images
Show more
ra
1girl, solo, full body, floating, genderless, hologram, hooded robe, glowing robe, cyan light, luminous, digital projection, hood, empty hood, dark void inside hood, no face, single horizontal glowing visor, glowing data-visor, front view, straight-on, looking at viewer, direct front-facing pose, floating pose, hands holding tablet, tech tablet, holding tablet flat in front of chest, hologram hands, semi-transparent screen, wireframe sector diagram, circular charts, technical graphs, green and white text, matrix code, glowing screen, scanlines, horizontal scanlines, signal tearing, vhs tracking errors, glitch, glitch bands, data static, static dropouts, corrupted transmission, pixelated robe hem, pixelated data columns, dissolving lower body, black darkness below waist, thick black lineart, ink-noir, chiaroscuro, high contrast, cyberpunk, graphic novel, solid black background, pitch-black background, sharp silhouette edges, 9:16, no environment, no extra characters
A full-body, straight-on view of a single floating hologram entity, its body squared to the viewer and perfectly front-facing, hovering with no ground beneath it. The robe hangs in heavy vertical folds of sharp, luminous cyan light projection, its edges crisp and blade-straight, and where the hood opens there is nothing but an absolute dark void — no face, no features, an unbroken emptiness that swallows the robe's glow at the rim. Across the void sits one bright horizontal bar of light, the data-visor, perfectly level and aimed at the viewer, the sole warm-cyan point of contact between the figure and the lens. Two glowing hologram hands emerge from the sleeves to hold a tech tablet flat in front of the chest, its screen angled slightly up toward the viewer; the tablet glows with a semi-transparent display of a thin emissive wireframe sector diagram radiating from a center point, precise concentric circular charts, fine technical graph lines, and dense columns of green and white matrix-style code reading as luminous data. The screen's own light spills onto the backs of the hands and the underside of the sleeves, faint and cold.
The figure is caught as a partially intercepted broadcast: fine aggressive horizontal scanlines run across every surface, the silhouette is chewed by severe horizontal signal tearing so that wide bands of the body shear a few pixels sideways, VHS tracking errors warp the hem's edge, and intermittent static dropouts punch small dead patches into the sleeve and shoulder. Sharp glitch bands slice through the chest and the hood — narrow hard-edged slices of displaced image that skip like a bad tape. Below the waist the robe breaks apart into jagged, pixelated columns of falling cyan data, which thin out and dissolve into pure flat black, so the figure technically has no legs, only descending light.
Structural edges throughout carry thick, clean black ink-noir line, and the contrast is intense chiaroscuro — the cyan glow shoved against absolute darkness with no midtones. The background is a single solid pitch-black field, unbroken and flat, giving the silhouette razor-sharp edges for UI alpha masking. Vertical 9:16 framing. Cold, severe, quietly menacing.
Roger Albertsen
ra
1girl, solo, full body, floating, hologram, genderless, androgynous, hooded robe, hood down, absolute dark void inside hood, glowing horizontal visor, cyan light projection body, data-visor, holding tablet, tablet held flat at chest, semi-transparent tablet, wireframe diagram on screen, circular charts, technical graphs, matrix code, scanlines, interlaced raster overlay, glitch, vhs tracking errors, glitch bands, chromatic aberration, purple and magenta fringing, signal tearing, pixelated data columns, dissolving into darkness, ink-noir line art, thick black lineart, high contrast, chiaroscuro, pitch-black background, front-facing, looking straight ahead, symmetrical composition, cyberpunk graphic novel illustration, dark, ominous
The image is a full-body, dead-front symmetrical view of an androgynous, genderless floating hologram entity suspended on an absolute pitch-black field, its head level and its blank visor aimed straight out at the viewer, nothing else in the frame but the figure and the black. It has no visible body beneath the robe — only a hooded robe built from sharp luminous cyan light projection, its fabric reading as hard-edged planes of glowing cyan rather than cloth, edge-lit so the folds stay crisp and blade-thin against the dark. Inside the hood there is a total dark void, no face, no features, just an absolute black hollow; across the front of that void a single bright horizontal data-visor glows, its light spilling faintly onto the hood's cyan inner rim.
In front of its chest, two projected hands — glowing cyan, fingers sharply defined, nails undefined flat light — hold a semi-transparent tech tablet flat, screen facing outward to the camera. Through the tablet's glass the black background and the robe's glow show faintly. On the screen: an emissive wireframe sector diagram, concentric geometric circular charts with precise ticked rings, small technical graphs and axes, and stacked lines of glowing matrix code, all rendered as thin luminous strokes that are visibly stepped and interrupted by the scanlines passing over the glass. The glow of the screen throws a weak cyan underlight onto the underside of the hands and the lower rim of the hood.
The robe's hem is the dissolve point: below the waist the fabric stops behaving like cloth and breaks apart into vertical pixelated data columns, each a stack of crisp cyan squares that step down and out of existence, thinning and dimming until they merge into pure black about a third of the way up the frame from the bottom — no floor, no shadow, nothing below.
Over the entire canvas runs the transmission damage: a dense interlaced raster overlay and heavy horizontal scanlines banding everything, broken CRT signal tearing that rips the silhouette at the shoulders and hips, and sharp glitch bands slicing through the figure — misregistered horizontal offsets where the image jumps a few pixels sideways. At every torn contour the channels split, purple and magenta chromatic aberration bleeding off the edges of the hands, the visor and the hem's pixels while the core stays cyan. Thick clean black ink-noir line art draws the structural edges over the glow, and the whole image holds a high-contrast chiaroscuro: brilliant cyan and hot white screen content against absolute black, nothing in between but the violet fringing. Ink-noir anime rendering with hard cel edges, flat blacks and no soft gradients, the light source being the entity's own projection and tablet alone; beyond them the darkness is complete.
Eerie and monolithic.
Roger Albertsen
ra
1girl, solo, full body, floating, hologram, genderless, androgynous, hooded robe, hood down, absolute dark void inside hood, glowing horizontal visor, cyan light projection body, data-visor, holding tablet, tablet held flat at chest, semi-transparent tablet, wireframe diagram on screen, circular charts, technical graphs, matrix code, scanlines, interlaced raster overlay, glitch, vhs tracking errors, glitch bands, chromatic aberration, purple and magenta fringing, signal tearing, pixelated data columns, dissolving into darkness, ink-noir line art, thick black lineart, high contrast, chiaroscuro, pitch-black background, front-facing, looking straight ahead, symmetrical composition, cyberpunk graphic novel illustration, dark, ominous
The image is a full-body, dead-front symmetrical view of an androgynous, genderless floating hologram entity suspended on an absolute pitch-black field, its head level and its blank visor aimed straight out at the viewer, nothing else in the frame but the figure and the black. It has no visible body beneath the robe — only a hooded robe built from sharp luminous cyan light projection, its fabric reading as hard-edged planes of glowing cyan rather than cloth, edge-lit so the folds stay crisp and blade-thin against the dark. Inside the hood there is a total dark void, no face, no features, just an absolute black hollow; across the front of that void a single bright horizontal data-visor glows, its light spilling faintly onto the hood's cyan inner rim.
In front of its chest, two projected hands — glowing cyan, fingers sharply defined, nails undefined flat light — hold a semi-transparent tech tablet flat, screen facing outward to the camera. Through the tablet's glass the black background and the robe's glow show faintly. On the screen: an emissive wireframe sector diagram, concentric geometric circular charts with precise ticked rings, small technical graphs and axes, and stacked lines of glowing matrix code, all rendered as thin luminous strokes that are visibly stepped and interrupted by the scanlines passing over the glass. The glow of the screen throws a weak cyan underlight onto the underside of the hands and the lower rim of the hood.
The robe's hem is the dissolve point: below the waist the fabric stops behaving like cloth and breaks apart into vertical pixelated data columns, each a stack of crisp cyan squares that step down and out of existence, thinning and dimming until they merge into pure black about a third of the way up the frame from the bottom — no floor, no shadow, nothing below.
Over the entire canvas runs the transmission damage: a dense interlaced raster overlay and heavy horizontal scanlines banding everything, broken CRT signal tearing that rips the silhouette at the shoulders and hips, and sharp glitch bands slicing through the figure — misregistered horizontal offsets where the image jumps a few pixels sideways. At every torn contour the channels split, purple and magenta chromatic aberration bleeding off the edges of the hands, the visor and the hem's pixels while the core stays cyan. Thick clean black ink-noir line art draws the structural edges over the glow, and the whole image holds a high-contrast chiaroscuro: brilliant cyan and hot white screen content against absolute black, nothing in between but the violet fringing. Ink-noir anime rendering with hard cel edges, flat blacks and no soft gradients, the light source being the entity's own projection and tablet alone; beyond them the darkness is complete.
Eerie and monolithic.
Roger Albertsen
デッカー
ケルベロス
Explore more
Recommended Users
You might like
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).｡*♡ 🍁 ☕
(mai)
Comments